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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Eloquent ruptures : silence as strategy in contemporary North American women's fiction

McAlpine, Kirstie Alexandra January 1998 (has links)
No description available.
32

Why Should I Bleed? A Conversation With Louise Lander and Lara Owen About the Meaning(s) of Menstruation

Smith, Lisa J. 11 1900 (has links)
Permission from the author to digitize this work is pending. Please contact the ICS library if you would like to view this work.
33

Re: pairing Louise Bourgeois: sculpture and psychoanalysis in the years 1946 -1969

Cohen, Andrea Sue Michelle January 2016 (has links)
Thesis (M.A. (Fine Arts))--University of the Witwatersrand, Faculty of Humanities, School of Arts, 2016. / The early part of this dissertation is concerned with a particular period (1946-­‐1969) in sculptor Louise Bourgeois’ life when her artistry and her psychoanalysis overlapped for the first time. Within this time frame, the years 1952 – 1969 reference a particular period when she was in deep psychoanalysis with Dr. Henry Lowenfeld, a period, which profoundly affected her self understanding and associated art practice. By establishing her positioning within a story of Modernism (as a departure point) I will then go on to consider how the more traditional historical readings of her work can be used to understand her work and behavior within a more pronounced psychoanalytic frame. From this positioning I will reconsider Bourgeois’ artistic practice as being deeply linked to an unconscious need to repair early psychic ruptures with maternal and paternal caretakers. From a Kleinian position I will foreground Bourgeois’ predisposition to sculpt as a reparative enactment driven by her primary internal Object-­‐Relations. Key works and free-­‐associative written material (composed in relation to her psychoanalytic sessions from the outlined time frame) will provide evidence for her psychic shifts over the period. These will be investigated in relation to changes in her sculptural output -­‐ key signifiers of repressed psychic experience, becoming conscious. The dissertation seeks to understand the relationship between these two investigative processes (art and psychoanalysis). Similarly, with reference to Bourgeois, the latter half of this project will investigate my personal (parallel) experience as a sculptor and analysand1 . In relation to both enquiries, I will specifically consider the therapeutic relationship between the physical act of making artworks and the verbal psychoanalytic experience. In an effort to understand how the pairing of these two communicative modalities might impact artistic experience. / MT2017
34

Die Orchester- und Kammermusik von Louise Farrenc : vor dem Hintergrund der zeitgenössischen Sonatentheorie /

Heitmann, Christin. January 2004 (has links)
Diss.--Oldenburg, 2002. / Bibliogr. p. 302-313. Index.
35

La culture d'une princesse : écriture et autoportrait dans l'oeuvre de la Grande Mademoiselle, 1627-1693 /

Garapon, Jean. January 2003 (has links)
Texte remanié de: Th. 3e cycle--Litt. française--Paris 4, 1986. Titre de soutenance : La Grande Mademoiselle mémorialiste : une autobiographie dans le temps. / Bibliogr. p. 403-420. Index.
36

Maternal bodies, Ojibwe histories and materiality in the novels and memoirs of Louise Erdrich

McCormack, Jodi Bain. January 2009 (has links)
Thesis (M.A.)--University of Texas at Arlington, 2009.
37

Finding her power through collaboration: a biography of Louise Spindler

Wolf, Sandra Epperson 28 August 2008 (has links)
Not available / text
38

Hidden Transgressions: Louise Bourgeois's Early Sculptural Self-Portraits

Ambielli, Lauren 01 January 2014 (has links)
During her early career as a sculptor, the French artist Louise Bourgeois (1911-2010) experimented with various methods of representing the female body in a state of dismemberment or fragmentation. Despite the transgression latent within such sculptures, critics and scholars alike interpreted Bourgeois’s oeuvre from a psycho-biographical angle. In doing so, they suggested that her art was rooted in a personal—as opposed to political—consciousness. This thesis analyzes some of the reasons behind this common method of interpretation, looking specifically at the personal myth that Bourgeois promoted in order to gain acceptance in the art world. In addition, this work questions the ways in which the artist masked the gendered transgression in two sculptural self-portraits through unique adaptations to Modernist traditions.
39

Matins, vespers, and the end of suffering

Connelly, Erin Elizabeth. January 2008 (has links)
Thesis (M.A.)--Villanova University, 2008. / English Dept. Includes bibliographical references.
40

The life and works of Mrs. Therese Robinson (Talvj)

Voigt, Irma Elizabeth, January 1914 (has links)
(Thesis (Ph. D.)--University of Illinois, 1913.). / Reprinted from Deutsch-amerikanische Geschichtsblaetter, Jahrbuch der deutsch-amerikanischen historischen Gesellschaft von Illinois. Bibliography: p. 142-147.

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