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Zu J. S. Bachs Klaviersatz mit obligaten Stimmen. Instrument und SpieltechnikSiedentopf, Henning 30 March 2020 (has links)
No description available.
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Zur realen Antwort in der Fuge bei BachJonas, Oswald 31 March 2020 (has links)
No description available.
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233 |
Who Is Speaking in the Bach Passions?Butt, John 02 September 2020 (has links)
No description available.
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234 |
Bach, Leipzig und die AufklärungKim, Jin-Ah 02 September 2020 (has links)
No description available.
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Nationale Bach-Deutung. Im Spannungsfeld ideologisch divergenter FundamentierungMutschelknauss, Eduard 03 September 2020 (has links)
No description available.
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Struktur und Exegese. Über Eigentümlichkeiten in der Arie »Des Vaters Stimme ließ sich hören« (BWV 7/4)Schubert, Benedikt 29 October 2020 (has links)
This study deals with a characteristic of the tenor aria “Des Vaters Stimme ließ sich hören” (BWV 7/4). Why does Bach use two imitating violins? So far unconsidered exegetical and hymnological sources can give a plausible answer to that question. Based on a detailed observation of these sources, the study aims to encourage us to think again about the various hermeneutical approaches to Bach’s sacred vocal music and how Bach can be located in the field of tension between individuality and ‘Zeitgeist’.
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B-A-C-H, Neobarock und Neoklassizismus in der russischen MusikGojowy, Detlef 28 June 2017 (has links)
No description available.
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Neoklassizismus oder verordneter Traditionsbezug?: Schostakowitschs Adaption Bachscher Themen und FormenStreller, Friedbert 28 June 2017 (has links)
No description available.
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Interpreting Bach: Sonata No. 3 in C Major For Solo ViolinKreutzfeldt, Hannah L. 17 September 2014 (has links)
No description available.
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The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850Boomhower, Daniel F. 02 June 2017 (has links)
No description available.
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