Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

林綺雯. / 論文(碩士) -- 香港中文大學硏究院中國語言及文學學部, 1997. / 參考文獻: leaves 214-259. / Lin Qiwen. / Chapter 第一章： --- 緖論 --- p.1-16 / Chapter 1.1 --- 引言 --- p.2 / Chapter 1.2 --- 文中重要概念的闡釋 --- p.3-8 / Chapter 1.2.1 --- 上海人的含義 / Chapter 1.2.2 --- 上海文化的含義 / Chapter 1.2.2.1 --- 上海文化與上海味 / Chapter 1.2.2.2 --- 兩種含義的上海文化 / Chapter 1.2.2.3 --- 上海文化與海派 / Chapter 1.3 --- 研究目的及範圍 --- p.9-10 / Chapter 1.4 --- 研究方法 --- p.11 / Chapter 1.5 --- 小結 --- p.12 / 註釋 --- p.13-16 / Chapter 第二章： --- 王安憶小傳、創作理論及作品分期 --- p.17-47 / Chapter 2.1 --- 引言 --- p.18 / Chapter 2.2 --- 王安憶小傳 --- p.19-25 / Chapter 2.2.1 --- 童年及成長時期 / Chapter 2.2.2 --- 插隊及文工團時期 / Chapter 2.2.3 --- 回城後的日子 / Chapter 2.2.4 --- 美國之行後的日子 / Chapter 2.2.5 --- 創作上的轉折期 / Chapter 2.3 --- 創作理論 --- p.26-33 / Chapter 2.3.1 --- 早期創作理論 / Chapter 2.3.1.1 --- 生活與小¨®Ơ的關係 / Chapter 2.3.1.2 --- 藝術感覺與修練 / Chapter 2.3.1.3 --- 把筆觸伸向人的心靈 / Chapter 2.3.2 --- 後期創作理論 / Chapter 2.3.2.1 --- 小¨®Ơ敘述形式 / Chapter 2.3.2.2 --- 小¨®Ơ敘述語言 / Chapter 2.3.2.3 --- 紀實和虛構的關係 / Chapter 2.4 --- 作品分期 --- p.34-38 / Chapter 2.4.1 --- 預備期 / Chapter 2.4.2 --- 探索期 / Chapter 2.4.3 --- 轉折期 / Chapter 2.4.4 --- 成熟期 / Chapter 2.5 --- 小結 --- p.39 / 註釋 --- p.40-47 / Chapter 第三章： --- 預備期´ؤ´ؤ文革對上海人生活的影響 --- p.48-84 / Chapter 3.1 --- 引言 --- p.49 / Chapter 3.2 --- 文革造成精神文化的流失 --- p.50-55 / Chapter 3.2.1 --- 市民盲目追隨革命 / Chapter 3.2.2 --- 文革強制改造社會 / Chapter 3.3 --- 從亂世狀況反省上海人面對生活的態度 --- p.56-64 / Chapter 3.3.1 --- 亂世裏的生存智慧 / Chapter 3.3.2 --- 保留私人精神空間 / Chapter 3.3.3 --- 精神家園的寄托 / Chapter 3.4 --- 撥亂反正後上海人如何重新適應生活的轉變 --- p.65-74 / Chapter 3.4.1 --- 樂觀的生活態度 / Chapter 3.4.2 --- 認眞的生活態度 / Chapter 3.4.3 --- 失去人生目標的迷惘 / Chapter 3.4.4 --- 及時行樂的思想 / Chapter 3.5 --- 小結 --- p.75-76 / 註釋 --- p.77-84 / Chapter 第四章： --- 探索期一一從不同角度探討上海生活的狀態 --- p.85-123 / Chapter 4.1 --- 引言 --- p.86 / Chapter 4.2 --- 從人際關係的角度探討上海生活狀態 --- p.87-94 / Chapter 4.2.1 --- 疏離的人際關係 / Chapter 4.2.3 --- 扭曲的男女關係 / Chapter 4.2.4 --- 扭曲的家庭關係 / Chapter 4.3 --- 從個人與地域的關係探討上海生活狀態 --- p.95-109 / Chapter 4.3.1 --- 上海人對自我身份的驕傲感 / Chapter 4.3.2 --- 新移民追尋身份的確認 / Chapter 4.3.3 --- 冒險家的「樂園」 / Chapter 4.3.4 --- 城市人理想的失落 / Chapter 4.4 --- 小結 --- p.110-111 / 註釋 --- p.112-123 / Chapter 