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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 171 to 180 of 630 (0.04 seconds)Spelling suggestions: "subject:"aan"" "subject:"nan""
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[en] JAN FABRE AT THE LOUVRE AN INTEMPESTIVE COURSE THROUGH ART HISTORY / [pt] JAN FABRE NO LOUVRE: UM PERCURSO INTEMPESTIVO PELA HISTÓRIA DA ARTEDANIELE AVILA SMALL 19 October 2022 (has links)
[pt] Jan Fabre no Louvre: Um percurso intempestivo pela História da Arte é um estudo sobre a exposição solo do artista belga Jan Fabre realizada no Museu do Louvre no primeiro semestre de 2008. A dissertação pretende analisar não apenas as obras de Jan Fabre que foram expostas na ocasião, mas também a relação destas obras com aquelas do acervo permanente do Louvre com a qual a exposição de Fabre divide o espaço: a pintura setentrional europeia dos séculos XV ao XVII. Além disso, a presente pesquisa faz uma tentativa de analisar a política do Louvre em favor da arte contemporânea, a noção de curadoria implicada neste programa e algumas questões sobre a história da arte que a exposição propõe. / [en] Jan Fabre at the Louvre: An Intempestive Course Through Art History is a
study on the Belgian artist s Jan Fabre solo exhibition that took place at the
Louvre Museum in the first semester of 2008. This dissertation intends to analyze
not only Jan Fabre s works exposed in the occasion, but also the relationship of
these works with those of the permanent collection of the Louvre with which the
exhibition of Fabre shares the space: Northern European Painting of the 15th to the
17th centuries. Besides, this research attempts to analyze the politics of the Louvre
in favor of contemporary art, the notion of curatorship implicated in this agenda
and some questions on Art History proposed by the exhibition.
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The History of the R. Jan Lecroy Center for Educational Telecommunications of the Dallas County Community College DistrictNeal, John F. (John Frank) 12 1900 (has links)
The R. Jan LeCroy Center for Educational Telecommunications of the Dallas County Community College District is a leading producer of telecourses for credit at the college level. In addition, the center is becoming involved with other kinds of electronic communication for educational purposes, including the Community College Satellite Network (CCSN), the State of Texas Academic Resources Link (STARLINK), and Instructional Television Fixed Service (ITFS). This study chronicles the DCCCD's progress in electronic distance learning from the time of its first telecourse in 1972 to the present time. This study also describes the center's purposes, the reasons for its growth, the problems that have been encountered, the people who provided its leadership, and the telecourses that have been offered and produced by the DCCCD.
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Un Flamand à Florence : Van der Straet et la vie florentine à la fin du 16e siècle.Bélanger, Stéphanie 27 January 2024 (has links)
Jan van der Straet (1523-1605) est un artiste flamand qui migre des Pays-Bas vers l'Italie pour s'accomplir en tant que peintre et graveur. Son parcours en tant qu'artiste immigré à Florence à la fin du 16e siècle est unique en son genre, alors qu'il adopte un style à mi-chemin entre ses origines anversoises et le maniérisme florentin, qu'il maîtrisera avec succès. Le regard externe qu'il pose sur sa communauté adoptive est très éclairant pour en apprécier les préceptes qui la régissent. Ce mémoire a pour but d'explorer la manière dont Van der Straet assume sa double identité à travers les Nova Reperta, une série de gravures que l'artiste réalisa à la fin des années 1590 pour l'érudit Luigi Alamanni (1495-1556). Membre de l'Accademia degli Alterati, une académie qui s'intéresse particulièrement à la littérature et à l'art italien, ce dernier désirait voir représentées les principales inventions et découvertes du 15e et du 16e siècles. Pour les besoins de notre étude, nous avons sélectionné plus précisément trois gravures, soit Color Olivi, qui représente l'invention de la peinture à l'huile, America, qui concerne la découverte du continent américain, et Vermis Sericus, qui fait référence à l'introduction du ver à soie en Europe et à l'industrie textile qui en découle. En analysant ces trois œuvres sur les plans iconographique et stylistique, nous tenterons de faire ressortir respectivement les contextes artistique, politique et économique qui caractérisent la ville de Florence, tels que les perçoit alors Van der Straet en tant qu'artiste à la fois étranger, indépendant et proche des érudits académiciens. À travers cette démarche, notre étude entend souligner la façon dont l'art de Van der Straet fait valoir simultanément ses origines flamandes et le rayonnement de sa ville d'adoption, Florence. Seront plus précisément abordées les questions du mouvement maniériste, de la gouvernance du duc de Toscane Cosme 1er de Médicis et de l'identité culturelle, politique et économique de la cité florentine qui se développe en accord avec celle-ci, puis enfin, de la contribution des Flamands à la culture artistique et artisanale occidentale.
