Este trabalho tem por objetivo adensar o efeito performativo da leitura que se pode fazer aqui e agora de diferenciados rasgos das obras do poeta francês Stéphane Mallarmé e da escritora brasileira Clarice Lispector. Sem a intenção de fazer um estudo exegético da totalidade dos escritos desses autores, procederemos por eleger pedaços de suas produções ficcionais que nos afetaram corporalmente e que compõem a trilha do desejo de escrita que se erige a partir deles. Na releitura que fazemos desses dois artistas, evidenciada pela intersecção de ambos aqui promovida, alguns veios temáticos neles recorrentes se fazem notar tais como: a configuração de objetos estéticos que se colocam em relação de similitude com seus padrões referencias; a assunção da palavra que nada designa; certa santidade laica; a orquestração do rumor; o mergulho na premência do instante-já; a impotência diante da linguagem; e o desaparecimento do eu. Das paisagens discursivas que aí vislumbramos, imputamo-nos a tarefa não de responder à pergunta o que, no fundo, tais textos significam?, mas sim o que eles nos fazem desejar escrever? / This work aims to deepen the performative effect of reading that can be done here and now various tears of works of the French poet Stéphane Mallarmé and the Brazilian writer Clarice Lispector. Without intending to do an exegetical study of all the writings of these authors, we opted to elect pieces of his fictional productions that affect our bodies in and composing the score for the desire of writing that is established from them. In rereading what we do these two artists, as evidenced by the intersection of both promoted here, some recurring themes shafts in them are remarkable such as the configuration of aesthetic objects that arise relationship of similarity with their reference standards; the assumption of the word that does not means nothing; certain secular holiness; the orchestration of the rumor; the dip in the urgency of the now-instant; impotence towards the language; and the disappearance of the self. Discursive landscapes glimpsed there, we gave ourselves the task does not answer the question \"what, in the background, such texts mean?\", but rather \"what they make us want to write?

This work aims, in a rather contemplative manner phased into three related parts, to discuss two concepts indispensable for Hegel's entire philosophy of life and history: language and memory. In Part I, I examine the triple relation between language and thinking, thinking and reality, and reality and language. I argue that language shares a logical structure with thinking and reality, and is itself the performative principle (or acteur) of creating reality, being itself the externalizing tool of the movement of thinking without which any development of the Spirit would not be possible. Part II targets the concept of memory and its function within thinking and action of self-consciousness. It is argued that Hegel's language functions as the modern concept of discourse in terms of its agency in reality. Memory is understood as fundamentally entangled with matter, or the material objectivity that calls in memory to be named, i.e. posited in language. Memory is an interiorizing principle, language is the exteriorizing principle, both deeply rooted in the so-called night of the self of each spirit. I also discuss the subject-objective relation against the background of memory, before moving onto Part III which generally tackles the process of the self-expression of the Spirit in history, the distinction...

This work aims, in a rather contemplative manner phased into three related parts, to discuss two concepts indispensable for Hegel's entire philosophy of life and history: language and memory. In Part I, I examine the triple relation between language and thinking, thinking and reality, and reality and language. I argue that language shares a logical structure with thinking and reality, and is itself the performative principle (or acteur) of creating reality, being itself the externalizing tool of the movement of thinking without which any development of the Spirit would not be possible. Part II targets the concept of memory and its function within thinking and action of self-consciousness. It is argued that Hegel's language functions as the modern concept of discourse in terms of its agency in reality. Memory is understood as fundamentally entangled with matter, or the material objectivity that calls in memory to be named, i.e. posited in language. Memory is an interiorizing principle, language is the exteriorizing principle, both deeply rooted in the so-called night of the self of each spirit. I also discuss the subject-objective relation against the background of memory, before moving onto Part III which generally tackles the process of the self-expression of the Spirit in history, the distinction...

