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11	Gender, genre and identity in selected short stories by Bessie Head Ngomane, George Nkhesani 11 1900 (has links) This study probes selected stories from Bessie Head's The Collector of Treasures (1977) in order to elicit instances of contiguity and disjuncture between orality and literacy, to establish Head's complex identity configurations which are often manifested in the interactions between aesthetic form and content, authorial consciousness, character delineation, and narrative voice. At the same time, the dissertation explores her portrayal of the proscribed condition of women, the subversive consciousness that undercuts women's subjugation by patriarchy, and her vision for the liberatory possibilities for women from the exigencies of patriarchal domination. I also examine Head's (re-)vision of culture within the framework of hybridity and creolity and determine how some of these perspectives are crystallized in discourses such as When Rain Clouds Gather (1968), Maru (1971) and A Question of Power (1973). I juxtapose my reading of Head with other African writers such as Bâ, Emecheta and Nwapa to draw references in instances where the context permits. The dominant critical approach adopted in this thesis is a contextual approach. I consider this approach useful for my purposes because of its flexibility, the attention it pays to the formal properties of literary texts and, its cognizance of the socio-historical genesis of texts and its demonstration of literature's timeless value. / English Studies / M.A. (English) Bessie Head Identity Orality Literacy Condition of women Traditional culture Modern culture Subversive consciousness Hybridity Creolity Patriarchy 823.914 Gender in literature Literary form
12	Gender, genre and identity in selected short stories by Bessie Head Ngomane, George Nkhesani 11 1900 (has links) This study probes selected stories from Bessie Head's The Collector of Treasures (1977) in order to elicit instances of contiguity and disjuncture between orality and literacy, to establish Head's complex identity configurations which are often manifested in the interactions between aesthetic form and content, authorial consciousness, character delineation, and narrative voice. At the same time, the dissertation explores her portrayal of the proscribed condition of women, the subversive consciousness that undercuts women's subjugation by patriarchy, and her vision for the liberatory possibilities for women from the exigencies of patriarchal domination. I also examine Head's (re-)vision of culture within the framework of hybridity and creolity and determine how some of these perspectives are crystallized in discourses such as When Rain Clouds Gather (1968), Maru (1971) and A Question of Power (1973). I juxtapose my reading of Head with other African writers such as Bâ, Emecheta and Nwapa to draw references in instances where the context permits. The dominant critical approach adopted in this thesis is a contextual approach. I consider this approach useful for my purposes because of its flexibility, the attention it pays to the formal properties of literary texts and, its cognizance of the socio-historical genesis of texts and its demonstration of literature's timeless value. / English Studies / M.A. (English) Bessie Head Identity Orality Literacy Condition of women Traditional culture Modern culture Subversive consciousness Hybridity Creolity Patriarchy 823.914 Gender in literature Literary form
13	The impact of the symbolism and iconography of the Ankh, sun-disk and Wadjet eye on modern (“western”) society Coetzee, Derick 02 1900 (has links) Ancient Egypt has long been a place of intrigue and mystery, being held in high esteem during ancient times. In modern times ancient Egypt has once again risen to such a position with many ancient Egyptian-based symbols and iconology being used in modern culture since its birth in the renaissance. Three easily identifiable and commonly used symbols are identified: the ankh, sun-disk and Wadjet Eye. This study attempts to evaluate and explore the extent of the influence of ancient Egyptian symbols and iconography on modern culture as a whole. This is achieved through emic analysis and comparative studies, comparing the context of the original ancient Egyptian symbols (in terms of their symbolic form, origins and meanings/usage) to the modern usage of the same symbols. A comparison between the contexts and usage of these three symbols in ancient Egypt and modern society shows that they are part of a wider trend of “romanticising” ancient cultures to “enchant” our modern culture. / Old Testament and Ancient Near Eastern Studies / M.A. (Ancient Near Eastern Studies) Ancient Egyptian influence Ancient Near Eastern influence Ankh Comparative perspective Comparative studies Coptic Church Emic analysis Iconography Iconology Modern culture Neo-Pagans Sun-disk Wadjet eye 299.31 Egypt -- Religion -- Influence Mythology, Egyptian Symbolism -- Egypt Christianity -- Origin Coptic Church -- Egypt -- Influence Sun worship -- Egypt -- Influence

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