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Music and Words: Reconciling libretto and score editions in the digital mediumViglianti, Raffaele 03 July 2018 (has links)
No description available.
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Der unfreiwillig mehrsprachige Librettist. Linguistische Austauschprozesse im europäischen Opernlibretto des 19. JahrhundertsMaehder, Jürgen 08 January 2020 (has links)
No description available.
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Giacomo Meyerbeers Mitarbeit an den Libretti seiner OpernBecker, Heinz 14 January 2020 (has links)
No description available.
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Zum Verhältnis von Libretto und Musik in der italienischen Opera Seria der ersten Hälfte des 19. JahrhundertsLippmann, Friedrich 14 January 2020 (has links)
No description available.
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Richard Strauss und seine LibrettiSchuh, Willi 14 January 2020 (has links)
No description available.
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Die pastorale Szene in Metastasios ”Olimpiade”Bianconi, Lorenzo 15 January 2020 (has links)
No description available.
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Ein wiederaufgefundenes ”Fidelio”- LibrettoSchmidt, Hans 16 January 2020 (has links)
No description available.
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Händels Londoner OperntexteStrohm, Reinhard 24 January 2020 (has links)
No description available.
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Franz Schuberts ”Lazarus”-Fragment und seine Beziehung zur TextdichtungNiemeyer, Annemarie 27 February 2020 (has links)
No description available.
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Hair: The American Tribal Love-Rock Musical by Gerome Ragni and James Rado: An Annotated Edition with IntroductionCulver, William Marc 08 1900 (has links)
The epochal musical Hair is based predominantly on the actions and reactions to the cultural and societal occurrences of the Sixties. So, what can be done to help in the understanding of this historic musical? The answer: to produce an annotated text of the musical that will offer support to director and cast. The study consists of four chapters; the first, an introduction to the study; the second, a historical review (1960-1970); the third, the annotations which seeks to identify and explain all unfamiliar or unusual words, cultural obscurities, or personalities that might confuse, or otherwise mislead a full and comprehensive understanding of the author's original concept; and fourth, the worldwide performances of Hair and revivals after the original Broadway production.
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