The thesis is concerned with the matter of intersubjectivity, traditionally called as ?a question of the other minds?. The new approach in this area was brought mainly by two philosophical movements: by phenomenology and by dialogical personalism. They both reacted to each other in this point, and their reflexions upon this matter resulted in very outstanding discoveries, with influence untill nowadays. Thesis introduces the concept of the Other in each of both mentioned traditions, simultaneously tries to grasp surprisingly similar result of philosofical analysis in different traditions, and also tries to stress the primacy of ethics in historical development of both traditions as a place of meeting of (the other) minds.

The thesis deals with a philosophical conception of an Austrian thinker of the 20th century Ferdinand Ebner in his life?s work ?Das Wort und die geistigen Realitäten: Pneumatologische Fragmente? (1921). Not only his life and the persons who influenced Ebner?s work were taken into account, but also the cultural-historical context of the period in which his original thoughts evolved. The heart of this paper lies in the introduction and explanation of the basic terms and theses that are crucial for Ebner?s philosophy, or more precisely his pneumatology. This part also contains Czech translation of some of the most important passages of Ebner?s work.

This thesis raises diagnosis of the term creativity and related terms in the semantic sphere of students of teaching and primary school teachers. The aim of this work is to find out to what extent the perception of some chosen scholarly concepts are related comparing students of pedagogical faculty and experienced primary school teachers. The theoretical part includes the chapter about the theory of research in pedagogy and defines the method of semantic differential. The next chapter theoretically defines the concepts. The practical part includes the results of the research that are supported by needed tables and graphs.

This diploma thesis explores the lyrical poetry of Eduard Mörike (1804-1875), a German poet. The topic of the thesis is theencountering of nature and love in his works. This poet, less known in the Czech context, wrote various kinds of poems, which deserve attention. The thesis is divided in two parts, theoretical and interpretative. In the first part, the thesis focuses on giving an overall context (I deal with a historical context, literary epochs, during which Eduard Mörike wrote, his personality and general introduction in lyrical poetry). The second part of my thesis aims to interpret selected poems, which are divided bytheir themes: romantic love, the morning, wayfaring, the forest and the so-called "Dinggedichte," or poems focusing on understanding and appreciation of a single item. In each poem, a mood or feeling that characterizes the poem is described, who is the speaker within the poem, and which topics of love and nature can be observed. From the perspective of form, I analyze the rhyme scheme. The analysis of each thematic group also contains a comparation of the poems. The interpretational part aims to connect and evaluate the interweaving of love and nature in the poetic works of Eduard Mörike and touch upon the deeper meaning of the poems. Its aim is also to make the selected works...

Volunteering - one of the topics which are still present in the society, as it can be perceived as a unique instrument to solve social challenges or organizing society with its specific conditions. The topic of my diploma thesis, based on the grounded theory method, is the process of building and maintaining the relationship of the volunteer to their voluntary work from the volunteers' perspective. I was curious as to what circumstances or limits accompany the forming of such a relationship in the social context and if certain "prototypes" can be found, which would differ in negotiating their role to their surroundings. In my thesis, I focus exclusively on those volunteers who have been given the "Křesadlo" award for the volunteer of the year, which provides the framework of this relationship. I would like to use my results to enrich the knowledge of volunteering's image, which could be used both on the academic field and when working with volunteers. Keywords: civic sector, volunteering, self-perspective, role, identity, "looking-glass self", norm, defence mechanisms, information management, Křesadlo.

The thesis focuses on the irreducibility of the concept of a person to scientific view of the world. The main inspiration for thematising this specific aspect of folk dualism comes from Donald Davidson (two realms) and Wilfrid Sellars (two images). The theoretical sections are complemented by reflexion on results of empirical studies provided mostly by experimental philosophy in order to demonstrate how this approach benefits attempts to reach complex view of philosophical questions that have close connection to moral dimension of human life. The first chapter addresses a wider concept of self and introduces the idea of the necessity to bring the two conceptual realms on the scene: there is a specific conceptual realm (irreducible to physical realm or scientific image) enabling proper grasp of the concept of a person. The subsequent chapters address particular sub-concepts of the concept of self. The second chapter focuses on the concept of free will, and by referring to different views it points to the necessity to bring folk concepts into consideration. It concludes that the folk concept of free agent is transcendent with regard to scientific accounts and bears certain "supernatural" characteristics connected to the concept of conscious will. The third (and central) chapter brings focus on the...