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Färg och gestik i Sankta Anna-altarskåpet från Skånela kyrka i Uppsala DomkyrkaBergman, Leo January 2014 (has links)
Syfte med uppsatsen har varit att undersöka färgens och gestikens påverkan på altarskåpets iscensättning av berättelserna och därmed även budskapet. Uppsatsen har ett bildsemiotiskt perspektiv som en utgångspunkt. Materialet för undersökningen är ett flandriskt altarskåp från Skånela kyrka som finns idag i Uppsala domkyrka. Skåpet är tillägnat Joakim och Sankta Anna. Undersökningen har avgränsats till att enbart analysera de sex skulpterade scenerna i korpusen. Analyserna har utförts genom en formell beskrivning och diskussion med hjälp av Lena Liepes lågikonografiska analys och med Norbert Ottos trestegsmetod för gestfunktioner. Lena Liepes metod och teori används som underlag för undersökningen. Undersökningen ansluter till Virginia Nixons forskningsarbete om Jesu mormor i kyrkokonsten. Det har konstaterats att färg- och gestikanalyserna möjliggör en nyanserad tolkning. Undersökningen har visat att färgen och gestiken är ett påverkningsmedel i syfte att leda betraktaren mot ett dolt budskap i bilden. Och att det finns en koppling mellan Skånelaskåpets budskap och den medeltida kvinnofientlighet som var rådande då. Annaskåpet innehåller budskap som präglas av den dåvarande barn- och kvinnosyner. / Purpose of this essay has been to examine the color's and gesticulation's impact on the altarpiece staging of the stories and thus the message. The essay has a semiotic perspective as a starting point. The material for the study is a flemish altarpiece from Skånela church that exists today in Uppsala Cathedral. The altarpiece is dedicated to Joachim and St. Anne. The study has been limited to only analyze the six sculptured scenes in the corpus. The analyzes have been performed through a formal description and discussion by Lena Liepes low iconographycal analysis and with Norbert Otto's three-step approach for gesture features. Lena Liepe's method and theory was used as a basis for the investigation. The study connects to Virginia Nixon's research on Jesus' grandmother in church art. It was found that the color and gesticulation analyzes enables a nuanced interpretation. The investigation has shown that the color and gestures are an actuation in order to lead the viewer towards a hidden message in the picture. And that there is a link between Skånela altarpiece's messages and the medieval misogyny that prevailed then. Anne-altarpiece contains messages that are characterized by the contemporary child and female visions.
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Offentliga rum : En statistisk undersökning av upplevelsen av platserna Hornstull torg och SkärhomstorgetArgerich, Jennie January 2017 (has links)
This thesis evaluates public spaces based on the relationship between humans and thephysical environment. A comparative study was developed, comparing two differentpublic spaces, Hornstull torg and Skärholmstorget. The two places have beenstatistical analysed through chisquare tests and evaluated based on different factors, toidentify strengths and weaknesses. The factors have been identifiedas important forpublic spaces to be perceived as attractive and have been determined with help froma theoretical framework based on urban research. Social progress has resulted in changes on how we use public spaces which createsnew demands on the surroundings. The study concludes that a public space'sattractiveness is a complicated and multifolded concept that has different meanings fordifferent people. On the other hand, it is clear that public spaces are connected toboth social and physical structures and the combination of these two dimensionsdecides how the place is perceived and used. The results from the chisquare-tests show differences depending on gender and ageon how they experience public space. Skärholmstorget fulfils more of the factors thathave been identified as crucial for an attractive public space than Hornstull torg does.However, the majority of the respondents perceive Skärholmstorget as moreinsecure than Hornstull torg. This may have effect on how often the public space isused.
