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MUNIZ, Deborah Araújo. Luz e experimentação no retrato fotográfico. 2016. 129f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Comunicação Social, Fortaleza (CE), 2016. / Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-02-03T11:27:02Z No. of bitstreams: 1 2016_dis_damuniz.pdf: 4274631 bytes, checksum: befbc5b9ca67db666fd66a1462f35f58 (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-02-03T13:14:29Z (GMT) No. of bitstreams: 1 2016_dis_damuniz.pdf: 4274631 bytes, checksum: befbc5b9ca67db666fd66a1462f35f58 (MD5) / Made available in DSpace on 2017-02-03T13:14:29Z (GMT). No. of bitstreams: 1 2016_dis_damuniz.pdf: 4274631 bytes, checksum: befbc5b9ca67db666fd66a1462f35f58 (MD5) Previous issue date: 2016 / This study aims to investigate the expressive use of light and experimentation in the artistic composition of the photographic portrait. It is considered in this research the photographic composition thought to the light, as an aesthetic element responsible for setting up what is put in and create perceptions in the picture, based on the concept that to portray a certain subject, the photographer proposes express it somehow, you think of an idea of lighting that produces the atmosphere and the desired expressive effect. The light is manifested in the picture in different ways, according to the principles of subjective composition, corresponding to what the photographer wants to express what portrays. Combined with experimental activity in the photographic composition, experimentation implies an act of discovery and creation inherent in choices that lead to materialization of artistic expression in the picture. It is through the photographic writing photographers create their images. In this sense, the study examines the artistic composition of pictures produced by Camila hose and Tiago Santana, lighting and experimental activity as ways to shape the photographic portrait. The methodological design is literature, descriptive and exploratory research. Found that the lighting is a power capable of producing extraordinary effects on the image, creating different atmospheres and be responsible for the expressiveness of the image, manifesting the image through the light elements and shadow, its color, its direction, its intensity, its character in interaction with other frame elements, through experimental manipulation, stress characteristics of the portrait subject and attribute meanings suggestive and evocative to portraying. / Este estudo tem o objetivo de investigar o uso expressivo da luz e da experimentação na composição artística do retrato fotográfico. Considera-se nesta pesquisa a composição fotográfica pensada em relação a luz, como elemento estético responsável por configurar o que é posto em cena e criar percepções no retrato, baseado na concepção de que ao retratar um determinado assunto, o fotógrafo propõe expressá-lo de alguma maneira, pensa em uma ideia de iluminação que produza a atmosfera e o efeito expressivo desejado. A luz se manifesta no retrato de diferentes formas, conforme os princípios de composição subjetivas, correspondentes ao que o fotógrafo quer expressar do que retrata. Aliada a atividade experimental na composição fotográfica, a experimentação implica um ato de descobertas e escolhas inerentes a criação, que remetem a materialização da expressividade artística no retrato, pois é através da escrita fotográfica que os profissionais criam suas imagens. Nesse sentido, este estudo examina a composição artística dos retratos produzidos por Camila Mangueira e Tiago Santana, a iluminação e a atividade experimental como maneiras de dar forma ao retrato fotográfico. A concepção metodológica utiliza-se de uma pesquisa bibliográfica, descritiva e exploratória em que se constatou que a iluminação é uma potência capaz de produzir efeitos extraordinários sobre a imagem, criar atmosferas distintas e ser responsável pela expressividade da imagem, manifestando-se na imagem através dos elementos luz e sombra, sua cor, sua direção, sua intensidade e seu caráter em interação com os demais elementos do quadro, que através do manuseio experimental, acentuam características próprias do assunto do retrato e atribuem significados sugestivos e evocativos ao que se retrata.

This work places itself within the field of textile design and atmospheric design. The primary motive is to integrate and broaden the two fields by developing design proposals in textile design. The aim is to explore how to change the atmosphere of a space through the use of fabric manipulations, surface patterns, colours, light and shadow. The design method consisted of material explorations, light and shadow experiments, design of surface patterns, heat transfer print and pleating techniques. Colours were tested in combination with lights. The result is a collection of three textile dividers of space that by the impact of light change the current atmosphere in public spaces, and by doing so, the perception and mood are changed. The value of this work is to show design potentials for new expressional possibilities, a new approach to merge the fields of textile design and atmospheric design.

