Magister Psychologiae - MPsych / The study aimed to examine how motherhood is constructed by married working mothers and the impact thereof on their working lives. This qualitative study explored the individual experiences of 7 working married mothers with preschool aged children who reside in the Western Cape, South Africa. Individual semi-structured interviews were conducted and analysed using thematic analysis. The study was situated within a social constructionist theoretical framework which holds that it is through our interactions with others that we create, maintain and verify our ideas and perceptions of the world. The literature revealed that despite the advances made by women in society, the notion that women are still the primary nurturers and care-givers is still in existence. This view is largely dictated by the social and cultural expectations in society and further perpetuated by images portrayed in the media. The results of this study revealed that the social and cultural context of the participants holds a view of motherhood that is gendered, comprises ideals of a caring, nurturing and ever-giving mother and links motherhood to womanhood and the female identity. / South Africa

The purpose of the study was to explore and describe the meaning in life and satisfaction with life of the elderly living in the old age institutions.

This psychobiography is focused on the life of Glenda Watson-Kahlenberg, whose life history epitomises the redemptive theme of triumph over tragedy. A phenomenological approach to the study allowed the researcher to observe the participant‟s lived experience through the theoretical lens of Frankl‟s conceptualization of a meaningful and full existence. A holistic perspective of factors contributing to redemption was accommodated by the Biopsychosocial-spiritual Model. The aim of this longitudinal revelatory study was to illuminate the process of redemption in a life, which leads to restoration and wholeness. This study breaks with traditional psychobiography – in that a life in progress has been selected; and personality development is not the key focus. This psychobiographical undertaking was anchored in qualitative research in the form of a single case study. Four types of triangulation were utilized, namely: data, investigators, theory and methodological triangulation. In addition, Alexander‟s identifiers of saliency, Miles and Huberman‟s data-management guidelines, Schultz‟s prototypical scenes, and Guba‟s criteria for trustworthiness, guided the methodology to ensure reliable data extraction and interpretation. The present researcher was in search of a deeper understanding of the enabling factors facilitating a restorative process in a life that was challenged by setbacks. Given the increasing pressures facing individuals in this modern era, the redemptive theme holds particular relevance, and was graphically demonstrated in the life of the participant who experienced trauma, widowhood, divorce, single parenthood, and a spate of medical and psychological setbacks. The findings suggest that the mental health clinician‟s utilisation of Frankl‟s conceptualisation of meaning in the most challenging circumstances, proffers itself as an all-purpose life-tool which enables individuals to overcome their challenges. The study demonstrated that gaining meaning in life is inextricably tied to an implicit legacy-oriented worldview. Of significance, is the role of forgiveness which emerged as the central redemptive catalyst. In this study, the resolution of past hurts through forgiveness, and the search for meaning, merge, forming an arterial theme in the life story of the participant. The dual impact of these factors not only reversed contaminated life-scripts, it also birthed a new calling in life which set the participant on a generative life course. The findings related to a redemptive life not only confirms existing theory, but also adds perspectives not previously considered. In addition, the findings related to the role of forgiveness has positive implications for the individual‟s physical and psychological wellbeing. Greater intentionality on the part of therapists to thread forgiveness into their practice, remains invitational in the light of the eugraphic impact demonstrated in this study.

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The purpose of this thesis is to assess theories of emotion, meaning, and expression in music from the perspective of the performer. While a significant body of research is devoted to theories about such matters—to which I will refer collectively as “theories of communicative content”—there is a general lack of attention paid to how such theories apply in actual music performance. In other words, these theories tend to avoid explicating not only how music conveys such content in acts of performance, but also how performers, through such acts, imbue music with communicative content. I seek to address this oversight because the process of applying communicative content in performance, indeed, the very process of performing itself, may offer insight into the mechanisms involved for making music meaningful and expressive. To that end, I will investigate evidence from actual musical practice and from actual music practitioners. The thesis will consider current research on expression, meaning, and emotion in music, propose a new model that derives from performance itself, and assess old and new models alike through case-study interviews with professional-level performers. By bringing the performer’s voice into the discussion, this thesis aims to formulate a model that not only gives an accurate account of how music becomes meaningful in performance, but also provides musicians with clearly defined methods for how to make music in ways that are emotionally charged and meaningfully expressive.

