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noneLee, Ming-Wei 21 July 2004 (has links)
Summary
It is the most important divide in 1993, before that, the broadcasting in Taiwan is self-contained and monopolized. The government authorities had made applications of channels open to the public access officially for 10 years since 1993. Early and late, there¡¦re more than 100 low-powered, medium-powered, and high-powered radio stations have established and the amount has reached around 300~350 ones if you count illegal underground broadcasting stations in. That is the highest density and most chaotic area all over the world. Not only variety devices but also new fantastic guise, the broadcasting market in Taiwan with furious and flaming competitions, and each one goes his own way. Because an excess of radio stations, all of them are tired out to operate.
Opening up newspapers and TV programs, as a result of high initiative limits, few companies have acceded to the market and competed with each other intensely. Recently years, most mess mediums are in a red. As long as you can talk, you can have a chance to be a DJ. Not going into the program quality, it still has specific audiences. And even more some radio stations are striving for their listeners by showing political standpoints instead of caring about the profit and custom. Therefore, the feature of broadcasting industry of Taiwan is carrying on broadcasting stations¡¦s extremely difficult and tough.
The superficial measure of Taiwan is not vast and the population is not multitudinous either, and the social structure between northern and southern part is widely dissimilar. Professor Wang ming-sheng said, the people who live in south part in Taiwan are short of citizen accomplishments, then it makes cultural standings are quite different. By this way, marketing tactics are changing, too. Such as languages, industries, educational standings and elder age level, they are business elements you have to consider. This is the key subject we want to keep researching and making a study constantly.
Key words: Format, DAB, Internet Radio
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Radio on the internet opportunities for new public spheres? : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Communication Studies (MCS), 2008 /McEwan, Rufus William. January 2008 (has links)
Thesis (MCS) -- AUT University, 2008. / Includes bibliographical references. Also held in print (vi, 137 leaves ; 30 cm.) in the Archive at the City Campus (T 302.231 MCE)
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Life Style and Behavior of Internet Radio AudienceWu, Fen-Man 03 July 2000 (has links)
Life Style and Behavior of Internet Radio Audience
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Die gebruik van klank om nuus op die Internet oor te draDe Jager, Augustinus Kock 03 1900 (has links)
Thesis (MPhil)--University of Stellenbosch, 2003. / ENGLISH ABSTRACT: In this work I explore the use of sound as a means of
presenting news to the user of the Internet. I accept that
news sound as such, as it is presented on radio, is an
effective mass communication medium. From there I ask the
question if this sound, with the same underlying principles
used in radio, can be effectively used on the Internet.
This opposed to real changes made in the gathering,
preparation and presentation of sound to be effective on
the Information Superhighway.
In the first chapter I look at the methods (good and bad)
utilized to present sound on the radio. When I present a
model for Internet use later in the work (chapter 5) I use
these as a starting point. Some definitions are formulated,
which also become important in chapter 5.
In the second chapter I touch on the origins of the
Internet and the use of web sites to provide a news
service. I explore the methods employed by news specific
sites to communicate information to Internet users and I compare that to uses on a non-news site, in this case
National Geographic.com. Again I use the positive aspects
of the study of these sites to form part of the model
presented in chapter 5.
Chapter 3 is dedicated to the technological development of
the Internet and the use of multimedia to convey
information. I also touch on the future of the information
system and the expectations and requirements these
developments would put on journalists working on the
medium.
In chapter 4 I compare the way in which three news sites
handled the covering of the terrorist attack on America.
Because of the territorial advantage, I choose to look at
the coverage one year after the event. The positive use of
text, video, sound and images on these three sites are used
to format the model in the next chapter.
As said previously, chapter 5 contains a model for the use
of multimedia, specifically sound, to convey news
information on the Internet. While the focus is on sound, I
suggest here that the model is applicable to all the aids
available to the Internet producer. / AFRIKAANSE OPSOMMING: In hierdie werkstuk ontleed ek die gebruik van klank as 'n
werktuig om nuus aan die Internetgebruiker oor te dra. Ek
gaan van die beginsel af uit dat nuusklank op sy eie, met
ander woorde soos dit op die radio uitgesaai word, wel 'n
effektiewe, vinnige metode is om nuus aan massas mense oor
te dra. Die vraag word gevra of klank op dieselfde manier,
met dieselfde grondbeginsels en gebruike, 'n effektiewe
medium is om nuus op die Internet aan te bied. Dié vraag
word in teenstelling geplaas met die moontlikhede dat klank
liefs op die radio hoort en nie deel behoort te wees van
nuuswebtuistes nie, of dat daar wesenlike veranderinge
gemaak behoort te word aan die nuus wat op die radio
aangebied word, voor dit effektief op die Internet gebruik
kan word.
