Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-26T21:11:19Z No. of bitstreams: 1 VictorVitorianoDantas_DISSERT.pdf: 4860785 bytes, checksum: 00c6c1cc2de49e81e11ebd4c0bc3377d (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-29T23:12:17Z (GMT) No. of bitstreams: 1 VictorVitorianoDantas_DISSERT.pdf: 4860785 bytes, checksum: 00c6c1cc2de49e81e11ebd4c0bc3377d (MD5) / Made available in DSpace on 2016-04-29T23:12:17Z (GMT). No. of bitstreams: 1 VictorVitorianoDantas_DISSERT.pdf: 4860785 bytes, checksum: 00c6c1cc2de49e81e11ebd4c0bc3377d (MD5) Previous issue date: 2015-08-05 / Este trabalho demonstra a utiliza??o do Sistema Schillinger de Composi??o Musical (doravante SSCM) em um processo composicional. Iremos utilizar o Sistema no mapeamento entre os dom?nios de origami e a m?sica. Embora as pesquisas sobre o SSCM estejam estabelecidas, no Brasil o assunto ainda ? novo. O principal objetivo desse trabalho ? relatar o fazer composicional, demonstrando solu??es e ferramentas que foram utilizadas e criadas para elaborar a composi??o Origami, para contrabaixo, tuba e piano. O processo composicional descrito aqui utilizou o modelo de acompanhamento composicional (SILVA, 2007). Demonstraremos o freeware Pd- Syncker (desenvolvido neste trabalho) e o utilizaremos junto com o J-Syncker como ferramentas no aux?lio do uso do SSCM e do fazer composicional. Temos, entre os resultados principais, uma composi??o autoral para contrabaixo, tuba e piano e o freeware Pd- Syncker. / This work demonstrates the use of Schillinger System of Musical Composition (hereinafter SSMC) in a composing process. We will use the System to map between origami and music domains. (ZBIKOWSKY, 1997) Althoug research on the SSMC are established in Brazil it is still new. The main objective of this study is to report the compositional making, demonstrating solutions and tools that were used and designed to compose Origami for double bass, tuba and piano. The compositional process described herein used the Compositional Process Monitoring Model (SILVA, 2007). We demonstrate freeware Pd Syncker (developed in this study), used along with J-Syncker, as tools to aid the use of SSMC and our compositional making. We have, among the key findings, an authorial composition for bass, tuba and piano and freeware Pd Syncker.