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The purpose of this study is to introduce the methods of the deconvolution and to programme some of them. For the simulation, the tissue homogeneity model and the model of arterial input fiction were used. These models were engaged as the test procedures with the aim of verify the functionality and utility of the Wiener filter, the Lucy-Richardson algorithm and the Singular value decomposition.

Restoration of image data has become an essential part of the processing of medical images obtained by any system. The same applies in the case of optical coherence tomography. The aim of this work is to study the first restoration methods. Second, the description of the data representation from optical coherence tomography and subsequent discussions that restoration methods based on deconvolution would potentially find application in processing of Optical coherence tomography. Finally, the third to create a program solution of the OCT data restoration process in MATLAB environment and followed by discussion of effectiveness of the presented solutions.

This thesis examines how three nineteenth-century British novels purvey and critique contemporary standards regarding social performance and reticence and the strains such standards place on those whose dispositions disincline them to conform to the regulations for decorum articulated in conduct books of the time. Utilizing the psychological lens of introversion and extroversion alongside the cognitive narrative theories of Alan Palmer and Lisa Zunshine, this thesis investigates the construction of individual character identities through the reading of interactions among multiple fictional minds in Charlotte Brontë’s Villette (1853), Jane Austen’s Pride and Prejudice (1813), and George Eliot’s The Mill on the Floss (1860).

Thesis (Ph. D.)--UCLA, 2009. / Vita. Description based on print version record. Includes bibliographical references (leaves 323-346).

An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included "The Honeymooners," "The Phil Silvers Show," "The Red Skelton Hour," Bob Hope specials, "Here's Lucy," "All in the Family," and "Maude." These five writers were working in the earliest days of the medium and spent years writing for the personalities--from performers to producers--who pioneered and defined it. Most of them also wrote scripts during one of broadcast television's greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. / text

The primary objective of this M.A. Thesis is to provide an in-depth comparison of Heidi and Anne of Green Gables by: (1) revealing through a literary and social analysis, the more somber aspects of these novels. (2) examining the multi-dimensionality of the characters found therein and (3) investigating the possible reasons for the mythical and legendary proportions of these tales. In doing so, I hope to clarify the misconception that these novels, as children's books, are based solely on idealistic and light-hearted themes. Further, I would like to answer, in part, why these two orphan tales have remained so universally popular for so long, whereas other similar books have not. But most of all, I hope to prove that children's literature has significant literary merit, worthy of academic interest and investigation.

Edward Said’s Orientalism (1978) has generally been recognized as an influential study of western literary perceptions of the East, but numerous critics have also challenged his geographical parameters as too narrow and his conceptual framework as insufficiently complex. This thesis further expands the study of Orientalism (1) by focussing on a colonized area generally overlooked in this context, namely Southeast Asia; (2) by including a writer of German background, a nationality frequently omitted in the discussion of colonial history in general and of Orientalism in particular; and (3) perhaps most importantly, by juxtaposing the views of a Chinese author with those of western writers. This thesis is the critical study of three authors about their travels in Southeast Asia: Isabella Bird (1831-1904), Max Dauthendey (1867-1918) and Ai Wu (1904-1992). Since postcolonial criticism does not generally concern itself with the cultural habits which are formed in a traveller’s native society prior to his or her departure, this approach alone does not provide the tools for the differentiated kind of investigation I wish to conduct. I therefore draw on the cultural criticism of Pierre Bourdieu (1972, 1979, 1993), Johannes Fabian (1983, 1991), and Walter Benjamin (1969, 1974, 1985), to focus on a decisive moment in each traveller’s background, which may be said to have shaped his or her perception of other cultures. In Bird’s case, this event was the 1851 Exhibition which encapsulated the Victorian ideals of industrial progress, imperial expansion, and Christian philanthropy. By contrast, Dauthendey’s responses were shaped by the Art Nouveau sensibilities he bad acquired in the German, French, and Scandinavian bohème. Finally, Al Wu derived his outlook from the May Fourth Movement, a brief period when western ideas were welcomed into Chinese social and literary history. Said’s Orietalism posits the homogeneous cultural entity of an imperial West in contradistinction to a victimized East. This thesis does not reverse these categories, but it does provide the space for an equal discussion of Chinese and western writings within a differentiated historical context.

Thesis (M.C.S.)--Regent College, Vancouver, BC, 2005. / Abstract and vita. Includes bibliographical references (leaves 151-157).

Thesis (Ph. D.)--State University of New York at Binghamton, Department of English, General Literature and Rhetoric, 2007. / Includes bibliographical references.