<p>Tema disertacije, Kineski vrt &ndash; arhitektura i kultura vrta u kineeskoj<br />tradiciji i njena naučna pripadnost određeni su i uslovljeni<br />konceptualnom razlikom između evropskog i kineskog vrta. Ova razlika<br />ukratko glasi: evropski vrt se pretežno sadi, dok se kineski vrt<br />konsekventno gradi. Glavni predmet umetnosti građenja kineskog vrta<br />je jedinstvena artikulacija prostora koja podrazumeva izražajna<br />sredstva arhitekture ali i učešće gotovo svih elemenata koji su se<br />ikada razvili u kineskoj kulturi. Istraživanje obuhvata analizu<br />istorijskog razvoja, filozofsko &ndash; teorijske osnove estetike vrta,<br />morfologiju i tipologiju arhitektonskog prostora kao i analizu većeg<br />broja sačuvanih vrtova Ming i Ćing perioda.</p> / <p>This thesis aims to provide deeper insight into the art of landscaping as the<br />set of ideas and practices that governs Chinese traditional architecture. It is<br />based on multidisciplinary research on historical, cultural, philosophical and<br />artistic aspects of garden design. Examination is directed toward broadening<br />of domain knowledge as to create the base for different approach to what is<br />generally perceived as modern architecture. Theoretically and empirically it<br />suggests the importance of the articulation of site over the building design.<br />Each chapter explores different facts of the relationship between site and<br />architectural object.</p>

<p>Problem koji obrađuje ova disertacija je definisanje modela primene<br />lin sistema u maloprodaji trajnih potrošnih dobara sa naglaskom na<br />optimizaciji primarnih aktivnosti tj. toka proizvoda od dobavljača do<br />krajnjeg potrošača. Osnovna ideja je definisanje modela primene lin-<br />a u poslovnim procesima kod proizvoda čija je tražnja stabilna i<br />predvidiva i često se prodaju sa lagera u maloprodaji, pa sve do<br />proizvoda sa dijametralnom logikom koji se prodaju putem porudžbine,<br />bez zaliha u maloprodaji tj. onih proizvoda gde je tražnja daleko<br />neizvesnija, a asortiman širok. Veoma važan faktor koji je deo ovog<br />modela jeste uticaj povećanja znanja zaposlenih o lin alatima i<br />kulturi u samoj organizaciji.</p> / <p>The subject of this disertation is how to define model of lean system<br />application in durable goods retail with the focus on optimisation of primary<br />activities i.e. product flow from suppliers till customers. The basic idea is to<br />define model of lean application in the processes of the products with stable<br />and predictable demand that are offered from shop stock, till the products<br />with the oposite logic that are sold from samples and catalogues, without<br />stock in retail, and where demand is highly unpredictable and assortment<br />wide and variable. Very important factor which is part of this model is how to<br />increase knowledge and acceptance of lean tools and culture within the<br />organisation.</p>

