The thesis deals with the notion of monologue and monologicity as a peculiar means of expression of the modern drama. The concept of monologue is defined within the frame of its relation towards dialogue, in the context of theoretical thinking about drama and theater, and in terms of the application of these concepts in everyday life.It is based on the theoretical works by Jan Mukařovský and Jiří Veltruský. The concept of monologue as a lack of dialogicity is being challenged with understanding monologue as a haven of authenticity, a space for authentic testimony. Through the general reflection, thoughts are put in connection with modern drama and illustrated on examples from particular drama works. The thesis leads into a reasoning about the dialogue between the stage and the auditorium as a way-out from the monological situation on the stage.

This diploma thesis critically handles memorial book of John George of Schwamberg, leading noble of Bohemian kingdom, politician, contemporary and inheritor of lasts Rosenbergs. Partly dedicated to memorial books as a phenomenon of early modern age and live of John George from Schwamberg. Objective of this diploma thesis is approximate personal life of Schwamberg, partly his itinerary and circle of "masters and friends" through notes recorded in memorial book. Emphasis is put on individual listings and ilustrations and the differences are taken into account from other memorial books from the same period, possibly on matters that can be found in memorial books routinely too. Diploma thesis deals with emergence of memorial book of John George from Schwamberg, its destiny after death of John George and its next owners too.

The topic of the diploma thesis is A Linguistic Analysis of a Baroque Sermon. The text, written by Václav Ignác Blovský, dates back to 1724. The diploma thesis continues in my bachelor work. It´s aim was to give the analysis of phonetic and morphological features of the same text. The diploma thesis is divided into two parts - the theory and the research. The first one deals with the author´s life and his work, the cult of St. John of Nepomuk and sermons dedicated to this Czech patron saint in general. The analytical part summaries the results of the previous research and includes the syntactic analysis. The aim of the diploma thesis is to find out the level of the Czech language in the early 18th century on the basis of the findings.

In this thesis I explore more deeply the topic from my bachelor diploma thesis ?Archiving Family Film?. Through an analysis of family film from the thirties to the present day, I want to draw attention to this distinctive form of amateur filmmaking which is overlooked today. Above all I want to focus on the filmmakers Peter Forgács and Jan Šikl. I explore their different approaches and points of view, and their use of archive family footage in their documentary works ?Private Hungary? and ?Private Century?. By comparing films from these documentary cycles, I point out what makes the works of these two directors unique. I also elaborate on my work with family archive footage in my film ?Sestření? (?Sistering? - 2nd year exercise ? authorial portrait), and I reflect on the approach that I adopted when shooting my bachelor?s diploma film, ?Roots of Relationship or How Granddaughter and Grandmother couldn?t get the Turnip out.? I explain my use of methods taken from family footage in my work as a documentary filmmaker, and discuss my personal experience and achievements in this field.

In accordance with the latest researches this Diploma Thesis is not only focused on the general development of individual collections but deals with investigation of individual aspects of a particular example. The picture collection that was used for this purpose can be found within the yard of Humprecht Jan Černín from Chudenice and dates from the second half of the 17th century. Primarily, the Diploma Thesis strives to get hold of those aspects that influenced the relation of Humprecht Jan Černín to fine art, mainly in term of economic and social background including his personality traits. It concentrates on such events that awakened his interest in fine arts, for example education, effort to improve and consolidate his social position or effort to continue in the tradition of his ancestors.

Annotation This work is interested in the late philosophy of Jan Patočka. The leading idea is to find basic motives in Patočka{\crq}s concept of The care of soul, and tries to make a connection to his life and social context. One of the most important expressions of the social reality is art. Jan Patočka{\crq}s continuing theme was the problem of human exsitence. How to live an authentic life. The post modern art is also interested in being authentic. The man according to Patočka is a personality determined by going out of his self and by finding this self from a different point of view. That is the question for performing arts: How to express the inside to be visible, how to make it a partner of a dialogue? Which means that Jan Patočka{\crq}s philosophy can be realized by some special kind of praxis. A praxis which is not practical as such. In the works of Jan Patočka, Being and social role play a substantial role. The problem of narration {--} a myth as a part of the process of young man{\crq}s identification and his acceptance from the society. The question of how to be a part of a society implicates another one: what are the foundations of society? What is the idea of European society? Questions concerning the heritage of Europe are {--} in anticipation {--} questions about the sense of Europe (or the European Union) today. In general, is there a possibility to live together, in any kind of human comunity? Through society he gets back to individuality with its questions. Patočka tries to ask concrete questions, expecting answers from Being itself. What is important: he doesn{\crq}t want to make a comprehensive system (following the example of Platón), he only urgently seeks the questions which can open the Being's truth. The sources: This work uses Jan Patočka`s texts from the 1970s. It compares them with texts from the field of art and tries to find their historical context.

This dissertation deals with life and work of Jan Prokop Schaaffgotsche (1748-1813), who was from 1785 till his own death in the lead of the newly established episcopacy of České Budějovice town. In its first part this work characterizes spiritual and social environment of the Habsburg monarchy during the period of reformed absolutism of Joseph II in which Schaaffgotsche lived whole his life. In the next part my dissertation comes closer to his origin, youth, studies, spiritual formation and years of work in various church offices until the time he was nominated by Emperor Joseph II to the post of bishop in České Budějovice. Coming part shows various important events of the first quarter century of the new diocese existence. Those are closely connected with Schaaffgotsches activities. Based on this research and critically compared with specialized literature this work thematically analyzes his relation with church and state as well as his spiritual direction and personality, together with his categorization to the broad spiritual flows of his age. Topic of this dissertation is primarily compiled on the bases of Czech and also foreign archive resources.

This diploma thesis is divided into three chapters. The work written by Jan Brtvín of Ploskovice and Mikuláš Černobýl represents the main part of this thesis. Daniel Adam of Veleslavín put together their separate prints and published them under the title men-tioned before. The first chapter is focused on the summary of this work. The supplement of the thesis is formed by the edition of this print. The second chapter is focused on the comparison of duties of clerks in this work with their duties in reality. The third chapter tries to pay attention on the representation of the books with this theme in church, clois-tral and bourgeois libraries.

This diploma thesis aims at capturing the personality of the art historian Jan Květ. Based on previously unavailable archival material, it attempts to show his personal life, public activities as well as his work, and to place them in the context of the first half of the 20th century. The heuristic base of the thesis consists of materials created as a result of Jan Květ?s works, correspondence, memoir literature as well as resources taken from up-to-date literature from the fields of history, art history and scenography. Not least, the thesis makes use of a contemporary?s recollections. The text is divided into four chapters, out of which the first three deal with the lives of Jan Květ in biographical order. The first chapter describes the family milieu and the time of his studies, i.e. the essential period when the young man?s personality was formed. The second part discusses the years after World War II, Květ?s work at The National Museum and Charles University. The third chapter deals with the life period between 1945 and 1965, i. e. the bustling time when the foundations of new science and culture were beany built. The last chapter is concerned with the works of Jan Květ, both theoretical ? his scientific writings ? and practical ? his scenography.

Orientador: Itala Maria Loffredo D'Ottaviano / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias humanas / Made available in DSpace on 2018-07-23T16:07:20Z (GMT). No. of bitstreams: 1 Queiroz_GiovannidaSilvade_D.pdf: 792790 bytes, checksum: dc1138d936a6cc842a387bd0ad8fe3fa (MD5) Previous issue date: 1998 / Doutorado