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The present work employs the detailed study of one case to illustrate a pattern that may well exist in other cases. It must be borne in mind that the subject population comprises approximately one fifth of the Soviet Union (and steadily growing at a rapid pace) and spread across a substantial portion of the Asian continent What is described in the following pages may have taken place with respect to other non-Russian nationalities in the USSR. Therefore, although this work focuses on Central Asian-Russian relations, it constitutes a possible model for analysis and investigation of Soviet policy toward other nationalities. There is strong evidence to indicate that those policies toward history and literature which were applied to Alpamysh have already been employed with respect to various developing countries as well, not the least of which are those bordering the USSR. It is the hope of this writer that this inquiry will induce others to pursue the questions raised here. Various disciplines and area studies might benefit from this investigation, aside from the obvious Central Asian and Soviet studies. The artificial separation of "areas" and disciplines, that have not existed during the evolution of the subject matter, cannot yield complete understanding. Given the restrictions imposed by the Soviet censorship and bureaucracies who control collections of materials and published works, documentation is not exhaustive. It is anticipated that subsequent research shall unearth additional information. Therefore, the temptation to hold back and wait for such new discoveries is immense. I almost succumbed to it, except for the constant reminders from friends and colleagues - among other reasons, pointing to the number of copies of the manuscript I had circulated in the academic community for comments and criticism who have insistently hounded me to go to print. I do so with mixed feelings, for, since the completion of this manuscript, a German translation (GDR printing) of Alpamysh has been issued It was translated not from the original, but from an earlier Russian translation. Moreover, it has been discovered that at least one, or perhaps two additional printings of Alpamysh have been offered for sale in Central Asia.

The regions of James II, III, and IV in the second half of the fifteenth century in Scotland saw a distinctive flowering of advice to princes literature. This is the first account of its kind to examine in detail the sources, arguments, and extent of political comment of each individual work. In particular it employs both literary and historical sources to reveal the largely unrecognized impact of continental, especially French, political thought, on a number of writers. The study opens with a consideration of the poem De Regimine Principum, a politically very forthright advice work, influential for a century or so after its composition. Chapter 2 deals with the writings of Sir Gilbert Hay, whose work shows clear influences from the continent, particularly in the Buik of King Alexander, which is also seen to have interesting links with De Regimine Principum. Chapter 3 discusses the romance Lancelot of the Laik, a poem less precise in its allusions, but clearly indicative of a number of recurrent preoccupations in Scottish advisory literature in the areas of justice and kingly minorities. The two following chapters examine The Talis of the Fyve Bestes, which gives a markedly nationalistic evocation of good kingship, and The Buke of the Chess, where Scottish advice to princes is seen at its least politically aware. In Chapter 6 advice appears in yet another genre, the devotional poem The Contemplacioun of Synnaris, where the wider associations of `kingship' with the nosce te ipsum tradition are apparent. Chapters 7 and 8 concern The Thre Prestis of Peblis and John Ireland's Meroure of Wyssdome, possibly produced around the same time, but presenting their advice in very different manners: the Thre Prestis adroitly worked and entertaining, the Meroure, highly theological and drawing strongly on continental writers, notably the sermons of Jean Gerson. In conclusion it is shown that through this context we can best appreciate the purpose and formidable execution of Robert Henryson's advice to princes fable lq The Lion and the Mouse.

