Spelling suggestions: "subject:"duncker"" "subject:"dencker""
1 |
Origami: mem?rias de um processo composicional assistido por solu??es computacionais / Origami: memoirs of a compositional process assisted by computer solutionsDantas, Victor Vitoriano 05 August 2015 (has links)
Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-26T21:11:19Z
No. of bitstreams: 1
VictorVitorianoDantas_DISSERT.pdf: 4860785 bytes, checksum: 00c6c1cc2de49e81e11ebd4c0bc3377d (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-29T23:12:17Z (GMT) No. of bitstreams: 1
VictorVitorianoDantas_DISSERT.pdf: 4860785 bytes, checksum: 00c6c1cc2de49e81e11ebd4c0bc3377d (MD5) / Made available in DSpace on 2016-04-29T23:12:17Z (GMT). No. of bitstreams: 1
VictorVitorianoDantas_DISSERT.pdf: 4860785 bytes, checksum: 00c6c1cc2de49e81e11ebd4c0bc3377d (MD5)
Previous issue date: 2015-08-05 / Este trabalho demonstra a utiliza??o do Sistema Schillinger de Composi??o Musical
(doravante SSCM) em um processo composicional. Iremos utilizar o Sistema no mapeamento
entre os dom?nios de origami e a m?sica. Embora as pesquisas sobre o SSCM estejam
estabelecidas, no Brasil o assunto ainda ? novo. O principal objetivo desse trabalho ? relatar o
fazer composicional, demonstrando solu??es e ferramentas que foram utilizadas e criadas para
elaborar a composi??o Origami, para contrabaixo, tuba e piano. O processo composicional
descrito aqui utilizou o modelo de acompanhamento composicional (SILVA, 2007).
Demonstraremos o freeware Pd- Syncker (desenvolvido neste trabalho) e o utilizaremos junto
com o J-Syncker como ferramentas no aux?lio do uso do SSCM e do fazer composicional.
Temos, entre os resultados principais, uma composi??o autoral para contrabaixo, tuba e piano
e o freeware Pd- Syncker. / This work demonstrates the use of Schillinger System of Musical Composition (hereinafter
SSMC) in a composing process. We will use the System to map between origami and music
domains. (ZBIKOWSKY, 1997) Althoug research on the SSMC are established in Brazil it is
still new. The main objective of this study is to report the compositional making,
demonstrating solutions and tools that were used and designed to compose Origami for double
bass, tuba and piano. The compositional process described herein used the Compositional
Process Monitoring Model (SILVA, 2007). We demonstrate freeware Pd Syncker (developed
in this study), used along with J-Syncker, as tools to aid the use of SSMC and our
compositional making. We have, among the key findings, an authorial composition for bass,
tuba and piano and freeware Pd Syncker.
|
Page generated in 0.0297 seconds