第五章： --- 轉折期一一從身份確認問題看上海人與上海的關係 --- p.124-163 / Chapter 5.1 --- 引言 --- p.125-126 / Chapter 5.2 --- 確認身份的原因 --- p.127-136 / Chapter 5.2.1 --- 城市人缺乏歷史意識 / Chapter 5.2.1.1 --- 現實的價値觀念 / Chapter 5.2.1.2 --- 遷徙流動的性質 / Chapter 5.2.2 --- 城市人缺乏深刻的社會關係 / Chapter 5.2.2.1 --- 城市流動生活造成的障礙 / Chapter 5.2.2.2 --- 個人複雜身份造成的障礙 / Chapter 5.3 --- 確認身份的方法 --- p.137-149 / Chapter 5.3.1 --- 上溯歷史確認身份 / Chapter 5.3.1.1 --- 憑借正史創造家族神話 / Chapter 5.3.1.2 --- 憑借野史傳¨®Ơ創造家族神話 / Chapter 5.3.2 --- 積極融入上海社會 / Chapter 5.4 --- 小結 --- p.150-151 / 註釋 --- p.152-163 / Chapter 第六章： --- 成熟期´ؤ´ؤ從上海人的生活狀態重構上海歷史 --- p.164-205 / Chapter 6.1 --- 引言 --- p.165-166 / Chapter 6.2 --- 從個人與政治的關係重構上海歷史 --- p.167-172 / Chapter 6.2.1 --- 個人迴避政治事件對生活的影響 / Chapter 6.2.2 --- 個人對政治思想的嘲弄態度 / Chapter 6.3 --- 從個人對日常生活重構上海歷史 --- p.173-187 / Chapter 6.3.1 --- 個人日常生活的細節 / Chapter 6.3.1.1 --- 聲色之娛 / Chapter 6.3.1.2 --- 吃喝之樂 / Chapter 6.3.1.3 --- 穿衣 / Chapter 6.3.2 --- 個人生活文化的記憶 / Chapter 6.3.2.1 --- 電影及攝影 / Chapter 6.3.2.2 --- 時裝 / Chapter 6.3.2.3 --- 舞會 / Chapter 6.4 --- 從小¨®Ơ呈現的男女關係重構上海歷史 --- p.188-193 / Chapter 6.4.1 --- 亂世中相濡以沫的感情 / Chapter 6.4.2 --- 共同文化記憶下產生的感情 / Chapter 6.5 --- 小結 --- p.194-195 / 註釋 --- p.196-204 / Chapter 第七章： --- 總結 --- p.205-213 / Chapter 7.1 --- 上海文化在王安憶小說裏的重要性 --- p.206-207 / Chapter 7.2 --- 王安憶小¨®Ơ對書寫上海的重要性 --- p.208-209 / Chapter 7.3 --- 王安憶的未來創作路向 --- p.210-211 / 註釋 --- p.212-213 / 與王安憶有關的參考資料 --- p.214-251 / 凡例 --- p.214 / Chapter (一) --- 王安憶著作 --- p.215-226 / Chapter (1) --- 個人別集 / Chapter 甲、 --- 小¨®Ơ集 / Chapter 乙、 --- 散文集、游記及其他 / Chapter (2 ) --- 未收入集的作品 / Chapter (二） --- 與王安憶有關的參考文章 --- p.227-251 / Chapter (1) --- 發表地區：中國大陸 / Chapter (2) --- 發表地區：香港 / Chapter (3) --- 發表地區：台灣 / 其他參考書目及論文 --- p.252-259 / 凡例 --- p.252 / Chapter (一） --- 參考書目 --- p.253-256 / Chapter (二） --- 參考論文 --- p.257-259 / 附錄一：《紀實和虛構》的敘述手法 --- p.260-275 / Chapter (一） --- 引言 --- p.260 / Chapter (二） --- 間線叙述結構 --- p.261 / Chapter (三） --- 素材的運用一一紀實和虛構互滲的手法 --- p.262-268 / Chapter (1) --- 紀實素材 / Chapter (2) --- 紀實和虛構互滲 / Chapter (甲） --- 如何揭示小¨®Ơ的虛構性質 / Chapter (乙） --- 眞實作者與敘事者的關係 / Chapter (四） --- 視點的運用 --- p.269-270 / Chapter (五） --- 小結 --- p.271 / 註釋 --- p.272-275 / 附錄二：王安憶小說編年 --- p.276-281 / 後記 --- p.282