In die eerste hoofstuk kyk ek na die oorsprong en
geskiedenis van radio en daarna na die ontwikkeling van
nuus op radio. Ek behandel die beginsels van radionuus, met
die doelom hierdie kenmerke dan later in die werkstuk
(hoofstuk 5) te gebruik as die grondbeginsels vir 'n model
vir die gebruik van klank om nuus op die Internet oor te
dra.
Ek kyk na die goeie en slegte praktyke wat in die oordrag
van nuus op radio ontstaan het en probeer hierdeur sif om
nie dieselfde swakplekke by die bogenoemde model in te
sluit nie. In hierdie hoofstuk formuleer ek dan definisies
vir die verskillende gebruike van klank om nuus oor die
radio oor te dra. Hierdie definisies word ook later gebruik
in die model vir die effektiewe gebruike van nuusklank op
die Internet.
In die tweede hoofstuk kyk ek na die oorsprong van die
Internet, en dan (in meer detail) na die ontstaan van
nuuswebtuistes. Ek ontleed die manier waarop inligting aan
Internetgebruikers oorgedra word, op webtuistes wat
spesifiek vir nuus geskep is, maar ek vergelyk dit ook met
'n webtuiste wat na my mening die Internet se kenmerke
behoorlik aanwend om inligting oor te dra, nl.
NationaIGeographic.com.
Die goeie en slegte punte van die oordrag van inligting op
die medium word ontleed, om ook later deel te vorm van die
model in hoofstuk 5.
Ek kyk in die derde hoofstuk na die tegnologiese
ontwikkeling van die Internet en die gebruik van multimedia
op die netwerk. Daar word ook geraak aan die toekomsmoontlikhede van die oordrag van groot hoeveelhede
data (soos klank en video) op die netwerk.
Soos die tegnologie ontwikkel, moet die persoon wat die
produk daarstelontwikkel, en ek kyk na die vereistes wat
aan joernaliste/vervaardigers van Internetnuus gestel word.
In die vierde hoofstuk vergelyk ek die Internetaanbiedings
van 'n spesifieke nuusgebeurtenis, die aanval op Amerika op
11 September 2001, van drie nuuswebtuistes. Ek kyk na die
aanbiedings van die BBC, CNN en die SAUK, spesifiek na die
gebruik van teks, grafika, video en klank om nuus aan
Internetgebruikers oor te dra. Die (goeie en minder goeie)
gebruik van klank op dié drie webtuistes vorm dan die basis
van die model wat ek in hoofstuk 5 aanbied.
Die vyfde hoofstuk word gewyaan die daarstelling van 'n
model om klank as nuusmedium op die Internet te gebruik. Ek
kyk na die beginsels van die goeie gebruik van klank wat in
die eerste hoofstuk daargestel is en probeer dit verwerk
vir gebruik op die Internet.
Hoewel ek nie spesifiek die gebruik van ander media, soos
teks, video en grafika, behandel nie, doen ek in hoofstuk 5
voor dat die model vir al die hulpmiddels op die
Internetnuuswebtuiste kan geld.
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Swahili and the internet IISchmitt, Elenore 30 November 2012 (has links)
The net has become a widely used means of information and communication within the academic community and beyond. After the glimpse into German-speaking universities with Swahili studies, and the fascinating Kamusi project hosted by Yale University in our last number, we will plunge fully into life this time. There are several Tanzanian and Kenyan newspapers on the net now, most of them offered for free, some requiring subscription. One can find out about radio programs, the time they are being broadcast. Most of the radio stations offer to listen to the program in RealAudio. Students from East-Africa in the USA or in Canada maintain their own sites and offer information on their countries and culture, and many links to other sites related to Swahili language and culture. Johannes Fabian and Vincent de Rooij of the University of Amsterdam are in the process of setting up an internet journal on popular culture in Africa, Swahili texts being a special area of interest.
