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This thesis explores the current situation of the minority language, Veneto, in the bilingual Italo-Mexican community, Chipilo, located close to Puebla, in central Mexico. The study analyzes the attitudes of bilingual Spanish-Veneto speakers of Italian descent towards their language and the attitudes of monolingual Spanish speakers towards the former group. Using quantitative and qualitative data, particularly the interviews and the questionnaires, the study seeks to determine the possible outcomes of these attitudinal relations and the affect they have on the future of the Veneto language.

Dialogue is a written text representing an oral exchange between two or more persons; it also includes catechisms and rhetorically formulated series of queries and responses presenting an argument. The purpose of my thesis is to identify the main non-dramatic dialogues published in France and Italy between 1800 and 1914 and--through their discursive analysis--to provide an assessment of their signification and their impact on modern social discourse. / The first part focuses on the general discourse elements of modern dialogue, such as narrativity, rhetorical devices, character definition and function, paratextual structures, etc. / The second part includes a series of text analyses that proposes a study of ideological tendencies of modern social discourse through the most representative dialogues of the age. / Finally, the third part concentrates on the literary value and the build-up of dialogue as an aesthetic structure towards the end of the XIXth century and at the turn of the XXth century.

Focusing on Montreal Italian social networks, this thesis examines the ideological nature of ethnicity, and its functioning in political processes in urban Quebec. The ideological dynamics of ethnicity are revealed in the process of the creation and re-creation of belief in "Italian family", as a distinctive 'Italian' culture. This first separates Italians into different families and regional groups of paesani, but then brilliantly unites Italians into one group according to necessity. In political processes, various Italian associations and presidents are connected to formal politics through the mediation of Italian political brokers. The extensive construction of suburban residences created Italian economic elites and affected other sectors of the economy. Significantly, Italians attempt to keep business within Italian networks. This 'nationalistic' aspect of networks aims to maximize interests within the group. Such dynamic Italian politico-economic networks extend to the further level of formal politics in which federalist Liberals and separatist Parti Quebecois are principal rivals.

Understanding the lives of Italian women who migrated to Canada and Australia in the post-war period is the goal of this thesis. Although governments assigned women secondary roles as dependants and 'followers' in the migration process, I argue that Italian women were central, not marginal, to the migration and settlement experiences of Italian immigrants. By placing Italian women front and centre of this study, I contribute to a small but growing body of work that challenges the male-centred perspective of most literature on Italian-Canadian and Italian-Australian migration and ethnicity. / This thesis is structured within a feminist framework and uses interdisciplinary methods to gather and interpret quantitative and qualitative information about the lives of Italian immigrant women in post-war Canada and Australia. Using government and church archives, personal interviews, ethnic newspapers, legal documents, marriage registers and participant observer fieldwork, I explore three major themes. / Firstly, I examine Italian immigrant women's understanding of power relations within their homes and workplaces. Rather than cast women as either passive victims or all-conquering heroines, I present the complexity of the sources of power and weakness in immigrant women's lives. I argue that Italian immigrant women had to cope with exploitation and disadvantage because of their class, gender and ethnic status. However, they responded to these challenges with resistance and resilience, and were able to affect change and wield power within certain constraints. / Secondly, I compare the experiences of migration and settlement for Italian immigrant women in Canada and Australia and show how women's experiences were united by common gender concerns. I found overwhelming similarities between the family lives and work experiences of Italian-Canadian and Italian-Australian immigrant women, and in the government policies and programs that attempted to direct their migration and settlement in the post-war period. / Finally, I examine how Italian immigrant women helped to construct what it means to be 'Italian' in post-war Canada and Australia. I show how gender roles assigned to, and chosen by, Italian-Canadian and Italian-Australian women, served as boundary markers for ethnic difference. Perceived differences in attitudes towards waged work, mothering, family responsibilities and sexuality were used by Italian immigrant women to distinguish themselves as members of an ethnic collective.

Writers and poets who wrote in the "language of Venice" are far more numerous than is commonly reported in the history of Italian literature. It is the purpose of this dissertation to present and highlight their works. / Since here we mainly deal with writers and poets of the second half of the twentieth century, for which there is no roll call, we deemed it appropriate to research and introduce them, supplying for each of them detailed biobibliographical data. / In the course of our work we tried to sketch a subdivision of the matter which keeps in mind what has been previously done, but which is also new if one takes into account the whole scope and breadth of this literature.

Partant du constat de l'importance du sujet pour le peintre futuriste a une epoque ou les avant-gardes europeennes tendent a l'abstraction, la presente etude demontre que la ville fut un theme capital dans l'elaboration de l'esthetique futuriste. En effet, les peintres italiens ne cherchaient pas tant a depeindre l'apparence, l'aspect visible de la ville qu'a apprehender de facon conceptuelle les idees-forces qui en emanaient. A travers l'entite "ville", ils revelerent les concepts inherents au monde moderne et en etablirent les equivalents plastiques. / Ainsi, c'est a travers le sujet de la ville que s'expriment les idees-forces les plus originales du mouvement, telles que la modernolatrie, le dynamisme universel, la vitesse, le devenir, la transformation, l'unanimisme et le simultaneisme, illustres dans trois chapitres intitules 'La ville montante', 'La ville electrisee' et 'La ville simultanee'. Geux-ci demontrent comment certains motifs recurents du cadre urbain comme les echafaudages des chantiers de construction, les lampadaires, les foules ou les bolides sont transcendes par ces idees-forces. La representation de la ville par les futuristes ne releve pas simplement de la description mais d'un programme d'abord politique puis esthetique: l'avant-garde italienne a cree une nouvelle conception du beau, a revele la beaute de la ville moderne et des valeurs qui lui sont inherentes.

Although the figure of the warrior woman has always existed as a literary topos, the popularity of the warrior woman figure has never been greater than in the period of the Italian Renaissance. The character of the female warrior in the 14th and 15th centuries in Italy results from many literary traditions ranging from the Amazons of classical and medieval times, to the many versions of the Aeneid to the character of Aigiarne in the Milione of Marco Polo. In addition, other examples exist of female characters who demonstrate their fighting capabilities who, without necessarily being considered warrior women, have helped nonetheless to shape the character of the warrior woman in the Italian Renaissance. The main objective of this thesis is to document the formation of the warrior woman figure in Italian Cavalier Romance poems dating from the late 1300's to the early 1400's before the great poems of Pulci and Boiardo.

The thesis is divided into three parts. Part One treats Beni's life and works from his birth in 1553 to 1604. His birth, his ancestry, his early education, his early careers, his Jesuit career and its aftermath are described from documentary evidence. His works of this period, most of which are inextricably connected with his life, are also briefly treated, Part Two narrates the events of the remainder of his life: his writing, his teaching, his publishing, his polemical writing, his relationship with his family, his last illness and death. Part Three provides a more ample critical assessment of his major writings after 1604, grouped according to subject-matter. Chapters are devoted to his criticism of Tasso, to his linguistic writings, to his theory and practice of poetry, history and rhetoric. The conclusion summarizes the pattern of his life and reassesses his importance. The Bibliography is divided into two parts. The first contains Beni's writings in three sections: (a) published works, with a note on the Opera omnia; (b) MS works; (c) a chronological reference list of his (mostly unpublished) letters. Part Two contains all other works consulted, MS and printed.