A number of renown poets and writers were born in the Czech Vysocina area and continued to return there throughout their lives. This thesis aims to compare the works of four Czech poets which feature reflections of the Vysocina region. In his collection of poems "Greetings to the sun", Jan Zahradnicek focuses on the sun as it shines upon the region and assists local inhabitants in their work. In his lyrical prose "I shall return there..." Frantisek Halas reveals incredible nature scenery as he introduces seasonal changes in the region. In Bohuslav Reynek's collection of works named "The sawing of loneliness" the region becomes the setting of the poet's conversation with God. In his collection of works titled "Springs opening" Miloslav Bures portrayed the annual tradition which every year renewed man's relationship with life giving nature.

Este trabalho tem por objetivo adensar o efeito performativo da leitura que se pode fazer aqui e agora de diferenciados rasgos das obras do poeta francês Stéphane Mallarmé e da escritora brasileira Clarice Lispector. Sem a intenção de fazer um estudo exegético da totalidade dos escritos desses autores, procederemos por eleger pedaços de suas produções ficcionais que nos afetaram corporalmente e que compõem a trilha do desejo de escrita que se erige a partir deles. Na releitura que fazemos desses dois artistas, evidenciada pela intersecção de ambos aqui promovida, alguns veios temáticos neles recorrentes se fazem notar tais como: a configuração de objetos estéticos que se colocam em relação de similitude com seus padrões referencias; a assunção da palavra que nada designa; certa santidade laica; a orquestração do rumor; o mergulho na premência do instante-já; a impotência diante da linguagem; e o desaparecimento do eu. Das paisagens discursivas que aí vislumbramos, imputamo-nos a tarefa não de responder à pergunta o que, no fundo, tais textos significam?, mas sim o que eles nos fazem desejar escrever? / This work aims to deepen the performative effect of reading that can be done here and now various tears of works of the French poet Stéphane Mallarmé and the Brazilian writer Clarice Lispector. Without intending to do an exegetical study of all the writings of these authors, we opted to elect pieces of his fictional productions that affect our bodies in and composing the score for the desire of writing that is established from them. In rereading what we do these two artists, as evidenced by the intersection of both promoted here, some recurring themes shafts in them are remarkable such as the configuration of aesthetic objects that arise relationship of similarity with their reference standards; the assumption of the word that does not means nothing; certain secular holiness; the orchestration of the rumor; the dip in the urgency of the now-instant; impotence towards the language; and the disappearance of the self. Discursive landscapes glimpsed there, we gave ourselves the task does not answer the question \"what, in the background, such texts mean?\", but rather \"what they make us want to write?

This thesis deals with the question of just and unjust violence and also compares approach to the just violence today and in the past. It presents comparison of systems of if-conception self-defense and MS-1 self-defense which comes from sindefendology. From this comparison is clear, why it is necessary to refuse all so called if-conceptions self-defense (jujitsu, aikijitsu, karate, kenjitsu or other similar systems). The two main sources of this thesis are sindefendology (science of self-defense) and Christian ethics. The criteria for ethical justification are following: St. Thomas Aquinas's Summa theologiae, Catechism of theCatholic Church and real possibilities of attacked person to defense (with regard to dangers, which come from the situation). It is necessary to distinguish between self-defensive and self-protective situations. This distinction helps to comprehend the nature of combat situation, and therefore also to choose the ethical acceptable actions on time. There are described some cases which shows importance of the knowledge of sindefendology about real possibilities of attacked person. Course of justice without the knowledge of sindefendology and ethics can be unjust for attacked man.

This doctoral thesis is concerned with autobiographical forms, their general characteristics as well as with three examples of Czech works of art that prove how difficult it is to make that general characteristics and show various kinds of autobiographical narrative. It aims to show the often heterogeneous character of the so- called autobiographical genres, and present some approaches in their study. In the opening chapter, we define the term autobiography or autobiographical form in regard to literary history and theory, and special attention to Czech research in this field. We concentrate on the genre specifics of autobiographical forms, the opposition of "literary" and "authentic" diary, the term "autobiographical pact" coined by Philippe Lejeune and several patterns of autobiographical memory introduced by James Olney. The key aspect of our study is the nature of autobiographical form derived from the subject's style and illocutionary acts, i. e. stylization as defined by John Searle followed by Jean Starobinski or Paul de Man. Out of the wide spectrum of issues connected with autobiography we focus on the description of the subject's narrative structure, mainly on its language, style, frequent motifs, its memory and relationship to other characters in its text. The complexity of the very...