It is argued in this thesis that the Nigerian Novel is an attempt to transliterate traditional customs, beliefs and attitudes, the characters of myth and legends, a whole universe of ancestors, into an entirely new context of the twentieth century, employing a language to which the modern reader can respond. The work gives detailed consideration to the salient features of this attempt and assesses, with particular reference to the novels of Tutuola, Achebe, Aluko, Nzekwu, Amadi, Balewa, Egbuna, Adaora Ulasi, Nwankwo and Okara, what in each case is the atti tudeof the novelist to the indigenous culture of his country and how successfully the link between tradition and modern experience has been established. The approach adopted in the thesis is one of close analysis of texts in an attempt to find out how critically an author has presented those aspects of tradition he has selected for treatment and how skilfully he has dramatized the realities and dilemmas of the present. On each author answers are sought to a numer of searching questions. What are the particular values the writer is upholding or opposing, and what is his attitude to them? What particular emotional or intellectual effect does he hope to achieve, and does he succeed? If he does, by what methods of communication? If he fails, from what problems of communication has failure resulted, and what effect does this have on the reader? What sympathies are evoked, and how do we see a particular work in the body of works of a particular author? A writer's language is a mirror held up to his personality and his particular circumstances. It is through his use of language that he reflects his individual awareness of a given situation. The detailed study of language leads, almost inevitably, to a consideration of the more fundamental problems of communication. Even though all save one of the novelists to whom this thesis is devoted use English as their creative medium, they do so in the consciousness of the fact that they are presenting a Nigerian experience, and the best of them reveal in their works a specific mode of the imagination which derives from their Nigerian background. It has therefore been necessary in all cases to examine closely the use of language by each novelist and try to assess how effectively the artist has communicated. Because of the historical and cultural environment of the Nigerian novelist considerable interest is taken in the influence which the mother tongue (LI) has had on the writer's English (L2). The thesis concludes by identifying the essential requirements for the establishment of a successful link between tradition and modern life: an important theme, a consistent imaginative scheme, a language which recognizes the characteristics of LI and skill in the use of language. Only works in which many of these conditions are fulfilled as, for example, in the novels of Achebe, Amadi, Okara and Aluko achieve satisfactory results. The link between tradition and modern life is valuable only if it widens satisfyingly our experience of what it is to be human and thus contributes to the solution of the political and social problems of the present.

This thesis examines the development of the political outlook of the German author and revolutionary politician, Ernst Toller. It begins by looking at Toller's early years and explains how his experience as a front-line soldier during the First World war transformed his views, causing him to reject the conservative-nationalist ethos he had grown up with and to become, in his own description, a revolutionary pacifist. It then looks at his involvement in the revolutionary events which took place in Bavaria at the end of the First World War, the so-called Räterepublik, examines how they affected his understanding of social and political reality and traces their artistic reflection in the plays he wrote in the following period. A recurrent theme in Toller's political thinking throughout the years of the Weimar Republic was the idea of an Einheitsfront, a defence block of workers' organisations, which he advocated as the only means of halting the rise of National Socialism. Unfortunately, Toller's appeals to the main workers' parties to form such a block went unheard, yet they are significant all the same in that they reveal the acute political insight of a man whom many of his contemporaries dismissed as a hopeless utopian. Interestingly, and a point often missed in studies of his politics, Toller abandoned the Einheitsfront after he went into exile in 1933 and came to favour instead the creation of a Volksfront a broad, cross-party anti-fascist coalition which the Soviet Union vigorously promoted all through the 1930s until the signing of the Stalin-Hitler Pact in 1940. Toller's support for this idea, in part a corollary of his support for the Soviet Union itself, had a profound impact on his political outlook in exile, and caused him to close his eyes to the repression suffered by the opponents of the Stalin regime both inside and outside Russia, and, most significantly, led him to ignore the nascent socialist revolution which flourished in Spain after the defeat of Franco's coup d'etat in 1936. This study examines in some detail, therefore, Toller's involvement in the Volksfront, redefines his attitude towards Communist Russia and shows how his efforts to suppress his revolutionary beliefs and to become instead a mere anti-fascist affected his creative spirit during his years of exile.

