CineScrúpulos es una revista digital que recopila los trabajos desarrollados por los alumnos en la clase de Historia del Cine de la Facultad de Comunicaciones de la UPC. El curso no pretende brindar una visión historicista del cine repleta de fechas, nombres de directores, títulos de películas y lugares exóticos, sino que intenta evidenciar la linealidad casi genética que es intrínseca al quehacer fílmico, una tradición que no solo se repite sino que se reinterpreta en distintos escenarios y en distintos momentos. Porque se entiende que el cine es, ante todo, la herencia permanente de lo que se ha hecho antes. Los textos de la revista CineScrúpulos han sido elaborados por los alumnos, profesores y colaboradores de la Facultad de Comunicaciones de la Universidad Peruana de Ciencias Aplicadas. Las imágenes utilizadas han sido obtenidas de distintas páginas web y el uso de las mismas se inscribe en lo estrictamente académico y divulgativo. / La presente edición de CineScrúpulos rinde homenaje a la obra de uno de los más grandes innovadores y revolucionarios directores de cine de todos los tiempos: Luis Buñuel. A 30 años de su muerte se hace una revisión exhaustiva de su obra para encontrar referentes en un director más contemporáneo como David Lynch. Asimismo, descubrimos a Álex de la Iglesia bajo la sombrilla de Alfred Hitchcock y luego regresamos al Perú para preguntarnos si somos capaces de construir un cine de género con sabor nacional. Pero antes damos un vistazo a la cartelera del segundo semestre de 2012, la misma que ha estado salpicada de algunas buenas películas y de otras que prometían más de lo que dieron.

El presente trabajo de investigación es de diseño descriptivo con enfoque cuantitativo de tipo transversal correlacional; se realizó con el objetivo de“Determinar los factores asociados con la capacidad de resiliencia, en los adolescentes de la I. E. "Luis Alberto Sánchez"Viñani,Distrito Gregorio Albarracín Tacna 2012”. El universo está conformada por todos los estudiantes del nivel secundario un total de 686 alumnos, La muestra fue de 181 alumnos obtenidos estadísticamente mediante la fórmula para poblaciones finitas, el instrumento de medición que se utilizó, es el cuestionario estructurado auto aplicativo. Una vez obtenida la información se ordenó, codificó y procesó utilizando el software estadístico informático Statistical Package for the Social Sciences (SPSS).

El propósito del ensayo siguiente será analizar el contraste entre Jorge Luis Borges y Roberto Arlt en cuanto a sus distintos construcciones literarias del mundo porteño por medio de un estudio cuidadoso de sus varios textos. Después de un poco de contexto histórico y biográfico sobre los dos autores examinados, la comparación entre ellos se centra primero en la obra temprana de Borges (la poesía, unos ensayos) y las crónicas y obras teatrales de Arlt (sus Aguafuertes porteñas, Trescientos millones). Luego, se examina los cuentos de ambos autores y como reflejan sus perspectivas diferentes de Buenos Aires durante la época tumultuosa de los años veinte y treinta.

Reproduction de : Thèse de doctorat : Littérature et civilisation espagnoles : Paris 8 : 2007. / Titre provenant de l'écran-titre. Bibliogr. f. 454-464. Index.

Thesis (Ph. D.)--Ohio State University, 2002. / Title from first page of PDF file. Document formatted into pages; contains x, 168 p.). Includes abstract and vita. Advisor: Lúcia Costigan, Dept. of Spanish and Portuguese. Includes bibliographical references (p. 163-168).

Thesis (M.A.)--California Polytechnic State University, 2009. / Mode of access: Internet. Title from PDF title page; viewed on March 15, 2010. Major professor: Tom Trice. "Presented to the faculty of California Polytechnic State University, San Luis Obispo." "In partial fulfillment of the requirements for the degree [of] Master of Arts in History." "December 2009." Includes bibliographical references (p. 71-77).

Thesis (M.S.)--California Polytechnic State University, 2010. / Mode of access: Internet. Title from PDF title page; viewed on March 15, 2010. Major professor: Camille O'Bryant. "Presented to the faculty of California Polytechnic State University, San Luis Obispo." "In partial fulfillment of the requirements for the degree [of] Master of Science in Kinesiology." "March 2010." Includes bibliographical references (p. 26-30).

