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61	An historical exploration of Franz Liszt's role preparing, performing, and promoting Richard Wagner's Lohengrin Alexander, Mark Willard, January 2001 (has links) Treatise (D.M.A.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI Company.
62	The structural foundations of "the music of the future" a Schenkerian study of Liszt's Weimar repertoire / Damschroder, David. January 1981 (has links) Thesis (Ph. D.)--Yale University, 1981. / Includes bibliographical references (leaves 183-185).
63	Franz Liszt's songs on poems by Victor Hugo Park, Shin-Young. Bridger, Carolyn. Liszt, Franz, January 2007 (has links) Treatise (D.M.A.) Florida State University, 2007. / Advisor: Carolyn Bridger, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 50 pages. Includes biographical sketch. Includes bibliographical references.
64	La réécriture et ses enjeux dans les fantaisies de Liszt sur des thèmes d'opéra, 1830-1848 : musique, sémantique, société / Moysan, Bruno, January 2000 (has links) Th. Etat--Musicologie--Tours, 1997. / Liszt dans la "Revue et gazette musicale de Paris" (articles de Liszt et sur Liszt) p. 889-898. Catalogue thématique des fantaisies p. 1010-1034. Bibliogr. p. 1036-1105.
65	Three pieces for concert band (by Franz Liszt) Murphy, Hugh G., Jr January 1963 (has links) Thesis (M.M.)--Boston University Liszt, Franz Music composition Concert bands
66	Form and Pianistic Texture in the Operatic Fantasies Based on La Sonnambula and Der Freischütz of Franz Liszt and Julian Fontana: a Comparison of Compositional Approach Chung, Migeun 05 1900 (has links) This study examines and identifies the differences in compositional approach in the operatic fantasies based on Bellini’s La Sonnambula and Weber’s Der Freischütz by Franz Liszt and Julian Fontana. These four fantasies are placed in the context of musical conventions and audiences in the first half of the nineteenth century. The two operatic fantasies by Liszt that are included in this study are representative of reinterpretations that employ formal and textural features suitable for the concert repertoire of piano virtuosos. In contrast, the fantasies by Fontana are indicative of the potpourri style, and suitable both for amateur performance as well as for pedagogical use. The different functions and purposes of the operatic fantasies of Liszt and Fontana are compared and contrasted, with attention to each composer’s respective intended audiences as well as their distinct compositional intentions. Franz Liszt Julian Fontana operatic fantasies
67	Franz Liszt: A Study of His Life and Piano Music Walz, Larry Gene 08 1900 (has links) This study of Franz Liszt presents the Hungarian master as a figure of conflicting forces, a sort of conflicting forces, a sort of Dr. Jekyl and Mr. Hyde of music. In other words, Liszt was a dual personality. In this study of Liszt's major piano works, it will become evident that several factors were vital in the ultimate realization of these works. Franz Liszt music history biography Liszt, Franz, 1811-1886.
68	An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach Pierce, Stephen R. January 2011 (has links) No description available. Music Siloti Bach Transcription Piano Liszt
69	A New Perspective on the Interpretation and Performance of Franz Liszt's Piano Cycle, Harmonies poetiques et religieuses, S.173 Kim, Bo Ra 15 October 2015 (has links) No description available. Music Franz Liszt Harmonies Piano cycle
70	La notion de virtuosité dans les écrits critiques de Franz Liszt / Reynaud, Cécile, January 2001 (has links) Th. Etat--Littérature comparée--Paris 3-Sorbonne nouvelle, 2001. / Photocopie interdite. Bibliogr. f. 387-431. Index.

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