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Resonance, ecology and imagination: a practice-based enactment of imagining as an eco-ontological processMorey, Connie Michele 06 October 2016 (has links)
By situating ecology as an ontological position, this dissertation adapts Jan Zwicky’s notion of resonance to probe imagining as a complex collaborative process involving diverse emergent variables. As a practicing artist, writer, teacher and researcher, I combine theoretical research and (visual arts) practice-based research to posit a sense of imagining that is unsituatable. The structure of this dissertation is grounded in the form of the essay (as a “try” or an “attempt”) which adapts explanatory text, metaphorical text and visual elements as a way to expand qualitative practices that have engaged critically with the politics of accepted forms and structures of academic writing. The project is intended for an off-line format, as a series of six distinct yet interdependent hand-made books that focus on: (1) An Emergent Methodology; (2) Ontology, Form and a Reconstitution of the Individual; (3) Zwicky, Thisness, Ecology & Ontological Ethics; (4) Zwicky, Imagination and the Image; (5) An Envisioning of Imagining as a Resonant Ecological Process and lastly, (6) Moments of Engaging Eco-Imagining in the Post-Secondary Classroom. The research-writing expands a body of work, through visual-textual, theoretical-metaphorical form, to enact imagining as a resonant ecological process that unfolds through the emergence of a complex co-mingling of a deluge of variables. / Graduate
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Literárněkritické dílo Jana Lopatky na pozadí jeho osobní knihovny / Literar-critical work of Jan Lopatka in the context of his personal libraryŠpinková, Tereza January 2015 (has links)
The thesis highlights the literary-critical work of Jan Lopatka in the context of his personal library. It is a literary-historical and critical description of his work by characterizing and defining thematic blocks, which Lopatka systematically pursued in his personal library. It centers on a comparison of the significance of his work and pinpoints defined blocks in Lopatka's library fund and their significance in his literary criticism. Based on a complete inventory of his personal library (prepared by the author of this thesis) and its knowledge, research characterizes his work mainly from this perspective. Attention will also be paid to manuscripts, typescripts and notes in his books.
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Josef Knap - spisovatel a redaktor / Josef Knap - Writer and EditorMashehová, Lajla January 2012 (has links)
This work was an attempt, foremost, to introduce the until now unpublished correspondence of two men of letters: Josef Knap and Jan Čarek, between the years 1925 and 1949. Their correspondence is preceded by vignettes of both authors, as a presentation of their main biographical details. In this regard there are mentioned the contributions of Josef Knap, particularly through his Sever a východ review, which a whole generation experienced growing in parallel to the mainstream.
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Obraz českého krále Jana Lucemburského v díle Guillauma de Machaut / Image of the King of Bohemia John of Luxembourg in the Writings of Guillaume de MauchautHolovská, Kateřina January 2011 (has links)
This thesis is devoted to Guillaume de Machaut and his writings that depict the poet's views on the ideal monarch, and his memories of John of Luxembourg. In the opening chapters of this thesis the author presents a brief biography of Guillaume de Machaut, his literary work and historical context that influenced the poet's thinking. The thesis also examines Machaut's idea of an ideal ruler, mainly contained in his essay Comfort for a Friend. The last part of this thesis is devoted to John of Luxembourg. The author deals with the reasons that led to the fact that John of Luxembourg became in the Machaut's work the embodiment of the ideal ruler. She also compares the Machaut's representation of the Czech King with predominantly negative perception in Czech chronicles of 14th century. Machaut's testimony of the Czech King helps to understand the John's popularity in Western Europe and the divergence between Czech a French concept of ideal ruler.
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A report in instrumental conducting including an analysis of Dances of Innocence by Jan van der Roost and Air for Band by Frank EricksonSeago, Erica January 1900 (has links)
Master of Music / Department of Music, Theatre, and Dance / Frank C. Tracz / Three essential components of wind band conducting are as follows: music selection, score study, and rehearsal planning. This report contains an analysis and rehearsal plan for two band works and a discussion on quality literature selection for band as well as a personal philosophy of music education and student learning. The two works presented are Dances of Innocence by Jan van der Roost and Air for Band by Frank Erickson.
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