O objetivo principal deste trabalho é mostrar como as relações entre Literatura e Jornalismo se mantêm nas crônicas de Gabriel García Márquez produzidas no período entre 1980 e 1984 e publicadas no jornal colombiano El Espectador, de Bogotá. A partir de um recorte temático sobre o conjunto de 167 crônicas reunidas no volume Notas de Prensa 1980-1984 constituiu-se um corpus reduzido para a análise de tais relações, o que resultou no reconhecimento de traços literários no discurso jornalístico desses textos, assim como a outra via desse imbricamento, constatou as projeções de estratégias jornalísticas no campo da produção narrativa do escritor colombiano. / The main purpose of this thesis is to show how the relationships between Literature and Journalism are maintained in Gabriel Garcia Márquez\'s chronicles produced between 1980 and 1984, and published in the Colombian journal El Espectador, from Bogotá. Starting from a thematic segment over a whole unity of 167 chronicles reunited in the book Notas de Prensa 1980-1984 a reduced corpus was established for the analysis of those relationships, which resulted in the recognition of literary traces in the journalistic discourse of those texts, as well as the opposite way of this imbrication detected the projection of journalistic strategies in the Colombian writer\'s narrative production.

O objetivo principal deste trabalho é mostrar como as relações entre Literatura e Jornalismo se mantêm nas crônicas de Gabriel García Márquez produzidas no período entre 1980 e 1984 e publicadas no jornal colombiano El Espectador, de Bogotá. A partir de um recorte temático sobre o conjunto de 167 crônicas reunidas no volume Notas de Prensa 1980-1984 constituiu-se um corpus reduzido para a análise de tais relações, o que resultou no reconhecimento de traços literários no discurso jornalístico desses textos, assim como a outra via desse imbricamento, constatou as projeções de estratégias jornalísticas no campo da produção narrativa do escritor colombiano. / The main purpose of this thesis is to show how the relationships between Literature and Journalism are maintained in Gabriel Garcia Márquez\'s chronicles produced between 1980 and 1984, and published in the Colombian journal El Espectador, from Bogotá. Starting from a thematic segment over a whole unity of 167 chronicles reunited in the book Notas de Prensa 1980-1984 a reduced corpus was established for the analysis of those relationships, which resulted in the recognition of literary traces in the journalistic discourse of those texts, as well as the opposite way of this imbrication detected the projection of journalistic strategies in the Colombian writer\'s narrative production.

Étudier l’édifice post-exotique construit par Antoine Volodine en s’intéressant à la langue revient à l’envisager à la fois comme objet de représentation, comme « matériau » façonné par l’écrivain et comme outil d’une stratégie littéraire sans concession vis-à-vis du lecteur. Représentée dans de nombreuses séquences fictionnelles, la langue revient d’œuvre en œuvre et permet de révéler l’importance particulière de certaines d’entre elles ainsi que la cohérence interne de cet ensemble romanesque. Façonné sans relâche par Volodine, le français s’en trouve modifié car l’auteur y insère des néologismes et en perturbe les expressions a priori intangibles ; l’analyse de cette poétique fondée sur le mélange et la perturbation, soit l’hybridité, permet en outre de distinguer quelques pratiques linguistiques propres aux hétéronymes. Mais surtout, l’écrivain ouvre le français aux langues étrangères par un biais qui fait jouer la traduction d’une façon inédite et cette hospitalité linguistique qui fait appel à la créolisation conduit à reconsidérer la francophonie (dont elle se revendique). Utilisée pour dénoncer les mésusages linguistiques de discours historiquement identifiés, la langue volodinienne permet à l’écrivain de mettre en place des dispositifs linguistiques et littéraires qui exigent une participation active du lecteur, régulièrement invité à prendre part à la construction du sens. / To study Antoine Volodine’s post-exotic fiction through the prism of language is to consider language as an object of representation, as “material” shaped by the writer, and as a tool in a literary strategy which makes no concessions to the reader. Language is represented in numerous fictional sequences, reappearing as a theme from one text to the next, thereby revealing both the importance of certain novels in his oeuvre as well as the internal coherency of his work. Volodine relentlessly remodels the French language, introducing neologisms and disrupting expressions that seem, a priori, intangible. Furthermore, the analysis of this poetics based on heterogeneity and disruption - or its hybridity - allows certain linguistic practices specific to heteronyms to be identified. Above all, Volodine opens French to foreign languages through an innovative use of translation. This linguistic hospitality, which draws on “creolisation”, calls for a reconsideration of the francophone literary field (which it claims to be part of). Volodine’s language is used to denounce the misuse of language in historically identified discourses, and it is the means by which the writer sets up linguistic and literary devices which demand the active participation of the reader, who is regularly invited to partake in the construction of meaning.