Thesis (M. Mus.) -- University of Stellenbosch, 2002. / Full text to be digitised and attached to bibliographic record. / ENGLISH ABSTRACT: The transcription for two pianos of Arnold Schonberg's Verkliirte Nacht fills a gap in the two-piano literature and gives an insight into the composer's earlier style of composition. Few works of this complexity exist in the two-piano literature. The process of transcription has to take into account the composer's structural and tonal language, and in particular the problems of transferring a composition from string instruments to the piano. The transcriber cannot imagine how the composer would have done a similar transcription, but the intentions of the composer in the original version can be interpreted and transferred in a stylistically acceptable manner. At all times the possibilities of the instruments should be taken into consideration. Given the complex sound texture of the original version, the suggestions for a twopiano version have to incorporate the following: note length and rest length, sound colour, attack/articulation, bowing, articulation markings, effects and texture. In the assignment an explanation is given of the deviations that stem from the above factors. The awareness of these deviations necessitates a distinction between arrangement and transcription and compels the transcriber to be as faithful to the original score as possible. The explanation of deviations further provides the performer with an awareness of the artistic possibilities that the work provides. / AFRIKAANSE OPSOMMING: Die transkripsie vir twee klaviere van Arnold Schonberg se Verklarte Nacht vul 'n gaping in die tweeklavier-literatuur. Dit gee ook verdere insig in die komponis se vroeere komposisiestyl. Daar bestaan min werke van hierdie soort kompleksiteit in die tweeklavier-literatuur. Die transkripsieproses moet die komponis se strukturele en tonale taal in ag neem - in die besonder die probleme rondom die transkribering van 'n strykkomposisie na 'n klavierkomposisie. Die uitdaging hierin Ie in die feit dat die transkribeerder die bedoeling van die komponis in die oorspronklike weergawe moet interpreteer en dan op 'n stilisties-aanvaarbare manier moet transkribeer. Die moontlikhede van die instrumente moet ook te alle tye in ag geneem word. Met inagneming van die komplekse klanktekstuur van die oorspronklike weergawe, fokus hierdie werkstuk op voorstelle vir 'n tweeklavier-weergawe rondom die volgende aspekte: noot- en ruslengte, klankkleur, aanslaglartikulasie, strykslae, artikulasieaanduidings, effekte en tekstuur. Afwykings rondom bogenoemde aspekte word ook verduidelik. Weens die transkribeerder se bewuswees van hierdie afwykings is 'n onderskeid tussen verwerking en transkripsie noodsaaklik. Boonop noop dit die transkribeerder om so getrou as moontlik te bly aan die oorspronklike weergawe. Die verduideliking van die afwykings maak die uitvoerende kunstenaar bewus van die artistieke moontlikhede van die werk.

Sky-high Flames is about Ofunne Ofili, an intelligent and ambitious young woman in a Nigerian oppressive patriarchal society who, nevertheless, dreams of becoming a teacher. Once in school, her high spiritedness leads her to constant trouble. After her mother falls ill, Ofunne's father demands that she withdraw from school. But she completes her education with the help of Reverend Sister Dolan, who was her school principal, and who was drawn to Ofunne's personality. After graduation, Ofunne's father insists that she marry a man she barely knows. She consents only because the man is both Catholic and educated. After three years of marriage, her in-laws threaten her with divorce because she has not yet produced a child. While suffering from the guilt of childlessness, Ofunne discovers that her husband has infected her with syphilis. Sky High Flames is about how our hopes and dreams can turn out to become the very tools that destroy us.

