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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
111

The #Tractatus De Herbis', British Library, MS. Egerton 747 and the illustrative traditions of early manuscripts herbals

Collins, Minta Hazel Lynne January 1995 (has links)
No description available.
112

The musical readings of the Machaut manuscripts

Bullock, Alison Julia January 1997 (has links)
No description available.
113

'Vices and Virtues' : re-edited from British Library MS Stowe 34

Crawford, Judith M. January 1987 (has links)
'Vices and Virtues' is an early Middle English homiletic dialogue between Reason, the Soul and the Body, originally edited by Ferdinand Holthausen in 1888, with Notes and Glossary published in 1921. This edition contains an Introduction, the re-edited Text, Notes on the text, a full etymological Glossary, and a Bibliography of works cited or referred to in the preparation of the edition. The Introduction is concerned principally with an analysis of the language of 'Vices and Virtues', and suggests a provenance of London, or the areas of Essex or Middlesex just to the north of London, and a date of c. 1200. It also contains a general introduction to the work and the background against which it is presumed to have been written, a description of the MS and notes on the characteristics of the scribes who worked on it, and brief surveys of the syntax, style and structure of the work, together with a statement of editorial principles. The Notes to the text are concerned principally with the language, both grammar and vocabulary, and with sources and parallels in Patristic writings and other medieval texts.
114

Machine writing modernism: a literary history of computation and media, 1897-1953

Christie, Alex 21 June 2016 (has links)
In response to early technologies of seeing, hearing, and moving at the turn of the twentieth century, modernist authors, poets, and artists experimented with forms of textual production enmeshed in mechanical technologies of the time. Unfolding a literary history of such mechanical forms, this dissertation sees modern manuscripts as blueprints for literary production, whose specific rules of assembly model historical mechanisms of cultural production in practice during their period of composition. Central to this analysis is the concept of the inscriptive procedure, defined as a systematic series of strategies for composing, revising, and arranging a literary text that emerge in the context of that text’s specific political and technological environment; in so doing, inscriptive procedures use composition as a material act that works through a set of political circumstances by incorporating them into the signifying process of the physical text. As such, procedurally authored texts do not neatly instantiate in the form of the print book. Reading modern manuscripts instead as media objects, this dissertation applies the physical operation of a given old media mechanism as a hermeneutic strategy for interpreting an author’s inscriptive procedure. It unspools the spectacular vignettes of Raymond Roussel, plays back the celluloid fragments of Marcel Proust, decrypts the concordances of Samuel Beckett, and processes a digital history of Djuna Barnes’s editorial collaboration with T.S. Eliot. Rather than plotting a positivist literary genealogy, this dissertation instead traces an ouroboros mode of literary critique that emerges in its own wake, as digital experiments with textual manipulation reveal analog bibliographic arrangement procedures. Using the methods of contemporary scholarly editing to undertake a procedural archaeology of experimental literature, this dissertation unearths an analog prehistory of digital humanities practice, one that evolves alongside the mechanisms of old media as they lead to the advent of the digital age. In so doing, it unfolds a historicity of cultural form, one whose mechanical and ideological apparatuses participate in the development of early methods in humanities computing. / Graduate / 2018-06-21
115

Ralph Crane and early modern scribal culture

Bowles, Amy January 2017 (has links)
This thesis investigates the twenty-six manuscripts which survive in the hand of the scribe Ralph Crane (1565?-1632?), and the manuscript culture in which he wrote and circulated these copies. It introduces six previously unknown Crane manuscripts, and fully evaluates Crane's scribal work as a whole for the first time. Chapter One considers the place of manuscript copies in early modern England. It introduces Crane as one of the figures responsible for the production of these copies, and details what is known of his life and career. Chapter Two situates Crane's work alongside that of other scribes, using the manuscript circulation of Sir Henry Mainwaring's early 1620s naval dictionary 'Parts and Things belonging to a Ship' as a case-study. Chapter Three looks at Crane's eight dramatic manuscripts, and argues that the presentational habits for which Crane is known were consciously adopted in order to turn dramatic texts into private, literary, presentation manuscripts. Chapter Four introduces two new Crane manuscripts, both of which contain early copies of Francis Bacon's correspondence. It considers how these Bacon manuscripts fit into the rest of Crane's scribal corpus, and how they capture an early moment in the construction of the statesman's literary legacy. Chapter Five examines Crane's manuscript poetry collections, and the other scribal circles in which these poems can be found. It finds that professional scribes, though operating separately, employed similar strategies. Finally, this thesis concludes by examining how all these copies can help to illuminate a recently discovered manuscript that otherwise gives little away. Crane's manuscripts show that he was an active textual agent: his activity arose from a responsive engagement with his texts, a consideration of their use, and a desire to produce professional and valuable volumes. His manuscripts are important witnesses to the role of the professional scribe and the manuscript circulation of literature in early modern England.
116

The Historye of the patriarks /

Daly, Saralyn R. Petrus, January 1950 (has links)
Thesis (Ph. D.)--Ohio State University, 1950. / Vita. Includes bibliographical references (leaves 218-224). Available online via OhioLINK's ETD Center
117

Du Maître du Mansel au Maître de Rambures le milieu des peintres et des enlumineurs de Picardie, ca. 1400-1480 /

Gil, Marc. January 2000 (has links)
Thesis (doctoral)--Université Paris IV, 1999.
118

Zur Geschichte der islâmischen Buchmalerei in Aegypten

Mousa, Ahmed, January 1931 (has links)
Inaug.-Diss.--Berlin. / Seal of Egypt on 2d prelim. leaf. "Die Schulen der bekannten Schönschreiber vom 9. bis 15. Jahrhundert nach Christus": p. 82-99. "Zu den biographieen bekannterer Buchmaler": p. 100-110. Lebenslauf. "Literatur": p. 111-113.
119

The iconographic and compositional sources of the drawings in Oxford, Bodleian Library MS Junius 11

Broderick, Herbert Reginald, January 1981 (has links)
Thesis (Ph. D.)--Columbia University, 1978. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 481-496).
120

Lüneburger Buchmalereien um 1400 und der Maler der Goldenen Tafel ...

Reinecke, Helmut, January 1937 (has links)
Inaug.-diss.--Göttingen. / Lebenslauf. "Anmerkungen" (p. 117-132) include bibliographical notes.

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