No description available.

No description available.

No description available.

No description available.

No description available.

It is generally assumed that by virtue of s. 5 of the Civil Law Act 1956 (Malaysia), which deals with the application of English law, the law of insurance in Malaysia follows strictly the law of England either as it stood on 7 April 1956 (for the states of Johore, Kedah, Kelantan, Negri Sembilan, Pahang, Perak, Perlis, Trengganu and Selangor) or as it stands currently (for the states of Penang, Malacca, Sabah and Sarawak). Whilst this is essentially correct, there are several factors which result in the development and application of some divergent principles. This thesis seeks to trace the general body of insurance law which has developed in Malaysia. It starts with a historical account of the insurance industry in the country. This is followed by ten chapters dealing with the main aspects of the substantive law. In these chapters, an attempt is made to highlight any noticeable departure from the statute law or common law of England. Such a departure may be due to the fact that the relevant law in Malaysia differs from that in England, for example the provisions of the Contracts Act 1950 (Malaysia) in relation to contractual formalities. Again, the provisions of the Insurance Act 1963 (Malaysia) in relation to insurable interest differ from the English common law. Moreover, Malaysian judges have interpreted and applied the common law in ways which do not always mirror English developments. Even where there are almost identical statutory provisions, such as those in relation to trusts of life policies, there may be problems which are unique to Malaysia because of the different personal laws of its peoples. The next chapter deals with Compulsory Third Party Motor Insurance which is the most important branch of general insurance in the country. The thesis then describes the introduction of a parallel system of insurance, ie. the Islamic system of insurance in the country, a development in Malaysia and a few other Muslim countries. The final chapter looks at how Malaysia, as a developing country, regulates its insurance industry.

Typescript (photocopy). / Digitized by Kansas Correctional Industries

Typescript (photocopy). / Digitized by Kansas Correctional Industries

This thesis critically analyses visual arts exchange between Australia and Malaysia from 1983 to 2001. In the last decade Australia's arts community has shown increased interest in contemporary Asian art. However there is little evidence of specific interest in Malaysian visual arts practice, despite strong associations between the two countries over many decades. Relations between Malaysia and Australia are problematised by complex political, cultural and religious factors, particularly evident over the last decade when diplomatic tensions escalated. Despite these factors, there has been little research on this subject and no major comprehensive critical analysis of cross-cultural visual arts exchange between the two countries. Although the last major visual arts exhibition from Malaysia to Australian state galleries took place between 1969 and 1970, there has been substantial interaction between artists, curators and arts institutions in both countries. From 1983 bilateral visual arts exchange activities expanded and diversified, particularly in the 1990s. Australia has been considered pivotal in assisting the development of contemporary arts in Malaysia. In this regard personal-professional connections on many levels performed an instrumental, if invisible, role in the realisation of exchange programs. This thesis examines issues of cross-cultural engagement and argues that personal-professional considerations are vital to achieving successful outcomes over a longer term period. While official institutions, such as the Australian High Commission in Malaysia, and other agencies in both countries have also been crucial in cultural exchange programs, the involvement of other non-government agencies and individuals has been particularly significant. In this thesis three case studies examine this nexus of government and non-government participants. The projects discussed demonstrate that although outcomes from artist-to-artist or institution-to-institution exchange may not be immediately apparent, benefits may become evident over an extended period of time. While undeniably more complex, projects that involve collaboration and reciprocity tend to yield successful outcomes and consolidate ongoing partnerships. In turn, such projects can provide models for further exchange activity. While not directly serving diplomatic agendas they may nevertheless benefit official and unofficial bilateral relations. In recent years Australian government policy has shifted regional priorities away from the South East Asian region. Nevertheless, while official cultural relations programs have diminished, many visual arts activities instigated between 1998 and 2001 continue to yield beneficial outcomes. This thesis argues that while limits may exist in government policy, programs and funding, collaborative and reciprocal visual arts exchange activities that involve cross-cultural enquiry and cooperation, supported by personal-professional connections, can affirm a positive Australian presence in the region and strengthen bilateral relationships at official and unofficial levels. / thesis (MVisualArts)--University of South Australia, 2004.

Thesis (Ph.D.)--University of South Carolina, 2001. / Director: Donald Puchala. Includes bibliographical references.