Title from accompanying document. / B. Rohrer, saxophone ; F. Proctor, piano and organ ; R. Muse, piano ; C. Miller, piano ; S. Finck, marimba ; F. Sidorfsky, clarinet ; D. Bakke, violin. / Digitized by Kansas Correctional Industries

<p>The study’s purpose was to gain comprehension and knowledge about immigrate women’s vision on benefits respective disadvantages with arranged marriages.</p><p>The study’s question at issues was:</p><p>(1) How do the women consider that the ideal marriage is suppose to be?</p><p>(2) How do the women experience that their vision on marriage has changed in a new culture?</p><p>(3) How do the women consider that parents reasons, around the choice of a partner at arranged marriages?</p><p>To be able to answer these questions at issues we used a qualitative method where interviews carried out with four immigrated women from four different countries where Islam is widespread religion. Common for these women is that they all are Muslims and that they come from countries where arranged marriages are practiced. They also have concrete experience of arranged marriages, either through themselves or someone they know.</p><p>Material from interviews was analysed with a help of patriarchal theory and social constructivism. We have also analysed the material with a theory about culture and a theory about groups. The results of the study showed that the women are mostly positive into arranged marriages. They argue their standpoint with that marriage is an eternal institution that is built on respect and common values. The women see disadvantages in marriages that are built on love because it often leads to divorces when the love is gone.</p>

<p>Uppsatsen handlar om arrangerade äktenskap och kärleksäktenskap i storstadsmiljö i dagens Turkiet. Den belyser främst hur ett äktenskapsarrangemang går till och huruvida inflyttningen från landsbygd till städer har påverkat dem. Jag använder mig av ett inifrånperspektiv genom att intervjua turkiska kvinnor men gör även kopplingar till artiklar som belyser just moderniseringens effekter på äktenskapsformer.</p> / <p>This essay is about marriages in an urban setting in contemporary Turkey. It exemplifies how a marriage arrangement is done and whether the migration into cities from the country has influenced them. I will mainly give an insider perspective by interviewing Turkish women but the essay also relates to articles about modernization’s effects on marriage forms.</p>

The study’s purpose was to gain comprehension and knowledge about immigrate women’s vision on benefits respective disadvantages with arranged marriages. The study’s question at issues was: (1) How do the women consider that the ideal marriage is suppose to be? (2) How do the women experience that their vision on marriage has changed in a new culture? (3) How do the women consider that parents reasons, around the choice of a partner at arranged marriages? To be able to answer these questions at issues we used a qualitative method where interviews carried out with four immigrated women from four different countries where Islam is widespread religion. Common for these women is that they all are Muslims and that they come from countries where arranged marriages are practiced. They also have concrete experience of arranged marriages, either through themselves or someone they know. Material from interviews was analysed with a help of patriarchal theory and social constructivism. We have also analysed the material with a theory about culture and a theory about groups. The results of the study showed that the women are mostly positive into arranged marriages. They argue their standpoint with that marriage is an eternal institution that is built on respect and common values. The women see disadvantages in marriages that are built on love because it often leads to divorces when the love is gone.

At the heart of Thomas Kyd's revenge tragedy The Spanish Tragedy lies an arranged marriage around which all of the other action revolves. Bel-Imperia of Spain has been betrothed against her will to Prince Balthazar of Portugal, but she is no ordinary woman, and she has plans of her own. Bel-Imperia's unwillingness to participate in the arranged marriage is indicative of the rise of the companionate marriage; it represents a rejection of the arranged marriage that dominated upper class society in earlier years. This study seeks to throw light upon early modern attitudes towards marriage, focusing particularly on the arranged marriage, the companionate marriage, and the state marriage. Additionally, it examines the role of woman as peace-weaver, a practice that dates back as far as the Beowulf manuscript. Using historical as well as literary sources to delineate these forms, I apply this information to a study of the play itself, with an emphasis on its performative value. Since the proposed marriage dictates all of the action of the play, an analysis of the bartered bride, Bel-Imperia, is of particular importance. This essay examines her character in depth as well as her relationships with Andrea and Horatio, who love her; with Lorenzo, the King, and her father, who seek to exploit her; and with Hieronimo, who becomes her partner in revenge. Additionally, I contrast her with Isabella, one of only two other female characters in the play and conclude by delineating how my analysis would affect a performance of the play and by "directing" a hypothetical interpretation of The Spanish Tragedy.

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