Beethoven’s vocal works are often neglected or overshadowed as a result of his prominent involvement with large-scale instrumental genres such as sonata, symphony, or string quartet. Nevertheless, he sustained throughout his life a significant interest in literature and poetry; his personal library, as well as his letters, Tagebuch, and conversation books all document this by way of numerous direct quotations from—and indirect references to—the literary materials that interested him. The numerous vocal works he produced between 1783 and 1826 are one relevant manifestation of this interest and engagement with words. Beethoven produced a significant body of vocal works, the majority of which have not received the same intensity of analytical treatment as the instrumental works. Specifically, this study examines the relationship between words and music in the solo songs and other vocal works of Beethoven. The points of intersection between literary and musical expression are evaluated within four aspects of text setting: structure, rhythm, meaning, and narrative. Firstly, elements of derivation and deviation are explored to determine the diverse ways that he deliberately constructed musical structures in response to the poetic (and semantic) structures of each source text. Secondly, and by extension, rhythm and metre—and varying degrees of derivation, deviation, and manipulation—are assessed so as to demonstrate how these works illustrate Beethoven’s awareness of the expressive possibilities for adhering to or altering the relationship between poetic and musical metre. Thirdly, various types of musical rhetoric—including Beethoven’s implementation of the conventions for affective tonality, as well as the reliance on both conventional and uniquely-Beethovenian depictive idioms and gestures—illustrate his response to various levels of semantic content. Fourthly, his response to individual (though interrelated) aspects of narrative in his selected texts are evaluated. Drawing concepts from key figures of narrative theory—including Gérard Genette, Roland Barthes, Mieke Bal, and others—this study assesses the narrative content in selected texts as a means by which to gauge Beethoven’s compositional response to aspects of temporality, focalisation, spatiality, and so forth, both individually and in combination. Ultimately, this study demonstrates that—contrary to frequently voiced opinions—Beethoven responded quite closely and deliberately to the expressive implications of his selected texts, while aspects of poetic and musical structure, rhythm, syntax, imagery, and layers of meaning coalesce within complex narrative processes. Beethoven was aware of the inherent musicality of poetic texts and the significance of forging a close compositional relationship between words and music; thus he consistently demonstrated in composing these works his ideology that within vocal works ‘words and music form a unit’.

Previous research on the symptoms of Moral Injury suggests that it commonly results in clinical impairment (Drescher et al., 2011). Recent models have suggested that Acceptance and Meaning-Making may moderate the relationship between Moral Injury and Posttraumatic Growth (Blackie et al., 2016). However, Meaning-Making and Acceptance have yet to be examined in a population with Moral Injury. Data were collected from 120 participants from Amazon Mechanical Turk (MTurk) online marketplace. Participation was restricted to U.S. military and veterans who have experienced a traumatic event. Participants completed a demographics questionnaire (Seidler, 2016), the Posttraumatic Checklist (PCL; Weathers et al., 2013), the Moral Injury Questionnaire-Military Version (MIQ-M; Currier, Holland, Drescher, & Foy, 2013), the Integration of Stressful Live Events Scale (ISLES; Holland, Currier, Coleman, & Neimeyer, 2010), the Acceptance Subscale of the Multidimensional Psychological Flexibility Inventory (MPFI; Rolffs, Rogge, & Wilson, 2016), and The Posttraumatic Growth Inventory (PTGI; Tedeschi & Calhoun, 1995). This study tested the following research hypotheses: 1) Scores for Meaning-Making and Acceptance will significantly and positively predict scores for Posttraumatic Growth in a sample population with PTSD; 2) Scores for Meaning-Making and Acceptance will moderate the relationship between measures of Moral Injury and Posttraumatic Growth, with higher scores of Meaning-Making and Acceptance resulting in higher scores of Posttraumatic Growth and lower scores of Meaning-Making and Acceptance resulting in lower scores of Posttraumatic Growth; 3) Three distinct groups of people can be high and low scores for Moral Injury and symptoms of PTSD. In contrast to the hypothesis, both Acceptance of negative emotions and Meaning-Making demonstrated direct effects but did not moderate the relation between Moral Injury and Posttraumatic Growth. Acceptance also appears to partially mediate the relationship between Moral Injury and PTG. The results of the cluster analysis identified three groups of participants based primarily on scores for Moral Injury, namely those with high, low and moderate scores. Participants with high Moral Injury scores had high scores for PTSD symptoms. The other two groups had moderate PTSD symptom scores. Implications of findings and suggestions for future research are discussed.

