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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Nature, art contemporain et société : le Land art comme analyseur du social /

Brun, Jean-Paul, January 2002 (has links)
Th.--Sociologie-anthropologie--Besançon--Université de Franche-Comté, 2002. / Bibliogr. p. 366-434. Index.
2

Paysage, art contemporain et société : le cas du land art /

Brun, Jean-Paul, January 1996 (has links)
Mém. de DEA--Sc. du langage--Besançon--Université de Franche-Comté, 1996.
3

'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape

Hogarth, Jan January 1998 (has links)
No description available.
4

Nature, art contemporain et société : le Land art comme analyseur du social.

Brun, Jean-Paul, January 1900 (has links)
Texte remanié de: Thèse de doctorat--Sociologie--Besançon, 2002. / Bibliogr. thématique p. 251-347. Résumé en anglais.
5

Nature, art contemporain et société : le Land art comme analyseur du social.

Brun, Jean-Paul, January 1900 (has links)
Texte remanié de: Thèse de doctorat--Sociologie--Besançon, 2002. / Résumé en anglais.
6

Nature, art contemporain et société : le Land art comme analyseur du social.

Brun, Jean-Paul, Minary, Jean-Pierre. January 1900 (has links)
Texte remanié de: Thèse de doctorat--Sociologie--Besançon, 2002. / Bibliogr. p. 437-439. Notes bibliogr. Résumé en anglais.
7

Horizons intimes /

Vallerand, Mélanie. January 2003 (has links)
Thèse (M.A.)--Université Laval, 2003. / Bibliogr.: f. [47]. Publié aussi en version électronique.
8

Land art jako prostředek k vytvoření iluze ideálního prostoru / Land art as a means to create the illusion of an ideal space

Hladová, Anežka January 2017 (has links)
This diploma thesis is based on a project emphasizing the land art principle that creates an illusion and intervenes thus into space on grounds of a historical event or an object missing in a certain area. The practical part consists of seven land art schemes with an introduction of the concept itself and the last key concept is in addition realized on Vitkov Hill. The overall design of Vitkov area suggests park changes and ground shaping of the park itself that is also supplemented by land art enhancing historical aspects of the place. The concept focuses mainly on an oversized asphalt lane that is nowadays, with its flat shape, considered as the top of such prominent hill, the real peak is therefore missing. Having said that, the project attempts to restore its natural and imperfect appearance of the complex. Furthermore, the scorched pathway becomes due to summer season an unfriendly place to stay. As a result, the project provides a solution in form of a return to a slightly narrowed sunken lane placed under the ground level and paved with stones. Alongside the main holloway there are sand pathways for walkers and a running track so far spontaneously created in the lawn by passing runners. Asphalt lane therefore stays only one, designated especially for inline skaters. Around the aforementioned routes there are suggested both elevated and deepened spots that offer even more magnificent view. All proposed terrain changes are supposed to evoke a false impression that Vitkov hill has never been flattened, as it in present day, and one is a mere visitor passing through paths that allow visitors to embrace sense of reaching the top. Despite the fact that Vitkov hill monument is a public area having its indisputable significance, it seems to be often forgotten. Apart from the recreational purposes of the park, this green hill is also a prominent feature in Prague´s city views and, last but not least, a memorial of one of the most important battles related to the Czech history. This land art project has been involved into International Landscape Festival 2018 held in Prague and foreshadows thus the event from early stages. The project then becomes a real work of art placed in public area with an intention to accentuate the suffering in the historical battle as a painful event that should be remembered by the nation. Simultaneously, it points out at a missing tree that symbolizes ephemerality of values. Land art thus emphasizes an abstract image of growing Lilacs and Acacia trees standing against each other in the battlefield as the soldiers in Vitkov or from the present day point of view, Karlín and Žižkov. Defeated Acacia trees epitomize Crusaders fleeting away from victorious Hussites (Lilacs) down the Karlín Hill and the only thing that remains is only one fallen soldier (Accia tree) and a lot of pikes sunken in the ground. Other land art projects have much in common. For instance, they are located in cities and their surroundings known well by the author. Apart from visible aspects, they lay emphasis especially on inner connectedness expressed through an illusion. A passerby should be able to notice that there is an imperfection, in particular area, he has not spotted before. He therefore intentionally finds himself in a position where he should open his fantasy because the place is speaking to him through shades and silhouettes of an absent reality. This thesis also demonstrates how popular initiative can change the city and bring interesting ideas as in case of High Line in New York. Lastly, land art literary research provides insight not just into land art as artistic movement but also as a feature in public area commonly discussed due to its inappropriate composition. The diploma thesis focuses mainly on Czech authors.
9

Tinted Air

Erickson, Matthew 01 January 2016 (has links) (PDF)
No description available.
10

Arte e meio ambiente nas poéticas contemporâneas / Art and environment in contemporary poetics

Bianchi, Marilda 27 April 2012 (has links)
Este é um estudo sobre o desenvolvimento e a prática de arte voltada para questões ambientais, cujo objeto de arte possa ser o próprio ambiente, por meio de ações ou intervenções em espaços públicos ou privados, construções de objetos de arte com utilização de materiais não convencionais, com proposta de foco ou crítica a questões ambientais. A pesquisa estabeleceu investir em um levantamento de artistas cuja poética se envolva com o meio ambiente, como um exercício de crítica de arte. Escolhi os artistas Brígida Baltar, Andy Goldsworthy e Carlos Vergara pelas poéticas. A análise da pesquisa caracterizou-se por um levantamento das principais características das obras escolhidas, as analogias estabelecidas entre a proximidade e as singularidades da poética de cada artista/obra analisadas com o meio ambiente. Considero que a crise ambiental pela qual passa o planeta pede uma nova postura dos artistas, uma necessidade de estar aberto às possibilidades de um fazer artístico junto ao meio ambiente natural, um fazer crítico, consoante com os novos tempos, reafirmando-se na função social da arte. / This is a study on the development and practice of art focused on environmental issues, whose object of art may be the environment itself, through actions or interventions in public or private spaces, construction of art objects using unconventional materials, including proposals of focus or critical environmental issues. The research established to invest in a survey of artists whose poetic engages with the environment, as an exercise in art criticism. I chose the artists Brígida Baltar, Andy Goldsworthy and Carlos Vergara by poetic. The research analysis was characterized by a survey of the main characteristics of the chosen works, the analogies made between the proximity of the poetic and the singularities of each artist / work analyzed with the environment. I believe that the environmental crisis in which the planet is a new approach calls for artists, one need to be open to the possibilities of an artwork with the natural environment, to do with a criticism way, according to the new times, reinforcing its position in the function social of art.

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