<p>Proces tranzicije i projekti modernizacije u<br />većini postsocijalističkih dru&scaron;tava u Evropi,<br />samim tim i na Balkanu, realizovani su u formi<br />deformisane imitativne modernizacije ili<br />kontramodernizacije. Romi su i dalje<br />periferija, ali ovoga puta Evropske unije. Pred<br />njima je neizvesna budućnost u liku alternativa:<br />perspektiva postmodernog totalitarizma sa<br />tehnokratskom diktaturom, ili formiranje<br />čovečanstva kao zajednice ravnopravnih<br />građana i naroda u duhu modela socijaldemokratske<br />globalizacije sveta sa respektom<br />bogatstva kulturnih različitosti sveta, sa<br />globalizacijom razumevanja i solidarnosti među<br />narodima Dakle, i na nama savremenicima je<br />velika odgovornost kakav će oblik, lik i su&scaron;tinu<br />imati budućnost čovečanstva &ndash; da li će se ono<br />razvijati u ključu humanizacije dru&scaron;tva i<br />emancipacije čoveka, ili pak novih oblika<br />socijalnog, političkog i kulturnog porobljavanja.<br />Upravo iz tog razloga, izučavanje specifičnosti<br />stvarala&scaron;tva Roma u kontekstu evropskog<br />sistema kulturnih vrednosti ima veliki značaj.<br />U savremenom svetu, Romi kao etnička grupa<br />sve če&scaron;će postaju predmet interesovanja<br />naučnih istraživanja. &bdquo;Simbolika likovne<br />umetnosti Roma i evropski sistem kulturnih<br />vrednosti&rdquo; pokazuje se u dana&scaron;nje vreme krajnje<br />interesantnom temom istraživanja, s obzirom na<br />njen teorijski i na praktični aspekt. Reč je o umetnostje u svojoj formalnosti dugo vremena<br />bivala mimikrijska, zahvaljujući simboličkoj<br />vrednosti njenih artefakata. Mi je<br />multidisciplinarnim uvidom sagledavamo u<br />obrisima. Likovna umetnost Roma ima svoj<br />korpus koji je dugo bio zatočen u nacionalnim<br />predstavama izbegavajući oznaku romski.<br />Identitet Roma, kao i njihov imidž u Srbiji i<br />Evropi, sveden je na ovu marginalizovanu<br />dimenziju kulture, a kulturna tradicija Roma<br />podvrgnuta je IRONIZACIJI I<br />VULGARIZACIJI od strane većinske i drugih<br />manjinskih zajednica. Romska kultura,<br />artefakti, umetnici formalno su nevidljivi i<br />nemaju prepoznatljivost u dru&scaron;tvu. Ovaj rad je<br />doprinos osvetljavanju aspekta valorizacije<br />romskog kulturnog korpusa.</p> / <p>Transition processes and modernization projects<br />in most post-socialist societies in Europe,<br />including Balcans, have been realized in the<br />form of deformed imitative modernization or<br />counter-modernization. Roma people are still at<br />periphery, but this time at the periphery of<br />European Union. They are facing uncertain<br />future, with alternatives of postmodern<br />totalitarianism with technocratic dictature, or<br />humanity as community of equal citizens and<br />ethnic groups in the spirit of social-democratic<br />globalization, with respect for cultural<br />differences and understanding and solidarity<br />among nations. Contemporaries bear<br />responsibility for what form and essence the<br />future of humanity will have &ndash; whether it will<br />develop in the course of humanization of<br />society and emancipation of people, or its<br />develepment will be directed toward new forms<br />of social, political and cultural oppression.<br />Therefore, the researh of specificity of Roma&rsquo;s<br />creative work in the context of European system<br />of cultural values is of great importance.<br />In contemporary world, Roma people as ethnic<br />group are becoming the subject of scientific<br />research more and more frequently. &bdquo;Symbolics<br />of Roma&rsquo;s fine arts and European system of<br />cultural values&ldquo; turns out to be very interesting<br />topic for studying, considering its theoretical<br />and applied aspects. This thesis is<br />interdisciplinary study with both theoretical and<br />broader cultural relevance, for this topic yields<br />the possibility for the analysis and dialog of<br />different culturological value dimensions which<br />are built in centuries-long history of Europe.<br />Study deals with a &bdquo;specific illumination&ldquo; of<br />unlit aspects of Roma people and the field of<br />fine arts, their possible history, developmental<br />paths and actuality. Today, this issue is<br />significant for plenty of reasons, since this<br />problem is shadowed by many ephemeral studies which yielded modest results. This work<br />is based on scientific analytical-synthetic<br />paradigm. The main research problem addressed<br />in this study is the question: whether the<br />symbolics of Roma&rsquo;s fine arts exists in the<br />European system of cultural values, or whether<br />symbolics of Roma&rsquo;s art reflects in European<br />culture. Descriptive, hermetical and<br />comparative historical methods were used in the<br />study under the framework of synchronic and<br />diachronic approach. Because of the specificity<br />of the research subject, thought experiment was<br />used as well, as logical principle of aesthetical<br />analysis.<br />In this research, aesthetical discussion, evidence<br />of visible and invisible Roma&rsquo;s art has been<br />developed, as well as evidence of elements of<br />symbolics in the fine arts of Roma people in the<br />context of European system of cultural values.<br />Roma&rsquo;s fine art has been mimicric for a long<br />time, because of the symbolic value of its<br />artefacts. Using multidisciplinary approach, we<br />recognize its contours. Its corpus has been<br />detained in national notions, by avoiding label<br />Romani. Roma&rsquo;s identity, as well as their image<br />in Serbia and Europe, has been reduced to this<br />marginalized cultural dimension, and Roma&rsquo;s<br />cultural tradition has been exposed to<br />ironization and vulgarization by national<br />majority and other national minorities. Roma&rsquo;s<br />culture, artefacts, artists are formaly invisible<br />and unrecognized. This work contributes to<br />illumination and valorization of Roma&rsquo;s cultural<br />corpus.</p>

Keywords: Regional history, project methods, baroque and baroque culture Abstract: The thesis deals primarily with the baroque era of Lysá nad Labem regional history and its application in the educational project at the secondary level of a primary school. The first part of the Diploma thesis contains a short overview of regional literature concerning Lysá as well as pedagogic literature suitable for project training. There is an overall characteristic of the Baroque era in the Czech lands with the focus on how it was expressed in art, religion and thinking of people back then and how it influenced the landscape formation. The emphasis is placed on the Baroque era of Lysá nad Labem. Its history is being described along with the history of the most influential family in the area the Sporcks. All of the baroque monuments in the town and its surroundings are described in order for the theoretical part to be complete and with respect to their possible application in the project training. I have also explored the significance of regional history and project training. Now turning to the practical part of the Diploma thesis. By means of a project that was executed as a part of the History instruction at the Lysá nad Labem primary school, I attempt to prove the value and suitability of such project training for...