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Enacting citizenship through broadcasting: a case study of an internet radio station in Hong Kong.January 2008 (has links)
Leung, Ka Kuen. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 167-180). / Abstracts in English and Chinese. / Chapter Chapter 1 - --- Introduction --- p.1 / The Global Rise of Internet Independent Media --- p.1 / Hong Kong - The Rise of Internet Activism --- p.4 / Direction of the Study --- p.6 / Structure of the Thesis --- p.9 / Chapter Chapter 2 - --- Literature Review --- p.11 / Radical Democracy Citizenship --- p.11 / Citizens' Media as Political Space --- p.17 / Transition from Radio to Internet Radio --- p.23 / Chapter Chapter 3 - --- "Hong Kong Civil Society, Citizenship and Radio Industry" --- p.31 / Hong Kong Civil Society and Citizenship --- p.31 / The Political Inclination of Hong Kong Radio Broadcasting --- p.35 / Chapter Chapter 4 - --- Research Design and Methods --- p.40 / One-Case Design --- p.40 / Research Questions --- p.41 / Research Methods --- p.42 / Chapter Chapter 5 - --- The Denial of Radio Broadcast Rights in Hong Kong --- p.48 / Government Control of Broadcasting Policies --- p.49 / Powerlessness of the Political Society --- p.51 / Failed Promise of the Mainstream Media --- p.54 / Chapter Chapter 6 - --- The Rise of PRHK as Political Struggle --- p.57 / The Emergence of Internet Politics in 2003 --- p.58 / Anti-Tung Solidarity: Continuation of People Power --- p.62 / Internet Radio as Hot Property from 2003 to 2004 --- p.65 / Action-Reaction: Internet Radio as Transitional Project --- p.68 / Chapter Chapter 7 - --- PRHK as Radical Democratic Media Association --- p.72 / PRHK as Participatory Citizens' Media --- p.72 / PRHK as Self-managed Media Association --- p.84 / Chapter Chapter 8 - --- PRHK as Radical Democratic Media Site --- p.98 / Positioning of PRHK Media Operation --- p.98 / Independent Internet Radio Programs --- p.113 / Citizens Matter More Than the Platform --- p.123 / Chapter Chapter 9 - --- Conclusion and Discussion --- p.129 / Summary of Findings --- p.129 / Broader Implications --- p.134 / Limitations of the Study and Further Suggestions --- p.142 / Concluding Remarks --- p.145 / Appendices --- p.147 / Bibliography --- p.167
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Cruz Ancla: programa de radio onlinePadilla-Collomp, Daniela January 2017 (has links)
Trabajo de suficiencia profesional
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Youth Web Radio in Beijing: Our StoryRoberts Colburn, Shana January 2021 (has links)
My dissertation is a story of journey. In one sense it speaks to the ways in which my assistant, Fei, and I decided to attempt research inside a very small internet radio station that I came to call Youth Web Radio (YWR) for the purposes of this dissertation. YWR was the first licensed internet radio station in China. It was a station intended for a young audience. It was also the brainchild of the Beijing Communist Youth League and the product of university-educated creatives. It operated out of Beijing from 2005 to 2018, and fully closed down due to a lack of the resources necessary to make a full transition from a project of the party-state to a viable profit-generating commercial organization. At times the story I write moves around the idea of fieldwork. The actual time I spent in the field was from November 2014 to July 2015. But the journey that I write in this dissertation entails more than the days when we were on the ground in Beijing for the research. It includes narrative that speaks to how previous trips and life experiences started to build an energy and desire in me to do some kind of post graduate work in China, or rather on an aspect of what I had been experiencing in China, which had much to do with education. It also includes narrative that speaks to the circuitous path it took to find YWR as a field site, but also as a focus or draw for an attempt at ethnography.
At other times the story I write moves around the conception of time though never in a straightforward explicated sense—more so in the way the narratives reach into different pockets of my life at different moments, and find their way into the story. I somehow couldn’t write this dissertation without including pieces from moments in my life that in one sense felt removed from the task at hand, which was to tell an ethnographic tale of a sole fieldwork experience. Yet in the sense of lens and connection, they felt utterly important to our story and as if to leave them out meant leaving out a piece of the truth of the writing. Though this story is about my personal journey, I write it as our story due to the ways in which it is also about the different people I have encountered in my life in time and in place, to of course include the fieldwork experience, and who I see as contributors to the way the story unfolds—scholars, thinkers, friends—and in the sense of this being an anthropological endeavor as interlocutors as well. In this dissertation, lived transition is about both interlocutor and anthropologist, the story the interlocutor tells and that the anthropologist writes is also about the transition in which the anthropologist herself is engaged. Through this lens of lived transition the dissertation speaks to my own life and in doing so speaks to how a group of young people narrated “becoming a company” and “internet radio” in China’s government-monitored media industry, and as to how I came to write their story as our own.
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Internet radio: Identifying administrative and regulatory gaps in a cyberspace world without bordersSundstrom, Linda-Marie 01 January 2002 (has links)
The purpose of this paper is to identify gaps in regulatory policies resulting from the emergence of Internet radio. To accomplish this purpose, the paper seeks to: 1) provide insights into agencies that may have direct involvement in potentially regulating Internet radio; 2) explore the concepts of jurisdiction in cyberspace; and 3) address the regulatory challenges that exist when traditional country borders no longer apply.
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