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Bearing men : a cultural history of motherhood from the cycle plays to ShakespeareOlchowy Rozeboom, Gloria 11 1900 (has links)
The scholars who assert that motherhood acquires new favor in the early modem period and
the critics who contend that male subjectivity and patriarchy in Shakespeare's plays depend on the
repudiation of the mother both base their perspectives on an understanding of motherhood which is
too monolithic. To contribute to a more historically specific understanding, I draw on the work of
numerous historians and examine humanist and reformist writings, the Corpus Christi cycles, and
two Shakespearean plays.
I find that the medieval "calculative" and "incarnational" versions of motherhood enabled
women to exercise considerable control over their sexuality and fertility and clout in their families
and communities, and that the Corpus Christi cycles served as a mechanism to extend multiple
facets of these versions of the maternal. While the early modern period inherited the expansive,
medieval versions of motherhood, the "new," restrictive form of motherhood advocated by the
humanists and reformers helped to devalue the inherited forms, promote a greater spiritual, physical,
and economic dependence of women on men, and enlarge the scope of the paternal at the expense
of the maternal.
My examination of Macbeth demonstrates that the play employs Scottish history so as to
heighten attention to the risks produced by Elizabeth I's and James I's adaptations of the competing
versions of motherhood available in the early modern period. It suggests that James's adaptation is
especially conducive to instability, since it generates a contradiction in the hereditary system of
political power-the simultaneous need for and exclusion of women/mothers. This contradiction
coupled with the diminution of the feminine/maternal makes it more likely that murder will be
construed as an alternative means of being "born" into the succession. Whereas Macbeth shifts
from constructions more aligned with incarnational and calculative mothers to constructions more
affiliated with new mothers, Coriolanus appears nearly throughout to be informed by the contest over
motherhood. By exploring this contest, I add to the understanding of the economic, political, familial,
and theatrical aspects of the play, and make it possible to suggest that Coriolanus demonstrates
peace is achieved when a version of motherhood resembling the expansive, medieval forms is
embraced.
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Warning, familiarity and ridicule tracing the theatrical representation of the witch in early modern England /Porterfield, Melissa Rynn. January 2005 (has links)
Thesis (M.A.)--Miami University, Dept. of Theatre, 2005. / Title from first page of PDF document. Document formatted into pages; contains [1], ii, 104 p. Includes bibliographical references (p. 101-104).
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Geo-Political Risk-Augmented Capital Asset Pricing Model and the Effect on Long-Term Stock Market ReturnsNakhjavani, Arya 01 January 2018 (has links)
This paper examines the capital - asset pricing model (CAPM) which has been extended with a factor for geo-political risk. I use monthly stock return data for all stocks listed on a major US exchange from January 1990 to December 2016 and utilize a Fama-Macbeth Regression with Newey-West standard errors to test the geo-political augmented Sharpe-Lintner CAPM. The paper first determines if increased sensitivity to geopolitical risk lead s to lower average returns and second assesses if geo-political risk as an explanatory variable is a significant enough to expose a failure of the CAPM to capture expected returns fully through beta. The results of our regressions do not confirm the hypothesis that firms with high sensitivities to geo-political risk have expressly different returns in the long run. Furthermore, our Fama-Macbeth regression does not find expressly significant average slopes for geo-political risk as a variable.
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Bearing men : a cultural history of motherhood from the cycle plays to ShakespeareOlchowy Rozeboom, Gloria 11 1900 (has links)
The scholars who assert that motherhood acquires new favor in the early modem period and
the critics who contend that male subjectivity and patriarchy in Shakespeare's plays depend on the
repudiation of the mother both base their perspectives on an understanding of motherhood which is
too monolithic. To contribute to a more historically specific understanding, I draw on the work of
numerous historians and examine humanist and reformist writings, the Corpus Christi cycles, and
two Shakespearean plays.
I find that the medieval "calculative" and "incarnational" versions of motherhood enabled
women to exercise considerable control over their sexuality and fertility and clout in their families
and communities, and that the Corpus Christi cycles served as a mechanism to extend multiple
facets of these versions of the maternal. While the early modern period inherited the expansive,
medieval versions of motherhood, the "new," restrictive form of motherhood advocated by the
humanists and reformers helped to devalue the inherited forms, promote a greater spiritual, physical,
and economic dependence of women on men, and enlarge the scope of the paternal at the expense
of the maternal.
My examination of Macbeth demonstrates that the play employs Scottish history so as to
heighten attention to the risks produced by Elizabeth I's and James I's adaptations of the competing
versions of motherhood available in the early modern period. It suggests that James's adaptation is
especially conducive to instability, since it generates a contradiction in the hereditary system of
political power-the simultaneous need for and exclusion of women/mothers. This contradiction
coupled with the diminution of the feminine/maternal makes it more likely that murder will be
construed as an alternative means of being "born" into the succession. Whereas Macbeth shifts
from constructions more aligned with incarnational and calculative mothers to constructions more
affiliated with new mothers, Coriolanus appears nearly throughout to be informed by the contest over
motherhood. By exploring this contest, I add to the understanding of the economic, political, familial,
and theatrical aspects of the play, and make it possible to suggest that Coriolanus demonstrates
peace is achieved when a version of motherhood resembling the expansive, medieval forms is
embraced. / Arts, Faculty of / English, Department of / Graduate
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Sound, Body, and Feeling: Sound Design and Acting in the Work of SITI CompanyDennis, Daniel C. 24 September 2013 (has links)
No description available.