The research aims to explore the effective utilization of drone technology for visually narrating a story. By analyzing lighting techniques and design strategies, insights will be provided into lighting practices that address the current energy and climate crisis. Emphasis will be placed on sustainable lighting practices that seek to minimize energy consumption while maximizing visual impact. The proposed lighting design at Jatayu Earth Center (JEC) aligns with sustainable development goals, promoting sustainable tourism, job opportunities, and local culture. A combination of drone technology and solar-chargeable batteries addresses the need for affordable, reliable, and modern energy access. This research contributes to the discourse on sustainable approaches to illuminating heritage architecture, exploring the intersection of art, heritage, and responsible energy practices. The successful implementation and marketing of the lighting design at JEC can have a significant impact on the Indian tourism industry, serving as inspiration for similar eco-tourism projects in the region and stimulating the local economy.

what follows is a relatively concise attempt at designing a place that would contain spaces of quietude, solitude and interaction through architectural qualities such as light and shadow, mass and void along with materials and layering. enjoyable and relaxing spaces that would last in one's memory. Hoping that these qualities would engrave a beautiful mark on one's soul even when they are no longer at that place. a complex of thermal baths in the city of isfahan, iran, a city rich in culture, made this exploration of mine pursuable and possible. / Master of Architecture

A house can be considered a place made from the stories that make it. In order to design the house I recalled places I experienced during my childhood. Digging back through the memories of those places I became intrigued why those particular memories remained so vivid in my mind.  I listened to stories told to me by my parents about the houses where they grew up and the spatial experiences they remembered. The fabrication is a house in northern Iran activating the memories of those collective stories. The fabrication does not necessary follow particular conventions customary to the specific region.  In fact most of the qualities incorporated in the project have roots in traditional bazaars and houses across Iran. The project primarily studies the relation between varieties of architectural spaces through photography. Models and analytical drawings were an essential part of the work. / Master of Architecture

FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico / Este estudo tem o objetivo de investigar o uso expressivo da luz e da experimentaÃÃo na composiÃÃo artÃstica do retrato fotogrÃfico. Considera-se nesta pesquisa a composiÃÃo fotogrÃfica pensada em relaÃÃo a luz, como elemento estÃtico responsÃvel por configurar o que à posto em cena e criar percepÃÃes no retrato, baseado na concepÃÃo de que ao retratar um determinado assunto, o fotÃgrafo propÃe expressÃ-lo de alguma maneira, pensa em uma ideia de iluminaÃÃo que produza a atmosfera e o efeito expressivo desejado. A luz se manifesta no retrato de diferentes formas, conforme os princÃpios de composiÃÃo subjetivas, correspondentes ao que o fotÃgrafo quer expressar do que retrata. Aliada a atividade experimental na composiÃÃo fotogrÃfica, a experimentaÃÃo implica um ato de descobertas e escolhas inerentes a criaÃÃo, que remetem a materializaÃÃo da expressividade artÃstica no retrato, pois à atravÃs da escrita fotogrÃfica que os profissionais criam suas imagens. Nesse sentido, este estudo examina a composiÃÃo artÃstica dos retratos produzidos por Camila Mangueira e Tiago Santana, a iluminaÃÃo e a atividade experimental como maneiras de dar forma ao retrato fotogrÃfico. A concepÃÃo metodolÃgica utiliza-se de uma pesquisa bibliogrÃfica, descritiva e exploratÃria em que se constatou que a iluminaÃÃo à uma potÃncia capaz de produzir efeitos extraordinÃrios sobre a imagem, criar atmosferas distintas e ser responsÃvel pela expressividade da imagem, manifestando-se na imagem atravÃs dos elementos luz e sombra, sua cor, sua direÃÃo, sua intensidade e seu carÃter em interaÃÃo com os demais elementos do quadro, que atravÃs do manuseio experimental, acentuam caracterÃsticas prÃprias do assunto do retrato e atribuem significados sugestivos e evocativos ao que se retrata. / This study aims to investigate the expressive use of light and experimentation in the artistic composition of the photographic portrait. It is considered in this research the photographic composition thought to the light, as an aesthetic element responsible for setting up what is put in and create perceptions in the picture, based on the concept that to portray a certain subject, the photographer proposes express it somehow, you think of an idea of lighting that produces the atmosphere and the desired expressive effect. The light is manifested in the picture in different ways, according to the principles of subjective composition, corresponding to what the photographer wants to express what portrays. Combined with experimental activity in the photographic composition, experimentation implies an act of discovery and creation inherent in choices that lead to materialization of artistic expression in the picture. It is through the photographic writing photographers create their images. In this sense, the study examines the artistic composition of pictures produced by Camila hose and Tiago Santana, lighting and experimental activity as ways to shape the photographic portrait. The methodological design is literature, descriptive and exploratory research. Found that the lighting is a power capable of producing extraordinary effects on the image, creating different atmospheres and be responsible for the expressiveness of the image, manifesting the image through the light elements and shadow, its color, its direction, its intensity, its character in interaction with other frame elements, through experimental manipulation, stress characteristics of the portrait subject and attribute meanings suggestive and evocative to portraying.

