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La peinture de l’amour dans les premiers romans de Paul Bourget. --.Hardy, Norah Woodburn. January 1941 (has links)
No description available.
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Tres visiones del amor en la obra de José MartíPujol, Louis. January 1987 (has links)
No description available.
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Walt Whitman: An Analytic Study of the Symbolic Theme of "Manly Love" in Leaves of GrassDunford, Thomas A. January 1955 (has links)
No description available.
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The Development of the Representation of Love in George Bernard Shaw's PlaysThompson, James R. January 1959 (has links)
No description available.
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Walt Whitman: An Analytic Study of the Symbolic Theme of "Manly Love" in Leaves of GrassDunford, Thomas A. January 1955 (has links)
No description available.
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Love Imagery in the Poetry of John Donne and Sir Philip SidneySummers, Richards M. January 1964 (has links)
No description available.
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Symbolic and Romantic Elements in Selected Fiction of Theodore WinthropBayer, Francis L. January 1965 (has links)
No description available.
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The still moment : a study of the relationship between time and love in Shakespeare's sonnetsHenderson, Liza Marguerite Bell. January 1985 (has links)
No description available.
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L'amour dans l'oeuvre d'Anne HébertAmar, Wenny January 1975 (has links)
No description available.
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The Conflict of Eros and Agape in The Brothers KaramazovHarris, Candice R. (Candice Rae) 12 1900 (has links)
This paper explores the dialectical concept of love in Dostoyevsky's The Brothers Karamazov through Katerina and Grushenka, the heroines, and Dmitri Karamazov. Dostoyevsky's dialectic is most accurately described by the terms Eros and Agape, as defined by Denis de Rougemont in Love in the Western World. Chapter One examines the character of Katerina and establishes that although her love is ostensibly Agape, her most frequent expression of love is Eros. Chapter Two establishes that Grushenka's most frequent expression of love is Agape although ostensibly Eros. Chapter Three demonstrates how each woman personifies a pole of Dmitri Karamazov's inner conflict, and then traces his development with regard to his relationship to each woman.
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