(in English): Intimacy and solitude in Chrétien de Troyes' works and in the Czech courtly romance The thesis studies some literary images of interiority, profound emotions and thougts, solitude and the need for privacy as these are depicted in the romances of Chrétien de Troyes and in the works of his continuators (namely those connected with the Tristan romances). They are interpreted as an expression of the medieval poets' effort to influence their public, to cultivate and to present some interesting subjects and important questions in the guise of a fictional story. There are striking descriptions of the unbalance between solitude and social duties, positive or negative evaluation of human solitude (always depending on the narrator's intention), or symbolical objects from the intimate sphere used as manifest means of political representation. Martin Šorm

Charles University in Prague Faculty of Pharmacy in Hradec Králové Department of Pharmacognosy Student: Vendula Damborská Supervisor: PharmDr. Marie Kašparová, Ph.D. Title of diploma thesis: The Optimization of the growth of the plant tissue culture of Juniperus virginiana The main goal of this diploma thesis lies in the optimization of cultivation medium composition for the tissue culture of Juniperus virginiana (varieties 'Hetzii', 'Glauca', 'Grey Owl'). The best results of all tested media were achieved by using Schenk and Hildebrandt medium with an addition of α-NAA (3.0 mg.l-1 ), kinetin (0.2 mg.l-1 ) and ascorbic acid (15.0 mg.l-1 ). The cultures were cultivated at the temperature of 25 řC and light period of 16 hours light/8 hours dark. The growth curve for the tissue culture of Juniperus virginiana 'Glauca' was set for 2 different cases: with and without the addition of phenylalanin (biogenetic precursor of phenylpropans biosynthesis). The maximal growth was reached on 35th day of the cultivation in both cases, phenylalanin increases the growth rate by 29.65 %.

Charles University in Prague, Faculty of Pharmacy in Hradec Králové Department of Pharmacognosy Candidate: Hana Novotná Supervisor: PharmDr. Marie Kašparová, Ph.D. Title of diploma thesis: Secondary metabolites of plant tissue culture of Trifolium pratense L. Explant cultures are perspective sources of secondary metabolites. Nevertheless production of flavonoids and isoflavonoids by the suspension culture of Trifolium pratense L. is not high. Elicitation is one of the methods used to enhance the biosynthesis of secondary metabolites. Elicitation induces physiological changes, stimulates defensive or stress-induced reactions in plants and subsequently triggers the synthesis of secondary metabolites. The objective of this study was to observe the influence of two elicitors - abscisic acid and ascorbic acid - on the production of flavonoids and isoflavonoids by the Trifolium pratense L. suspension culture (Sprint variety). The culture was cultivated in Gamborg medium to which 2 mg.l-1 of 2,4- dichlorophenoxyacetic acid and 2 mg.l-1 of 6-benzylaminopurine were added, at the temperature of 25 řC and 16 hours light / 8 hours dark period. The best elicitation effect of abscisic acid on the production of flavonoids and isoflavonoids was observed after a 6-hour application of the highest 500 µmol.l-1...

(in English): Master thesis is focuced on analysis of polyculture hilltop settlement Dubeč - Rohožník in context of Eneolithic and Řivnáč culture. Archaeological artefacts originated from B. Novotný excavations of 1950 were analysed and results are compared with other řivnáč culture settlements in the region.

in English The submitted thesis adresses the processing of material culture from the archaeological excavation in Velké Přílepy (district of Prague-west), where the settlement of Funnel Beaker culture was uncovered. The study is a sequel to my bacheolor's thesis (defended in 2010) which evaluated only one part of the excavated settlement and significantly improves its corpus of finds. Therefore there is now a complete analysis of the whole widespread settlement area in an open position without any fortification. Close to sixty structures were documented and dated (based on ceramic analysis) to the Siřem and Salzmündphase of Funnel Beaker culture on this researched area. Thanks to the excavation, an exceptionally rich collection of ceramic production from the Early Eneolithic period (10 105 pieces altogether) exists. Other settlements belonging to the Funnel Beaker culture in the vicinity of Velké Přílepy are also considered in this thesis. Together with this settlement, they create a unique area of settlements of the aforementioned culture.

v angličtině In this paper will be described fresh history (after 1989) of culture life in the region of Aš. The art agency in the conditions of regional culture will be described and compared with simile institutions in the Czech Republic. The aim of this paper is to explore the aktivity of a such agency, its results in education system, church, community and european cooperation. In the general analysis the will be specified the means, the problems and the results of explored activities.