The diploma thesis deals with pair of domestic regimes known as the second and third | Czechoslovakian republic. The choice of these periods of the national history was conditioned by a relative absence of comparative political scientific works on these periods and by timelessness and topicality of the studying of domestic regimes, that refused the idea of a liberal democracy twice in ten years. The goal of the diploma thesis is to analyze, compare and categorize the second and the third Czechoslovakian republic in the framework provided by the theory of authoritarian and totalitarian regimes by Juan J. Linz. In the first part the thesis describes the theoretical framework of the theory of authoritarian and totalitarian regimes with stress on the theory of authoritarian regimes, as it is the assumption of the thesis, that both the second and the third republic were cases of authoritarian regimes. The other parts of theory which deal with totalitarian and sultanistic regimes are only briefly mentioned. In the second part of the thesis there is an analysis and comparison of both regimes based on three research questions. In this part the thesis deals with the relationship of both studied regimes with the first republic and their relationship with a liberal democracy, then it deals with the very analysis in...

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Marcel Prawy, born in Vienna, graduated in law. In 1936, the couple Kiepura/Eggerth engaged him as private assistant. Two years later Jan Kiepura helped him to emigrate to New York. In 1943, after his employment ended, Prawy joined the US Army. Finally he returned as an elite soldier to Vienna and began his pioneering work for ‘Broadway Musicals’. In 1955, he was appointed dramaturge at the ‘Wiener Volksoper’. One year later in February, Kiss Me, Kate was performed in two Austrian theatres. The Viennese version was produced by Prawy himself and staged by Heinz Rosen. In Graz André Diehl directed the orchestration by conductor Rudolf Bibl on the basis of a piano score. Prawy relied on a mixture of Austrian theatre luminaries and American actors. In the Volksoper 183 performances took place – Graz had only 16. The reviews for the Viennese premiere reaffirmed the cheers. The criticism of the Graz production did not receive the same attention as Prawy’s production did.