Thesis (Ph.D.)--University of Nebraska-Lincoln, 2006. / Title from title screen (site viewed on Nov. 2, 2006). PDF text: [iv], 159 p. : ill. (some col.) ; 8.24Mb. UMI publication number: AAT 3212927. Includes bibliographical references. Also available in microfilm, microfiche and paper format.

Treatise (D.M.A.) Florida State University, 2006. / Advisor: Evan Jones, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-3-07). Document formatted into pages; contains 361 pages. Includes biographical sketch. Includes bibliographical references.

Sonata transposed to D minor. System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 25, 2005, Sept. 26, 2005, Nov. 27, 2006, and Oct. 13, 2008. Includes bibliographical references (p. 54-55).

Note: Sheet music available upon request.

Honors Project--Smith College, Northampton, Mass., 2009. / Includes bibliographical references (p. 31-34).

Thesis (M.A.)--University of Wisconsin--Madison, 1947. / Works originally for voices. Ms. (arranger's holograph); prefatory material and bibliography typescript. Includes bibliographical references (leaves 150-156).

Widely regarded as one of the most significant composers of the late nineteenth and early twentieth centuries, Carl Nielsen and his music have come to define the early twentieth-century musical traditions of Denmark. His original songs for voice and piano are often revered as popular folk tunes and contributed to his status as a national icon. My dissertation explores Nielsen's vocal repertoire through a multipart project that includes transcribing and editing eleven of Nielsen's early songs from Op. 4 (1891) and Op. 10 (1894), originally for voice and piano, for flute and piano. I discuss the reception history and context of Nielsen's Songs, the important role of transcription in flute literature, and provide full score transcription of the original works for flute and piano. Many vocal works have been transcribed for flute from the original vocal score, providing variety in programming and attracting diverse audiences to performances. Transcription offers scholars a new view into a work, by determining what elements of the piece are integral to maintain the composer's intentions.

The present study makes available a modern performing edition of an eighteenth-centyry clarinet concerto. Written by the Mannheim oboist and composer Ludwig August Lebrun, the Concerto in B-flat for solo clarinet and orchestra has existed solely as a set of manuscript parts for over 200 years. The following chapters present biographical information on Ludwig August Lebrun as an oboist and composer of the late eighteenth century, the historical background of Lebrun's Concerto in B-flat. a thematic and harmonic analysis of the concerto's three movements, and a summary of the procedures followed in preparing the present edition of orchestral parts and piano reduction. Contemporaneous sources which provided pertinent performance practice information in the areas of articulation and ornamentation are also discussed. A copy of the piano reduction and orchestral performing parts are included in the appendices.

Title from accompanying document. / C. Massimino, alto saxophone ; S.E. Royall, piano ; A. Westgate, harpsichord and celeste ; V. Pugh, violoncello ; D. Nottingham-Heerman, mezzo-sop. ; B. Dropkin, guitar ; K. Fensholt, oboe ; L. Tharpe, flute ; F. Schwab, harp ; J. Rahjten, audio engineer. / Digitized by Kansas Correctional Industries

The transcription is an addition to the repertoire for brass ensemble and bass trombone. Consideration is given to the nineteenth-century orchestration treatises of Berlioz and Strauss as well as the twentieth-century texts of Erik Leidzén, Walter Piston, and Samuel Adler. The transcription process is shaped by the principles of these writers. The score is contained in the appendix.