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Eloquent ruptures : silence as strategy in contemporary North American women's fictionMcAlpine, Kirstie Alexandra January 1998 (has links)
No description available.
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Why Should I Bleed? A Conversation With Louise Lander and Lara Owen About the Meaning(s) of MenstruationSmith, Lisa J. 11 1900 (has links)
Permission from the author to digitize this work is pending. Please contact the ICS library if you would like to view this work.
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Re: pairing Louise Bourgeois: sculpture and psychoanalysis in the years 1946 -1969Cohen, Andrea Sue Michelle January 2016 (has links)
Thesis (M.A. (Fine Arts))--University of the Witwatersrand, Faculty of Humanities, School of Arts, 2016. / The
early
part
of
this
dissertation
is
concerned
with
a
particular
period
(1946-‐1969)
in
sculptor
Louise
Bourgeois’
life
when
her
artistry
and
her
psychoanalysis
overlapped
for
the
first
time.
Within
this
time
frame,
the
years
1952
–
1969
reference
a
particular
period
when
she
was
in
deep
psychoanalysis
with
Dr.
Henry
Lowenfeld,
a
period,
which
profoundly
affected
her
self
understanding
and
associated
art
practice.
By
establishing
her
positioning
within
a
story
of
Modernism
(as
a
departure
point)
I
will
then
go
on
to
consider
how
the
more
traditional
historical
readings
of
her
work
can
be
used
to
understand
her
work
and
behavior
within
a
more
pronounced
psychoanalytic
frame.
From
this
positioning
I
will
reconsider
Bourgeois’
artistic
practice
as
being
deeply
linked
to
an
unconscious
need
to
repair
early
psychic
ruptures
with
maternal
and
paternal
caretakers.
From
a
Kleinian
position
I
will
foreground
Bourgeois’
predisposition
to
sculpt
as
a
reparative
enactment
driven
by
her
primary
internal
Object-‐Relations.
Key
works
and
free-‐associative
written
material
(composed
in
relation
to
her
psychoanalytic
sessions
from
the
outlined
time
frame)
will
provide
evidence
for
her
psychic
shifts
over
the
period.
These
will
be
investigated
in
relation
to
changes
in
her
sculptural
output
-‐
key
signifiers
of
repressed
psychic
experience,
becoming
conscious.
The
dissertation
seeks
to
understand
the
relationship
between
these
two
investigative
processes
(art
and
psychoanalysis).
Similarly,
with
reference
to
Bourgeois,
the
latter
half
of
this
project
will
investigate
my
personal
(parallel)
experience
as
a
sculptor
and
analysand1 .
In
relation
to
both
enquiries,
I
will
specifically
consider
the
therapeutic
relationship
between
the
physical
act
of
making
artworks
and
the
verbal
psychoanalytic
experience.
In
an
effort
to
understand
how
the
pairing
of
these
two
communicative
modalities
might
impact
artistic
experience. / MT2017
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34 |
Die Orchester- und Kammermusik von Louise Farrenc : vor dem Hintergrund der zeitgenössischen Sonatentheorie /Heitmann, Christin. January 2004 (has links)
Diss.--Oldenburg, 2002. / Bibliogr. p. 302-313. Index.
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35 |
La culture d'une princesse : écriture et autoportrait dans l'oeuvre de la Grande Mademoiselle, 1627-1693 /Garapon, Jean. January 2003 (has links)
Texte remanié de: Th. 3e cycle--Litt. française--Paris 4, 1986. Titre de soutenance : La Grande Mademoiselle mémorialiste : une autobiographie dans le temps. / Bibliogr. p. 403-420. Index.
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36 |
Maternal bodies, Ojibwe histories and materiality in the novels and memoirs of Louise ErdrichMcCormack, Jodi Bain. January 2009 (has links)
Thesis (M.A.)--University of Texas at Arlington, 2009.
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Finding her power through collaboration: a biography of Louise SpindlerWolf, Sandra Epperson 28 August 2008 (has links)
Not available / text
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Hidden Transgressions: Louise Bourgeois's Early Sculptural Self-PortraitsAmbielli, Lauren 01 January 2014 (has links)
During her early career as a sculptor, the French artist Louise Bourgeois (1911-2010) experimented with various methods of representing the female body in a state of dismemberment or fragmentation. Despite the transgression latent within such sculptures, critics and scholars alike interpreted Bourgeois’s oeuvre from a psycho-biographical angle. In doing so, they suggested that her art was rooted in a personal—as opposed to political—consciousness. This thesis analyzes some of the reasons behind this common method of interpretation, looking specifically at the personal myth that Bourgeois promoted in order to gain acceptance in the art world. In addition, this work questions the ways in which the artist masked the gendered transgression in two sculptural self-portraits through unique adaptations to Modernist traditions.
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Matins, vespers, and the end of sufferingConnelly, Erin Elizabeth. January 2008 (has links)
Thesis (M.A.)--Villanova University, 2008. / English Dept. Includes bibliographical references.
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The life and works of Mrs. Therese Robinson (Talvj)Voigt, Irma Elizabeth, January 1914 (has links)
(Thesis (Ph. D.)--University of Illinois, 1913.). / Reprinted from Deutsch-amerikanische Geschichtsblaetter, Jahrbuch der deutsch-amerikanischen historischen Gesellschaft von Illinois. Bibliography: p. 142-147.
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