Submitted by PPG Hist?ria (historia-pg@pucrs.br) on 2019-03-12T14:21:46Z No. of bitstreams: 1 DISSERTA??O PEDRO BARBOSA - VERS?O FINAL BIBLIOTECA.pdf: 3948101 bytes, checksum: 5d6457822c787103e25ca0037faefdc4 (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2019-03-21T11:41:56Z (GMT) No. of bitstreams: 1 DISSERTA??O PEDRO BARBOSA - VERS?O FINAL BIBLIOTECA.pdf: 3948101 bytes, checksum: 5d6457822c787103e25ca0037faefdc4 (MD5) / Made available in DSpace on 2019-03-21T11:49:22Z (GMT). No. of bitstreams: 1 DISSERTA??O PEDRO BARBOSA - VERS?O FINAL BIBLIOTECA.pdf: 3948101 bytes, checksum: 5d6457822c787103e25ca0037faefdc4 (MD5) Previous issue date: 2019-02-27 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / After ten years of war against the Portuguese colonial regime, on 25th June 1975 the decolonization of Mozambique took place, and the Liberation Front of Mozambique (FRELIMO) became the country's only party. Samora Machel, a charismatic man who led the movement at the time, became the first Mozambican president. The policies implemented were in line with a national construction project that sought to spread a "New Man" in the country, which, in contrast to ethnic diversity, get rid of all the traditional and colonial past in favor of moderns and socialists values. Among these policies was the creation of the National Film Institute, which nationalized the whole production, exhibition and distribution of films, so that the film industry came into existence according to the objectives outlined by the party. Among his productions was the newsreel Kuxa Kanema. Between 1978 and 1979, in its first phase, this newsreel constructed a narrative that linked the image of Samora Machel to the construction of socialism in the country and a great "internationalist" cooperation. Already in 1981, in the second phase, when Mozambique was in a big economic crisis, with a civil war of increasing proportions, and realized that the support of the socialist countries was insufficient to deal with the situation, the constructed narrative came to emphasize the nationalist values, the fight against the "undesirables" and the great leadership of Samora Machel. / Ap?s dez anos de guerra contra o regime colonial portugu?s, em 25 de junho de 1975 aconteceu a descoloniza??o de Mo?ambique, e a Frente de Liberta??o de Mo?ambique (FRELIMO) tornou-se partido ?nico do pa?s. Samora Machel, uma figura carism?tica que liderava o movimento ? ?poca, tornou-se ent?o o primeiro presidente mo?ambicano. As pol?ticas implantadas estiveram de acordo com um projeto de constru??o nacional que buscava difundir um ?Homem Novo? no pa?s, que, para al?m da diversidade ?tnica, desvinculava-se de todo o passado tradicional e colonial em favor de valores modernos e socialistas. Entre essas pol?ticas, esteve a cria??o do Instituto Nacional de Cinema (INC), que nacionalizou toda a produ??o, exibi??o e distribui??o de filmes, de modo que a ind?stria cinematogr?fica passou a existir conforme os objetivos tra?ados pelo partido. Entre suas produ??es esteve o cinejornal Kuxa Kanema. Entre 1978 e 1979, em sua primeira fase, esse cinejornal construiu uma narrativa que vinculava a imagem de Samora Machel ? constru??o do socialismo no pa?s e a uma grande coopera??o ?internacionalista?. J? em 1981, na segunda fase, quando Mo?ambique se viu em grande crise econ?mica, com uma guerra civil de propor??es cada vez maiores, e percebeu que o apoio dos pa?ses socialistas era insuficiente para lidar com a situa??o, a narrativa constru?da passou a enfatizar os valores nacionalistas, o combate aos ?indesej?veis? e a grande lideran?a de Samora Machel.