The purpose of my dissertation is to analyze and further elaborate upon its main topic: the questions that are of a mutual deep interest to both medicine and philosophy. The dissertation has three parts. In the first part, I will introduce some of the key terms that will be used throughout the text. The second part, central to my work, is concerned with three possibilities that are offered to us - play and playing, dream and dreaming, poetic being - all become the places where comprehending, listening (to both the speech and the silence) and responding materialize. Playing, dreaming, poetic being - each offers our daily reality the beauty of transcending its borders without destroying them; in fact, they become a free spirited, passionate interest that enhances and makes valuable the ordinariness and finiteness of our daily lives. Freedom and Responsibility; I and the Other Person; Illness and Hope - each having its physical aspect and each being considered through the dimensions of seriousness and unseriousness, reason and unreason - will be rethought through playing, dreaming and poetic being, providing new insights of an engaged, passionate practice of philosophy and medicine. The third part, concerned with application on the two areas - I, the Child, and the Parenthood; and the Therapist and...

This diploma thesis explores subjectivity in the domain of so-called digital writing, that is, in texts of largely experimental nature generated by computer algorithms (or with their assistance). In order to do so, the thesis briefly covers the history of digital writing, its mediatic specificities, poetics as well as various theoretical and philosophical conceptualizations. Most importantly, it undertakes an analysis of a post-lyrical subject, a concept devised by Janez Strehovec, that is common to all cases of generative writing under focus. For its comparative analysis, the thesis deals with the recent works from contemporary creators who approach algorithmic textuality from variegated perspectives, incl. Nick Montfort, Allison Parish, Stephanie Strickland, Li Zilles, and Jörg Piringer. Texts generated by programs are conceived of as expressing a new, parasitic and prosthetic, genus of cyber-textual subjectivity that defies the traditional lyric and expands its pool "by other means," as Marjorie Perloff would say. Such a tendency results in conceptually as well as formally complex literary corpus "infected" by - to further exploit the suggested metaphor - parasitic voices and prosthetic selves. Unlike in generic lyric, the post- lyrical subject surpasses the confines of poetry as genre; it is...

The purpose of my dissertation is to analyze and further elaborate upon its main topic: the questions that are of a mutual deep interest to both medicine and philosophy. The dissertation has three parts. In the first part, I will introduce some of the key terms that will be used throughout the text. The second part, central to my work, is concerned with three possibilities that are offered to us - play and playing, dream and dreaming, poetic being - all become the places where comprehending, listening (to both the speech and the silence) and responding materialize. Playing, dreaming, poetic being - each offers our daily reality the beauty of transcending its borders without destroying them; in fact, they become a free spirited, passionate interest that enhances and makes valuable the ordinariness and finiteness of our daily lives. Freedom and Responsibility; I and the Other Person; Illness and Hope - each having its physical aspect and each being considered through the dimensions of seriousness and unseriousness, reason and unreason - will be rethought through playing, dreaming and poetic being, providing new insights of an engaged, passionate practice of philosophy and medicine. The third part, concerned with application on the two areas - I, the Child, and the Parenthood; and the Therapist and...

My diploma thesis is instalation, which elements are based on principales of ready-made. Documentation of living performance. Site-specific charakter, objects, and documents are common, that are one from of physical, psychical, and social injuries. Trought the installation and added text with its full range of form I am changing the discurse.

Filozofická fakulta Univerzity Karlovy v Praze DISSERTATION ABSTRACT Daniela Theinová LIMITS AND LANGUAGES in Contemporary Irish Women's Poetry "Irish poetry" is an inherently equivocal concept characterized by two fissures, one linguistic (Irish-English; standard English-Hiberno English) and the other chronological (oral-written; Old Irish-modern Irish). Central to my project is to show how this bifurcate cultural identity, prominent in Irish literature due to Ireland's history and the politicized concept of "national language," figures in poetry by Irish women of the last forty years. While I account for the significance of the hyphen in Anglo-Irish as well as in Gaelic-Irish poets, contradictory tensions are traced not only across and along the linguistic divide. In attending to the shift from feminism (Eavan Boland, Eiléan Ní Chuilleanáin, Paula Meehan, Medbh McGuckian, and Nuala Ní Dhomhnaill) to post-feminism in Irish poetry (Biddy Jenkinson, Vona Groarke, Caitríona O'Reilly, and Aifric Mac Aodha), I illustrate the role that the border between English and Irish has played in these processes. The dissertation falls into two parts each of which consists of two chapters. Part One explores some of the ways in which poets have confronted the inherited tradition and the feminine stereotypes therein. My...