Several researchers have called for further research devoted to exploring positive psychology constructs among African Americans. In the present study, I addressed the aforementioned calls for African American positive psychology and existentialism research by utilizing the autoethnographic approach to explore the processes and resources that four African Americans accessed to critically think about and make sense of their lived experiences. Given the current sociopolitical climate, I wanted to intentionally use my academic and class privilege to amplify the voices and strivings of four African Americans for survival and meaning in life. I utilized the autoethnographic approach to share my personal narrative of developing critical consciousness to explain the contextual factors influencing my worldview. For this dissertation study, I also conducted in-depth interviews with three other African Americans over a series of interview sessions to explore what made their lives meaningful. A thematic analysis of the participant data was conducted to analyze and identify emergent themes. The thematic analysis produced six emergent themes and 18 subthemes to contextual powerful influences shaping their perceptions of meaning in life, existence and critical consciousness development. I am hopeful that readers will gain four different perspectives on how, as African Americans, the participants define and understand their existence, facets of life that make their lives meaningful, and how they have come to make sense of their worlds.

Perinatal loss (stillbirth or the death of a neonate) can result in considerable psycho-social disruption for mothers. As women grieve, they try to make meaning of the death of their baby. In contexts of social and economic deprivation, perinatal loss often occurs alongside other difficulties which may affect and limit women's ability to make meaning. A narrative approach was used to explore how meaning-making functions in such contexts. In-depth interviews were conducted with 15 women who had experienced perinatal loss while attending a state maternity hospital. Narratives which the mothers constructed of the event were examined in order to understand what meanings they derived from the loss, and how these were (or not) achieved. These narratives were often linked to other stories of pervasive life difficulties. Despite their difficult contexts, the bereaved mothers engaged in meaning-making in similar ways to those described in previous studies in more affluent settings: they attempted to integrate the loss with their identity and goals, they affirmed the baby as a real person to be mourned and they searched for reasons for the loss. The effect of their contexts on meaning-making was mediated by social support and personal agency. Where one or both of these were present, the bereaved mothers were able to find meaning in their loss; women who had neither seemed unable to do so. Those who portrayed themselves as agentic were able to reflect on their experience and make decisions to change their lives. Mothers with strong social support made meaning through conversations, social validation of the loss and social help which mitigated against the sense of helplessness engendered by their loss and circumstances. It is recommended that hospital and counselling services implement practices which help to build or consolidate personal agency and social support to facilitate successful meaning-making following perinatal loss.

The Sustained Investigation is a student-directed body of work completed as a requirement of the AP Studio Art (APSA) course. This work involves three audiences: students themselves, their teachers, and AP readers who evaluate their portfolios. Students must consider not only the personal meaning and relevance of their work, but the extent to which that significance can or should be communicated to these outside viewers. Teachers are faced with a related challenge: to guide students through work that is essentially self-defined. The purpose of this research was to document teacher, student, and reader descriptions of the pursuit of worthwhile ideas as they relate to the perceived goals and purposes of the Sustained Investigation. This research was undertaken as a collective case study involving interviews of APSA teachers and students across four school sites, as well as a selection of readers. Findings indicate that the term idea might describe a range of approaches to organizing a body of work, including themes, concepts, political stances, feelings, and other sources or motivations. Furthermore, this work often reflects multiple concurrent ideas, involving primary and secondary goals for one’s work. The development of ideas was often linked to a nonlinearity of practice; ideas were clarified through the process of making rather than beforehand. Respondents indicated that ideas should be meaningful to the creator, largely relating meaning to personal relevance. Meaning might be pursued by selecting topics of personal significance, developing individual creative processes, or reflecting on this experience as an opportunity to fully embody the role of artist. Meaningful ideas were differentiated from successful ones. Notions of success were defined in terms of the degree of internally and externally imposed challenge involved in this endeavor. Participants agreed that students should be considered the primary audience for their own work. For some students, awareness of readers motivated them to take on challenging work, but this awareness did not influence their choice of central ideas. The findings of this study, particularly the nuance in distinctions between idea, meaningful idea, and successful idea, may be useful in informing pedagogical and creative practice in the AP program and beyond.