劉小麗. / "2001年6月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 180-185) / 附中英文摘要. / "2001 nian 6 yue" / Liu Xiaoli. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 180-185) / Fu Zhong Ying wen zhai yao. / 前言 --- p.i / 中文摘要 --- p.ii / 英文摘要 --- p.iii / Chapter 第一章 --- 緒論： --- p.1 / Chapter 1. --- 文獻回顧：本土文化硏究 --- p.1 / Chapter a. --- 引言 --- p.1 / Chapter b. --- 本土文化硏究的兩種進路 --- p.5 / Chapter c. --- 布爾迪厄的生成結構主義 --- p.12 / Chapter d. --- 是次硏究的出發點 --- p.19 / Chapter e. --- 對布爾迪厄理論的補充 --- p.22 / Chapter f. --- 結語：群體/歷史/世代的意識勾畫 --- p.25 / Chapter 2. --- 硏究方法：從文化社會學到文學社會學 --- p.26 / Chapter a. --- 戈德曼的文學社會學 --- p.26 / Chapter b. --- 文學社會學：小說形式、文化生產者、精神結構… --- p.28 / Chapter c. --- 小說類型學的開展 --- p.30 / Chapter d. --- 硏究議程：對香港本土小說的選取 --- p.33 / Chapter e. --- 尋找「烏托邦.」 --- p.34 / Chapter 第二章 --- 金色的神話世界：精神結構與香港文學世界之一 --- p.38 / Chapter 1. --- 理想主義的人間風 景 --- p.41 / Chapter 2. --- 吳煦斌´ؤ´ؤ叢林中的尋索 者 --- p.44 / Chapter a. --- 《佛魚》´ؤ´ؤ堅決的追 尋 --- p.45 / Chapter b. --- 《獵人》´ؤ´ؤ失火的森 林 --- p.53 / Chapter 3. --- 西西´ؤ´ؤ童話國的漫遊 人 --- p.60 / Chapter 4. --- 結語 --- p.71 / Chapter 第三章 --- 焦灼的黑暗時代：精神結構與香港文學世界之二 --- p.73 / Chapter 1. --- 幻滅的犬儒主義 --- p.74 / Chapter 2. --- 黃碧雲´ؤ´ؤ煉獄裏的媚行者 --- p.78 / Chapter a. --- 暴烈和嘲弄 --- p.80 / Chapter b. --- 普遍的人物、共同的宿命 --- p.82 / Chapter c. --- 從浪漫到犬儒的幻滅 --- p.85 / Chapter i) --- 《盛世戀》 --- p.86 / Chapter ii) --- 《創世記 》 --- p.93 / Chapter iii) --- 邊界中的流徙、地獄裏的媚行 --- p.98 / Chapter 3. --- 鍾玲玲´ؤ´ؤ社群內的流浪兒 --- p.101 / Chapter a. --- 社群生活的總體 --- p.102 / Chapter b. --- 對理想的浪漫懷緬 --- p.103 / Chapter i) --- 退入記憶的理想 --- p.104 / Chapter ii) --- 被記憶唾棄的現實生活 --- p.107 / Chapter c. --- 墮進虛無的犬儒心態 --- p.111 / Chapter 4. --- 結語 --- p.115 / Chapter 第四章 --- 航向陰性烏托邦：精神結構與香港文學世界之三 --- p.117 / Chapter 1. --- 自戀的虛擬主義 --- p.118 / Chapter 2. --- 董啓章一~ffl影中的水仙花少年 --- p.122 / Chapter a. --- 曖昧的體裁、虛擬的出路 --- p.124 / Chapter b. --- 虛擬的一元自戀國 --- p.129 / Chapter i) --- 《《安卓珍尼》：投進虛擬的自毀國 --- p.130 / Chapter ii) --- 《雙身》：自戀耽美的旅途 --- p.142 / Chapter 3. --- 結語 --- p.148 / Chapter 第五章 --- 結論：文學與歷史 --- p.150 / Chapter 1. --- 青年文藝與火紅歲月 --- p.150 / Chapter a. --- 幾段青年運動的舞曲 --- p.151 / Chapter i) --- 序曲：理想主義的文藝反叛 --- p.151 / Chapter ii) --- 高峰：擺盪不定的社會運動 --- p.159 / Chapter iii) --- 結章：幻滅消沉的休止 --- p.162 / Chapter b. --- 歷史的外延舞台 --- p.166 / Chapter i) --- 難民文化圈子的興衰 --- p.167 / Chapter ii) --- 宏觀社會環境的調控 --- p.168 / Chapter iii) --- 國際社會思潮的牽引 --- p.171 / Chapter 2. --- 結語 --- p.173 / 參考資料 --- p.180