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The other side: collective memory in three novels by Amin Maalouf Collective memory is an expression which is used to describe the way in which societies reflect on their past and ensure their unity in the present. This thesis aims to show how narrative in general, and in particular in the novels of French Lebanese writer, Amin Maalouf, plays a crucial role in the transmission of collective memory. The thesis demonstrates that narrative fulfills this function in three ways. Firstly, narrative gives meaning to past events. Secondly, narrative changes and evolves over time. Lastly, narrative ensures a continual exchange between individual and collective memory. Thus, in its capacity to sustain aspects of individual and collective memory, narrative expresses the values that unite society. Central to our analysis of narrative in the work of Amin Maalouf is the concept of "l'autre côté" or "the other side". This is the expression used by Maalouf when referring to his passion for forgotten or uncomfortable aspects of Western and Arab cultural heritage. By informing the contemporary reader of the shared past, Maalouf strives to build bridges of understanding between the two groups. Maalouf's novels explore themes of origins, of exile and of memory. In the three novels we examine, the narrative is centered on the life of the hero who, endowed with exceptional qualities, is tested by the political and religious challenges of his time. The personal qualities of the hero, revealed in his dealings with the crises which form the particularity of his time, determine the orientation of collective memory. The first novel, Léon l'Africain, published in 1986, is based on the life of Hassan al-Wazzan who lived in Spain, Africa and Rome in the early sixteenth century. Hassan tells the story of his family, and of the political circumstances which led to the expulsion of the Arabs from Spain. The second novel, Les Jardins de lumière, published in 1991, examines the life of the poet, doctor and philosopher named Mani who lived in the third century A.D. In the Epilogue of the novel, the narrator states his intention of challenging the misconceptions and distortions concerning the life of Mani. In the third novel, Le Rocher de Tanios, published in 1993, the narrator sets out to find the truth concerning the events surrounding the birth, life and disappearance of the young man named Tanios, who lived in the narrator's village in Lebanon at the beginning of the nineteenth century. / Thesis (M.A.) - University of Adelaide, School of Humanities, 2009

The other side: collective memory in three novels by Amin Maalouf Collective memory is an expression which is used to describe the way in which societies reflect on their past and ensure their unity in the present. This thesis aims to show how narrative in general, and in particular in the novels of French Lebanese writer, Amin Maalouf, plays a crucial role in the transmission of collective memory. The thesis demonstrates that narrative fulfills this function in three ways. Firstly, narrative gives meaning to past events. Secondly, narrative changes and evolves over time. Lastly, narrative ensures a continual exchange between individual and collective memory. Thus, in its capacity to sustain aspects of individual and collective memory, narrative expresses the values that unite society. Central to our analysis of narrative in the work of Amin Maalouf is the concept of "l'autre côté" or "the other side". This is the expression used by Maalouf when referring to his passion for forgotten or uncomfortable aspects of Western and Arab cultural heritage. By informing the contemporary reader of the shared past, Maalouf strives to build bridges of understanding between the two groups. Maalouf's novels explore themes of origins, of exile and of memory. In the three novels we examine, the narrative is centered on the life of the hero who, endowed with exceptional qualities, is tested by the political and religious challenges of his time. The personal qualities of the hero, revealed in his dealings with the crises which form the particularity of his time, determine the orientation of collective memory. The first novel, Léon l'Africain, published in 1986, is based on the life of Hassan al-Wazzan who lived in Spain, Africa and Rome in the early sixteenth century. Hassan tells the story of his family, and of the political circumstances which led to the expulsion of the Arabs from Spain. The second novel, Les Jardins de lumière, published in 1991, examines the life of the poet, doctor and philosopher named Mani who lived in the third century A.D. In the Epilogue of the novel, the narrator states his intention of challenging the misconceptions and distortions concerning the life of Mani. In the third novel, Le Rocher de Tanios, published in 1993, the narrator sets out to find the truth concerning the events surrounding the birth, life and disappearance of the young man named Tanios, who lived in the narrator's village in Lebanon at the beginning of the nineteenth century. / Thesis (M.A.) - University of Adelaide, School of Humanities, 2009

Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 303-333). Also available for download via the World Wide Web; free to University of Oregon users.

Thesis (MA(Ancient Languages and Cultures))--Universiteit van Pretoria, 2008. / Includes bibliographical references (leaves 77-81).