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The Actor in the Space: The Influence of Space on the Construction and Creation of the Role of MacbethObney, David M. January 2007 (has links)
No description available.
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Equity Returns and Economic Shocks: A Survey of Macroeconomic Factors and the Co-movement of Asset ReturnsForrester, Andrew C. 01 December 2017 (has links)
No description available.
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Shakespeare’s Game of Trick or Treat : The Function of the Witches as Deliverers of Prophecy in Shakespeare’s MacbethEkman, Annika January 2024 (has links)
It is a generally accepted scholarly truth that Shakespeare’s Macbeth was written with the intent of pleasing the newly crowned James I, a few years after his ascension to the English throne in 1603. The main arguments for this claim are, first, Shakespeare’s inclusion of witches—a well-known interest of James’s—and second, the portrayal of Banquo, the fictional ancestor of the House of Stuart. Some recent scholarship has, however, questioned this view, arguing, among other things, that James did not wish to be associated with his Scottish heritage and that witchcraft is not as prominent in Shakespeare’s play as it might have been if pleasing James was his objective. In this paper, I look specifically at the part of the theory of “the royal play” which pertains to the question of the witches and, against the background of this recent research, argue that Shakespeare’s reasons for including witches in his play have less to do with James and more to do with his own interest in human psychology. By analysing the ways in which Shakespeare adapts his sources—the chronicles of Raphael Holinshed and Hector Boece—I argue, first, that Shakespeare is less interested in catering specifically to James’s demonological theories than to make the three women into witches as such. Secondly, I compare the function of prophecy in Macbeth to Greek tragedy and the historical writing of Holinshed and Boece against the sociological theory of George Park and argue that Shakespeare’s purpose in letting witches function as the deliverers of prophecy is to create an element of uncertainty and thus a vantage point from which to explore the psychological complexities of human decision-making and the perils of trusting appearances.
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Witch-hunt : Macbeth, Maleficium and Misogyny in early modern BritainDennis, Lisa 01 July 2001 (has links)
No description available.
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Aplica??o do m?todo MACBETH para subsidiar migra??o de plataforma tecnol?gica de redes de Telecomunica??es / Application of MACBETH method to support telecommunication network migration to MPLSAssolari, Ana Cristina Pereira de Pedrosa 11 February 2011 (has links)
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Previous issue date: 2011-02-11 / IT and Telecommunication Managers need to be on top of rnarket trends so they rnay proceed to necessary changes and improvement on their network in order to keep up with business challenges and ensure the future of the cornpany, The decision making related to network migration should not be rnade without a consistent and reliable method that would support the decision taken, protecting the managers and companies from risks and losses. This paper has the objective to propose the usage of multicriteria decision making methodology, with focus on the MACBETH method in arder to support the network migration, based on information extracted from the financiai reports published on the public internet. This paper will show the study of two companies that have m igrated to MPLS in the last five years, buildlng the MACBETH Model from information present on the Financiai Report at the time of contract was signed and validating the information extracted with executives from the commercial and technical departments who lived through that period in the company. Within this scenario it can be verified that MACBETH Method once provided with the correct information that reflects the period the cornpany is living rnay help executives to decide if they should migrate ar not migrate their network / Gestores de telecomunica??es e TI precisam estar sempre atentos aos rumos da organiza??o e com isso procederem a mudan?as necess?rias nas estruturas e redes de comunica??o que subsidiam os neg?cios da empresa. A tomada de decis?o a respeito da migra??o de tecnologias n?o dever ser efetuada sem um m?todo consistente que as subsidie, livrando o gestor de riscos e preju?zos empresariais que podem ser minjmizados quando uma abordagem estruturada elencando os principais crit?rios a serem considerados ? utilizada. Este trabalho tem como objetivo propor o uso de metodologia para tomada de decis?o multicrit?rio, com foco no m?todo MACBETH, para subsidiar a migra??o de plataformas de redes de telecomunica??es. Com base em informa??es oriundas de boletins financeiros disponibilizados publicamente na Internet. O trabalho analisa duas empresas que migraram para plataforma MPLS, construindo a estrutura do m?todo MACBETH a partir das informa??es obtidas nos boletins financeiros dessas organiza??es e validando a an?lise com dados obtidos de gerentes das ?reas comerciais e de tecnologias que vivenciaram esse per?odo. Dentro desse quadro, considerou-se que o m?todo MACBETH, uma vez alimentado com informa??es corretas que reflitam o momento da empresa, pode orientar gestores a decidirem se devem ou n?o proceder ? migra??o de suas bases tecnol?gicas
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