No description available.

This thesis examines short fiction and some poetry by writers from four different Australian cultural communities, the Indigenous community, and the Jewish, Chinese and Middle-Eastern communities. I have chosen to study the most recent short fiction available from a selection of writing which originates from each culture. In the chapters on Chinese-Australian and Middle-Eastern Australian fiction I have examined some poetry if it contributes to the subject matter under discussion. In this study I show how the short story form is used as a platform for these writers to express views on their own cultures and on their identity within Australian society. Through a close examination of texts this study reveals the strategies by which many of these narratives provide an imaginative literary challenge to Anglo-Celtic cultural dominance, a challenge which contributes to the political nature of this writing and the shifting nature of the short story genre. This study shows that by celebrating difference these narratives can act as a site of resistance and show a capacity to reflect and instigate cultural change. This thesis examines the process by which these narratives create a dialogue between cultures and address the problems inherent in diverse cultural communities living together.

Thesis (Rev.). / Electronic ed. avail. at the URL: http: / / digital.casalini.it/ 8887298718. G. Calvert (17th. cent.). Includes bibliographical references and name index.

Thesis (Ph. D.)--University of California, San Diego, 2004. / Vita. Includes bibliographical references (leaves 157-168).

Thesis (Ph. D.)--UCLA, 2009. / Vita. Description based on print version record. Includes bibliographical references (leaves 258-273).

Thesis (Ph. D.)--Lehigh University, 2003. / Includes vita. Includes bibliographical references (leaves 201-207).

Drawing on insights from feminist scholarship and gender studies, this thesis offers a new reading of selected medieval German texts with a special emphasis on the negotiation of gender and power. All three parts of the thesis demonstrate how the use of modern theories helps us to re-examine a medieval text's implications and ethical values, and to reconsider traditional views of the text. Part One focuses on the discussion of gender boundaries. Didactic and fictional texts, such as Thomasin von Zerclaere's Der welsche Gast and Ulrich von Liechtenstein's Frauendienst, show that violations of gender boundaries and the questioning of the traditional power relationship between the genders are crucial to the textual negotiation of masculinity and femininity. As I demonstrate in Part Two, the unequal relationship between men and women is especially important for the system of male homosocial bonding underlying medieval society. Examples of the physical and symbolic exchange of women and their favours are offered by didactic texts, such as Marquard vom Stein's Der Ritter vom Turn, and fictional texts, such as the Nibelungenlied. Aspects of this exchange are not solely related to medieval marriage practices, but are also reflected in courtly rituals, such as "frouwen schouwen" (watching the ladies). The importance of the conventionally beautiful female body as an object of exchange becomes obvious in Part Three, where I examine encounters between Christian knights and women defying the norms of feminine beauty. Here I focus on female figures that are defined as "doubly Other": both in their relationship to the masculine Self, and in their relationship to the ideal of medieval Christian femininity. Texts such as Wolfdietrich B and Der Strieker's Die Konigin vom Mohrenland show how the negotiation of gender and power assumes a new dimension in light male encounters with Wild Women, heathen women, "supernatural" women and old women, where the male partner often has to struggle to uphold his privileged masculine position.