Inaug.-Diss.--Freiburg. / Vita. Includes bibliographical references (p. 110-111).

Thesis (Ph. D.)--University of Chicago. / Preprinted from Modern philology, VIII, no. 4. At head of title: The University of Chicago. eContent provider-neutral record in process. Description based on print version record. "Sources": p. 51.

Thesis (doctoral)--University of Reading, 1990.

Thesis--PlanB (M.S.)--University of Wisconsin--Stout, 2003. / Includes bibliographical references.

Dissertation, M.A., University of Hong Kong, 1985.

Thesis (Ph. D.)--Ohio State University, 2003. / Title from first page of PDF file. Document formatted into pages; contains xiv, 151 p.: ill. Includes abstract and vita. Advisor: Charles R. Hancock, College of Education. Includes bibliographical references (p. 123-129).

Thesis (Ph. D.)--University of Chicago, 1911. / Published also in Anthropos, vol. VII, 1912. Includes bibliographical references. Also available on the Internet.

No description available.

Informed by the functionalist perspective, the study analyzes the Basotho accordion music over the period 1980 â 2005. Of particular importance are the various themes addressed by the verbal text that comes up in the music. Specifically, the study analyzes the language used in the composition of the songs accompanying the Basotho accordion music; the rationale behind the use of such language. The study also looks at the status of the composers or artists of the music as well as the role of their music among Basotho; and last, it looks at the reception of the Basotho accordion music by Basotho. In order to address the above purposes of the study, the qualitative method was used to interpret the songs. The population of the study was all the Basotho artists, radio presenters of the music, shop owners selling the music, street vendors and the public that listens to the music and buys it. A stratified random sampling method was used to select with the subjects of the study. A total of 100 songs were analyzed while 81 subjects were interviewed for this study. The findings of the study on the issues investigated are that, Basotho accordion music promotes or helps in the aesthetics of the Sesotho language; that it is a reservoir of rich language. The recurring themes in the music range from social, political and economic issues. The music forges patriotism among Basotho by promoting customs, norms and values of the nation. In terms of status, the artists are either illiterate or semi-literate and the music is their main means of livelihood. On the whole, most Basotho are receptive to Basotho accordion music in many different ways. The study concludes that Basotho accordion music is part of the oral traditional music of Basotho since it retains some features of oral traditional music. Accordion music is very rich in a variety of linguistic techniques common in oral traditions of Basotho. The music also reflects the lifestyle of Basotho because of its historicity and coverage of concerns of the nation

Scopo di questo saggio non è di raccontare la storia di un uomo, ma di fornire un contributo alla storia di un libro. Sarà, tuttavia, opportuno, come introduzione al nostro studio, dare un breve cemno della vita di Innocent Gentillet e delle sue opere. Tralasciando i particolari, spesso incerti e oscuri, della sua vita, ci fermeremo soltanto sulla linee generali e sui documenti dai quali esse si desumono. I biografi di Gentillet concordano nel dire - ed è anzi questo uno dei pochi punti sui quali sono d'accorda - che egli nacque a Vienne, nel Delfinato, nella prima metà del XVI secolo. Si ignora la data della sua nascita.