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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 91 to 100 of 1061 (0.215 seconds)Spelling suggestions: "subject:"1iterature - eneral"" "subject:"1iterature - feneral""
| 91 |
AN EDITION OF THOMAS MOORE'S 'COMMONPLACE BOOK'WILSON, JOY LEE CLARK January 1967 (has links)
No description available.
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| 92 |
CRAFT GUILDS VERSUS MEISTERSINGER SCHOOLS: THEIR PROPER RELATIONSHIPCHRISTIANSEN, HEINZ CHRISTIAN January 1969 (has links)
No description available.
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| 93 |
ROUSSEAU AND THOREAU: THEIR CONCEPT OF NATURELAMBERT, L. GARY January 1969 (has links)
No description available.
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| 94 |
Towards a better definition of 'audience': Hans Robert Jauss's 'rezeptionsaesthetik' theoryHogan, Nancy Grier January 1989 (has links)
In this thesis, I consider the structure and nature of Hans Robert Jauss's notion of the audience and the role this notion plays in literary criticism. In light of the fact that Jauss's conception of the reader is unique and complicated (in that he does not fall neatly into any of the larger categories of the reader such as Riffaterre's "superreader" or Wolff's "intended reader"), I seek to provide a fuller explanation of the features of the audience for each reading stage. In order to flush out the characteristics of the three reading stages described by Jauss, I utilize Alfred Schutz's notions of type, typification, and finite provinces of meaning. Schutz's conception of the "finite provinces of meaning" is a helpful one when seeking to unpack the "types" which implicitly compose the activities of each reading stage. Therefore, I attempt to unravel the implicit typifications which make up Jauss's "stages of reading" as well as motivate the reasons why such a project bears some significance for our understanding of the notion of the reader as subject.
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| 95 |
THE 'GREAT MAN' IN THE WORKS OF HENRY FIELDINGNEUENDORF, MARY MARGARET SCHULZE January 1964 (has links)
No description available.
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| 96 |
ROMANTIC LITERARY THEORY AND THE SUBLIMECARROLL, DAVID BARRY January 1971 (has links)
No description available.
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| 97 |
THE PORTRAIT OF THE WOMAN IN THE WORKS OF CHRISTINE DE PISANFINKEL, HELEN RUTH January 1972 (has links)
No description available.
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| 98 |
LENZ CONTRA WIELAND: AN EPISODE IN EIGHTEENTH CENTURY POLEMICSFRANK, RICHARD A. January 1972 (has links)
No description available.
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| 99 |
DAS VERHAELTNIS VON GOETHE UND RUNGE IM ZUSAMMENHANG MIT GOETHES AUSEINANDERSETZUNG MIT DER FRUEHROMANTIK. (GERMAN TEXT)KALLIENKE, GERHARD SIEGFRIED January 1972 (has links)
No description available.
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| 100 |
THE RHETORICAL STRUCTURE OF POPE'S "ILIAD": A STUDY IN THE POETICS OF AUGUSTAN EPICCOUMONT, EILEEN ANN January 1973 (has links)
No description available.
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