This thesis examines the Castilian work of Fray Luis de Leon from the perspective of phenomenological hermeneutics as a literary approach. I discuss the lack of serious studies on 16th Century Spanish poetic theory, and propose that Fray Luis de Leon’s work offers a model of literary theory and creation that can be considered a philosophical poetics, in contrast to the rhetorical approach of Renaissance humanistic poetics. I examine the formation of Fray Luis de Leon’s literary work as a process that follows four stages of both hermeneutic understanding and literary creation. I examine the first stage in his translations of Horace and Virgil, his rendering of Tuscan lyric love poetry, and his interpretation of the Psalms. In the literary structuring of his work, I identify images and poetic devices he later expands into all his work. Simultaneously, I suggest that throughout his work, Fray Luis understood the role of language in its literary function as a way to describe reality. In stage two, I analyze Fray Luis de Leon’s biblical expositions, confirming the first stage findings. Fray Luis develops the meaning of poetic configuration, relating it to the literary function of Scripture. The interplay between the biblical text and his reflection on his own reality, forms a sub-text representing a true literary theory. First he attempts a practical literary work in La perfecta casada, a biblical commentary with clear literary pretensions. I extensively analyze Fray Luis de Leon’s main prose work, De los nombres de Cristo as a literary structure resulting from his reflection on literature’s role in understanding reality. Therefore, I approach this important work as literature, not simply as a philosophical treatise or as piece of superb writing. I use Aristotle’s categories, interpreted by Northrop Frye and Paul Ricoeur. Following Frye, literature is a symbolic, verbal structure with different levels of meaning; a structure which in the process of its configuration, gives understanding to the poet and reveals reality. Ricoeur suggests, following Augustine and Aristotle, that the configurating process attempts to redescribe reality to understand it. De los nombres thus expresses the poet’s understanding and insight into the configurative process of the Scriptures, offering it as a way to produce in the reader a poetic experience that is the true experience of reality’s structure. Fray Luis organizes the verbal structures of his work, the “nombres” (names), so the characters of his dialogue, as they discuss the meaning of the names, themselves go through different stages of understanding while literally moving through a physical setting configured by language symbolic of mythical ascent and descent. a practical literary work in La perfecta casada, a biblical commentary with clear literary pretensions. I extensively analyze Fray Luis de Leon’s main prose work, De los nombres de Cristo as a literary structure resulting from his reflection on literature’s role in understanding reality. Therefore, I approach this important work as literature, not simply as a philosophical treatise or as piece of superb writing. I use Aristotle’s categories, interpreted by Northrop Frye and Paul Ricoeur. Following Frye, literature is a symbolic, verbal structure with different levels of meaning; a structure which in the process of its configuration, gives understanding to the poet and reveals reality. Ricoeur suggests, following Augustine and Aristotle, that the configurating process attempts to redescribe reality to understand it. De los nombres thus expresses the poet’s understanding and insight into the configurative process of the Scriptures, offering it as a way to produce in the reader a poetic experience that is the true experience of reality’s structure. Fray Luis organizes the verbal structures of his work, the “nombres” (names), so the characters of his dialogue, as they discuss the meaning of the names, themselves go through different stages of understanding while literally moving through a physical setting configured by language symbolic of mythical ascent and descent.

The objective of this thesis is to attempt a semiotic- psychoanalytic reading of the cinema of Bunuel. For this proposal we have selected three films of the director, An Andalusian dog, Land without bread and The obscure object of desire. The criteria that has led to this particular selection of films takes into account a wide range of variables to be contrasted to the psychoanalytical determinants that, we propose, play a decisive role in the form and content of the productions. The different variables present in these films are: genre (Surrealist, documentary and traditional narratives), thematics (surrealistic, erotic and socio-etnographic study), time of creativity (early adulthood, senility) and socio-cultural conditions of production (Spain, France). Our intended psychoanalytic study focuses on the creator's unconscious motivations that regulate, in a rather compulsive way, the poetics of love or life indistinctively present in all these cinematic creations. In order to reach to this interpretative stance, we will follow the different methodological steps of a semiotic reading of the texts that will discern their cinematographically denotative and connotative devises and contents. This way of illuminating art through psychoanalysis is reflected on the Freudian idea that creativity constitutes one of the mysterious human manifestations in which the instincts channel their conflicts in a socially disguised way, in order to pursue the desired gratification.

Thesis (Ph.D.) - University of St Andrews, May 2007.