This dissertation presents a study of carnavalesque parody in three works by Virgilio Pinera. The first chapter consists of a study of the genesis of the master narratives of literary modernity in Latin America as formulated in the writings of Jose Marti and elaborated by the arielista writers in the first decades of the century. The chapter also includes a study of the literary group Origenes to which Virgilio Pinera belonged and a brief biographical essay about the author. The second chapter begins with a study of the theory of parody based on the theoretical writings of Linda Hutcheon. This study is followed by an analysis of the short story "El album" as a parody of the cuban neobarroque, an aesthetic shared by some of the members of Origenes. The chapter concludes with a study of the novel La carne de Rene as a padody of the Buildungsroman and of the master narratives of Latin American literaty modernity. The third chapter begins with a study of the popular tradition in Cuban theatre which was influential in the development of Virgilio Pinera's theories about theatre. This study is followed by a comparative study of Tembladera, a play by Juan Antonio Ramos which is based on the arielista modern ideology, and Electra Garrigo, Pinera's first play. The final chapter includes the conclusions of this dissertation.

Esta disertacion estudia dos novelas de Gertrudis Gomez de Avellaneda y dos de Reinaldo Arenas: Guatimozin, ultimo emperador de Mexico (1846) y El cacique de Turmeque (1860), y El mundo alucinante (1969) y La Loma del Angel (1987). En tanto novelas historicas que son tambien re-escritura, este estudio examina junto con ellas sus hipotextos y metatextos: la Historia verdadera de la conquista de la Nueva Espana (Bernal Diaz), las Cartas de relacion (Cortes) y El carnero (Freile); las Memorias de S.Teresa de Mier, Cecilia Valdes (Villaverde), El siglo de las luces (Carpentier) y Biografia de un cimarron (Barnet). La lectura de estos textos se realize siguiendo principalmente los postulados teoricos de Benedict Anderson, Foucault, Genette, Hutcheon y Hayden White. Las novelas de Avellaneda y Arenas son analizadas dentro de sus respectivos contextos de fundacion nacional: la poetica romantica cubana de mediados del siglo XIX y la poetica de la Revolucion (1959). A Avellaneda y Arenas los une el hecho de ser dos escritores cubanos excluidos del grupo fundacional: Avellaneda como mujer que se niega a cumplir la funcion asignada a su sexo, y Arenas como cuidadano cuyas necesidades y deseos--los del homosexual, entre otros--no coinciden con los del ente abstracto de "el Pueblo". Sin embargo tambien ellos escriben novelas historicas: sus textos hacen parte del discurso sobre la nacion, si bien cuestionando sus supuestos de manera radical y haciendo patentes sus contradicciones. En buena medida para estos autores la realidad son textos: textos que son tema de su excritura y escritura que deviene por tanto re-escritura. La historia que escriben no es la nunca antes contada, sino la historia de como ese relato ha sido escrito; y es tambien la historia que quiere volver a contar el acontecimiento porque no comparte el relato que de el se ha hecho. Las novelas historicas de Avellaneda y Arenas son asi relatos escritos en contra de la historiografia patriarcal y evolutiva que homogeniza la realidad a costa de sus particularidades, y trivializa sus proyectos.

This study is an interpretation of the poetic work of the Puerto Rican poet Francisco Matos Paoli from 1937 to 1962 focusing on the creation and metamorphorsis of the poetic voice. This approach views the poetic voice as a linguistic device, autonomous from the real author. It establishes a distance between the I of the poem and the concept of mask or persona. The study interprets the poetic voice as a combination of several poetic modes which represent different accents in the major ideological perspectives of the discourse. The various modes of the poetic, patriotical, metaphysical I (subdivided into Christian, spiritualist and espiritista I), and the family I (subdivided into father, son, brother and lover) constitute the space of the poetic voice as one of tension between these discourses. These modes of the poetic voice express the basic binary opposition life/death which is transformed as it passes through the various books according to the movement of the poetic modes and their discourses. In Cardo labriego (1937) the opposition life/death begins in the first part of the book assuming the form of the opposition productivity/dearth. In Habitante del eco (1944) and Teoria del olvido (1944) the basic opposition is in the context of the spiritualist communication between the world of "here" and the world of "beyond." In Canto a Puerto Rico (1952), Luz de los heroes (1954), and Canto nacional a Borinquen (1982) written in 1955, the opposition life-death becomes the opposition freedom/colonialism. In Criatura del rocio (1958) the opposition uses the Christian signs in the context of espiritista communication. Finally, in Canto de la locura (1962) the different forms of opposition are all present in an attempt to reconcile them in the utopian space of the poetic voice. This reading of Matos Paoli's poetic journey comes to the conclusion that during this period of poetic production the discourse of the poet is creating a poetics based on a demand made of the reader. The implicit reader of this poetry knows the various contexts of the several modes of the poetic voice.