This theoretical project-based thesis focuses on surface quality of art objects in the field of artwork. The theoretical section provides general insight into the problematics and it also offers concrete examples of artistic and architectural creations where texture serves an important role. It further introduces and elaborates a few instances of art lessons from special didactics focusing on texture utilization in its artistic activities. The project section of the thesis contains seven logically systematized art lessons which utilize various forms of experimental activities dealing with the subject of texture suitable for the primary school children.

Annotation: Macháčková, Z.: Image, photography as a concept in elementary school education [Diploma thesis] Brno 2012 - Charles University in Prague, Faculty of education, Department of Art, 114 p. Objectives: Based on both recommended and other literature, discuss the evolution of photography (analogue and digital photography, photographic types and genres) and hint at the specifics of photographic production in comparison with classical art media. Discuss the expressive possibilities of manipulated photography (PC photography editing, collage, photomontage, etc.), with attention to applicability of photography in elementary school education. Consider organic inter-discplinary relations between the art class and other classes. Design a didactic project for an art class, based on the Framework Education Programme for Basic Education. The project should employ digital photography as a specific and accessible art medium and should be practically validated. It should focus on experiments and etudes, in which students would use photography as an accessible tool to experience and create art. Results: The proposed project, based on digital photography as a device for art activities, has shown that photography can be practically and successfully applied in elementary school classwork. Keywords: Elementary...

Цель работы – создать организацию, которая занимается изготовлением картин из тонких стальных листов по авторским эскизам, а также по сюжетам знаменитых художников. Уникальные картины в технике «сталеграфика» станут превосходным украшением интерьера. Разработан проект предприятия с расчетом: – производственной программы; – необходимого оборудования и персонала; – материальных затрат на производство. Рассчитана себестоимость продукции. Приведена планировка производственного участка. Выбрана организационно-правовая форма предприятия и налоговый режим (УСН). Упрощенная система налогообложения для ООО — это вариант налогообложения для небольшого предприятия, который помогает снизить налоговое бремя и упростить бухгалтерский учет. Была выбрана такая система налогообложения, поскольку при помощи нее проще платить налоги, так же требуется минимум налоговой отчѐтности. / Stalegraphics is a type of fine art that combines graphics and monumentality. It is used as a decorative part of the interior or exterior. It is based on the tonal principle of painting, which divides the tone into three components: light, penumbra, shadow. The purpose of our work is to create an organization that produces paintings from thin steel sheets based on author's sketches, as well as on the plots of famous artists. Unique paintings in the technique of "stalegraphy" will be an excellent decoration of the interior. The final qualifying work consists of an introduction, thirteen chapters, a conclusion, a list of references and appendices. The volume of work is 283 pages, 33 applications, 54 graphic elements and 13 tables. The introduction substantiates the relevance of the topic, shows the goals and objectives. The first chapter deals with the issue of paintings by certain authors and titles. The second chapter is devoted to the study of the market, the study of competitors, as well as pricing. The third chapter reflects the ways of promoting paintings. The fourth chapter presents the production program of the enterprise. The fifth chapter describes the technology of creating paintings using programs. In the sixth and seventh chapters, the technology of creating paintings and equipment was selected. The eighth chapter shows the technology of manufacturing metal panels on a laser machine, describes the inkjet processing. In the ninth chapter, the materials necessary for the production of paintings were selected. In chapter ten, the painting is analyzed and selected. In chapter eleven, the choice of premises was justified and the plan of the enterprise was presented. Chapter twelve demonstrates the economic feasibility of the project and the main economic indicators are calculated. The thirteenth chapter describes the purchase and storage of personal protective equipment. In conclusion, conclusions are drawn.