<p>Dag Wellander: Meaning – memory: oblivion. A reading of Birgitta Trotzig’s The mud kings daughter. Master of Arts paper. Written in Swedish. 115 pp. Department of Literature and History of Ideas, Stockholm University, SE – 106 91 Stockholm</p><p>The purpose of the paper is to treat one question, including the consequences of it’s answer, the question if The mud kings daughter is a text that has meaning. The question is in a first series of steps being approached by the way of scrutinizing the meaning found in the text in accordance with the methodology applied by those four dissertations that are available on the subject, i.e. on The mud kings daughter. These examinations do not find that the alleged forms of meaning stated by the dissertations is being produced by the text. On the contrary striking similarities is being found between these alleged forms of meaning on the one hand, and on the other the unfounded, disambiguated meaning that, according to Shoshana Felman, Freudian and anti-Freudian critics alike, have said is to be found in Henry James’ short novel The Turn of the Screw. In a following series of steps – some of which are being taken on Jacques Derrida’s advice – the rhetorical functioning of the textual ambiguity is observed and often found to be enchanting, whereupon the rhetorical necessity of the textual ambiguity is found to be affliction.</p><p>This split between the rhetorical functioning of the textual ambiguity as rather enchanting, and the rhetorical necessity of the textual ambiguity being affliction, is then treated as something that hardly could be understood, and, accordingly, as something that might be understood as something that could not be understood. The idea is being put in that this split could be thought of as an inversion of oblivion into a living memory of a forgotten reading impression, an idea that is being inspired by the inversion of oblivion into a living memory in Marcel Proust’s In Search of Lost Time.</p><p>Keywords: Birgitta Trotzig, Shoshana Felman, Jacques Derrida, Marcel Proust, meaning, ambiguity, memory, oblivion.</p>

Dag Wellander: Meaning – memory: oblivion. A reading of Birgitta Trotzig’s The mud kings daughter. Master of Arts paper. Written in Swedish. 115 pp. Department of Literature and History of Ideas, Stockholm University, SE – 106 91 Stockholm The purpose of the paper is to treat one question, including the consequences of it’s answer, the question if The mud kings daughter is a text that has meaning. The question is in a first series of steps being approached by the way of scrutinizing the meaning found in the text in accordance with the methodology applied by those four dissertations that are available on the subject, i.e. on The mud kings daughter. These examinations do not find that the alleged forms of meaning stated by the dissertations is being produced by the text. On the contrary striking similarities is being found between these alleged forms of meaning on the one hand, and on the other the unfounded, disambiguated meaning that, according to Shoshana Felman, Freudian and anti-Freudian critics alike, have said is to be found in Henry James’ short novel The Turn of the Screw. In a following series of steps – some of which are being taken on Jacques Derrida’s advice – the rhetorical functioning of the textual ambiguity is observed and often found to be enchanting, whereupon the rhetorical necessity of the textual ambiguity is found to be affliction. This split between the rhetorical functioning of the textual ambiguity as rather enchanting, and the rhetorical necessity of the textual ambiguity being affliction, is then treated as something that hardly could be understood, and, accordingly, as something that might be understood as something that could not be understood. The idea is being put in that this split could be thought of as an inversion of oblivion into a living memory of a forgotten reading impression, an idea that is being inspired by the inversion of oblivion into a living memory in Marcel Proust’s In Search of Lost Time. Keywords: Birgitta Trotzig, Shoshana Felman, Jacques Derrida, Marcel Proust, meaning, ambiguity, memory, oblivion.