Submitted by FABIO ORSI MESCHINI (fabiomeschini@gmail.com) on 2018-05-31T21:16:24Z No. of bitstreams: 1 Fabio Meschini Dissertação Versão final UNESP 2018.pdf: 3468832 bytes, checksum: c6fbbe8bc06b59cd4ebc3dbc37a0bf37 (MD5) / Approved for entry into archive by Telma Jaqueline Dias Silveira null (telmasbl@marilia.unesp.br) on 2018-06-04T20:16:06Z (GMT) No. of bitstreams: 1 meschini_fo_me_mar.pdf: 3468832 bytes, checksum: c6fbbe8bc06b59cd4ebc3dbc37a0bf37 (MD5) / Made available in DSpace on 2018-06-04T20:16:06Z (GMT). No. of bitstreams: 1 meschini_fo_me_mar.pdf: 3468832 bytes, checksum: c6fbbe8bc06b59cd4ebc3dbc37a0bf37 (MD5) Previous issue date: 2018-05-21 / Não recebi financiamento / Objetivou-se analisar a produção e a coautoria latinoamericana e caribenha em Estudos Métricos da Informação na base Scopus no período de 2011 a 2015, contextualizando as políticas científicas e tecnológicas da região. Mais especificamente propõe-se destacar os pesquisadores, países, instituições e periódicos mais produtivos; classificar as temáticas mais trabalhadas segundo proposta de Glänzel (2003) que versa sobre três grupos-alvo (G1 - Bibliometria para profissionais da bibliometria; G2 - Bibliometria aplicada às disciplinas científicas e G3 - Bibliometria para a política científica e gestão); verificar o impacto da produção por meio do número de citações e citantes e relacionar os países e autores mais produtivos em Estudos métricos sob a perspectiva da análise de redes de coautorias. Como resultados, destaca-se o Brasil como o país mais produtivo e consequentemente os pesquisadores brasileiros destacam-se com uma representação de 67% entre os mais produtivos e os mesmos são predominantemente oriundos de universidades. Quanto às coautorias, tem-se um baixo número entre os países e pesquisadores da América Latina e Caribe e até mesmo com os demais do mundo, uma vez que grande parte destas coautorias ocorreu no âmbito interno dos próprios países. Como conclusões, observa-se que há uma necessidade de ampliação de pesquisas a serem realizadas em cooperação no âmbito desta região em Estudos Métricos da Informação, objetivando propiciar um papel de destaque na ciência, almejando a tão merecida representatividade desta região na ciência internacional. / The aim of this research was to analyze the Latin American and Caribbean production and co-authorship in Metric Information Studies at the Scopus base from 2011 to 2015, contextualizing the region's scientific and technological policies. More specifically, it is proposed to highlight the most productive researchers, countries, institutions and periodicals; (G1 - Bibliometrics applied to scientific disciplines and G3 - Bibliometrics for scientific policy and management); to verify the impact of production through the number of citations, the citers and to relate the most productive countries and authors in Metric Studies from the perspective of analysis of co-authorship networks. As a result, Brazil stands out as the most productive country and consequently Brazilian researchers stand out with a representation of 67% among the most productive ones, whose majority is predominantly from universities. As for co-authorships, there is a low number of countries and researchers in Latin America and the Caribbean and even with the rest of the world, since a large part of these co-authorships took place within the countries themselves. As conclusions, it is observed that there is a need to expand research to be carried out in cooperation within this region in Metrics Studies of Information, aiming to provide a prominent role in science and focus on the deserved representativeness of this region in the international science.