The investigation of primary sources of thirteenth-century polyphony has been closely related to questions of the date and provenance of the surviving manuscripts. Previous studies have taken a single book and attempted to place it chronologically and topographically within the history of music of the thirteenth century. This thesis considers surviving material related to thirteenth-century polyphony and evaluates the patterns of production found there. These considerations are supported by a review of chronology in the period. Using techniques derived from the fields of paleography, codicology, and art history, the manuscripts are loosely divided into Parisian and non-Parisian, and the contrasting types of book-production are placed in the context of the contemporary production of other types of book. At the most basic level, Parisian books betray a professional and organised system of production which relates to the generation of books which preceded the establishment of the pecia system whilst provincial manuscripts seem to suggest a more informal and ad-hoc construction and circulation. The data obtained from such source-critical inquiry are then used to ask questions concerning the distribution of genre with the discussion focused primarily on the motet and its various sub-species: bilingual motet, rondeau-motet, etc. Conclusions as regards distribution of the music suggest a distinction between Parisian practices and provincial, particularly Artesian, musical cultures. It is argued that concordance-bases and origins of surviving sources suggest the exclusive cultivation of some genres in Paris, and, of others, in Artois or the provinces.

鄧佩玲. / "2003年7月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻 (leaves 182-218). / 附中英文摘要. / "2003 nian 7 yue". / Deng Peiling. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 182-218). / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 上博楚竹書〈性情論〉槪述 --- p.1 / Chapter 壹、 --- 上博楚竹書的發現與整埋 --- p.1 / Chapter 貳、 --- 〈性情論〉的形制、內容及硏究槪況 --- p.2 / Chapter 第二節 --- 出土古文獻對古漢語語法硏究的價値 --- p.4 / Chapter 第三節 --- 本文的硏究動機及方法 --- p.9 / Chapter 第二章 --- 〈性情論〉所見「之」、「其」的語法研究 --- p.13 / Chapter 第一節 --- 代詞「之」、「其」語法功能綜論 --- p.14 / Chapter 壹、 --- 代詞「之」的語法功能 --- p.15 / Chapter 貳、 --- 代詞「其」的語法功能 --- p.17 / Chapter 參、 --- 代詞「之」、「其」語法功能的比較硏究 --- p.21 / Chapter 第二節 --- 助詞「之」語法功能綜述 --- p.26 / Chapter 壹、 --- 「定語+『之』+中心詞」結構述補 --- p.27 / Chapter 貳、 --- 「中心詞+『之』+補語」用例淺析 --- p.34 / Chapter 參、 --- 「主語+『之』+謂語」析論 --- p.35 / Chapter 肆、 --- 「賓語+『之』+動詞」的語法功能 --- p.37 / Chapter 伍、 --- 「中心詞+『之』+定語」的語法功能 --- p.38 / Chapter 第三節 --- 小結 --- p.39 / 附表一：〈性情論〉所見「之」的語法功能分類 --- p.41 / 附表二 ：〈性情論〉所見「其」的語法功能分類 --- p.44 / 附表三：〈性情論〉所見「之」、「其」語法功能統計 --- p.48 / Chapter 第三章 --- 〈性情論〉所見「也」的語法研究 --- p.49 / Chapter 第一節 --- 助詞「也」語法功能綜論 --- p.50 / Chapter 壹、 --- 助詞「也」用以表示陳述語氣的用例硏究 --- p.50 / Chapter 貳、 --- 助詞「也」用以表示提頓的用例硏究 --- p.62 / Chapter 第二節 --- 戰國楚簡中助詞「也」的疑問用法小議 --- p.63 / Chapter 第三節 --- 小結 --- p.68 / 附表一:〈性情論〉所見「也」的語法功能分類 --- p.69 / 附表二 ：〈性情論〉所見「也」語法功能統計 --- p.73 / 附表三：出土文獻中助詞「也」的疑問用法統計 --- p.74 / Chapter 第四章 --- 〈性情論〉所見「以」、「而」的語法研究 --- p.76 / Chapter 第一節 --- 動詞「以」的語法功能辨析 --- p.77 / Chapter 第二節 --- 介詞「以」的語法功能辨析 --- p.78 / Chapter 第三節 --- 「以」、「而」用作連詞的語法功能探論 --- p.82 / Chapter 壹、 --- 連詞「以」的語法功能 --- p.82 / Chapter 貳、 --- 連詞「而」的語法功能 --- p.83 / Chapter 參、 --- 連詞「以」、「而」語法功能的分別 --- p.88 / Chapter 第四節 --- 〈性情論〉所見「然而」、「而後」結構形式的探 討 --- p.94 / Chapter 第五節 --- 小結 --- p.98 / 附表一 ：〈性情論〉所見「以」的語法功能分類 --- p.100 / 附表二 ：〈性情論〉所見「而」的語法功能分類 --- p.102 / 附表三：〈性情論〉所見「以」、「而」語法功能統計 --- p.104 / Chapter 第五章 --- 〈性情論〉所見「斯」、「夫」的語法研究 --- p.105 / Chapter 第一節 --- 「斯」用作助詞的語法功能辨析 --- p.106 / Chapter 第二節 --- 「斯」用作連詞的語法功能辨析 --- p.110 / Chapter 第三節 --- 代詞「夫」的語法功能探述 --- p.112 / Chapter 第四節 --- 小結 --- p.113 / 附表一：〈性情論〉所見「斯」的語法功能分類 --- p.114 / 附表二：〈性情論〉所見「夫」的語法功能分類 --- p.115 / 附表三：〈性情論〉所見「斯」、「夫」語法功能用例統計 --- p.116 / 附表四：淸代及現代學者對語氣助詞「斯」的硏究槪略 --- p.117 / Chapter 第六章 --- 從語法角度探討〈性情論〉的釋讀問題 --- p.120 / Chapter 第一節 --- 〈性情論〉文字考釋的硏究槪況 --- p.120 / Chapter 第二節 --- 〈性情論〉簡文釋讀重探舉隅 --- p.122 / Chapter 壹、 --- 「惹（快）於其者之胃（謂）兌（悦）」（性情 6) --- p.123 / Chapter 貳、 --- 「並生於人」（性情論8-9) --- p.131 / Chapter 第三節 --- 小結 --- p.137 / 附表一：先秦古籍中「皆」、「並」與「動詞+『於』字介 賓結構」的結合用例統計 --- p.138 / Chapter 第七章 --- 從語法角度探討〈性情論〉的成篇年代 --- p.139 / Chapter 第一節 --- 〈性情論〉成篇年代槪說 --- p.139 / Chapter 第二節 --- 〈性情論〉成篇年代再探 --- p.141 / Chapter 壹、 --- 從「之謂」、「謂之」結構的分別探討〈性情論〉 的成篇年代 --- p.143 / Chapter 貳、 --- 從「有以」、「無以」結構的運用探討〈性情論〉 的成篇年代 --- p.151 / Chapter 第三節 --- 小結 --- p.158 / Chapter 第四節 --- 餘論一一〈性情論〉的版本問題 --- p.159 / Chapter 壹、 --- 上博〈性情論〉與郭店〈性自命出〉的比較硏究 --- p.159 / Chapter 貳、 --- 〈性情論〉異文與其他簡帛文獻所見異文的比較硏 究 --- p.165 / 附表一：傳世及出土文獻所見「謂」字雙賓語結構統計 --- p.167 / 附表二 ：古籍中「有以」、「無以」用例統計 --- p.171 / 附表三：上博〈性情論〉及郭店〈性自命出〉使用虛詞及有 關字詞增的增損現象比較表 --- p.172 / Chapter 第八章 --- 總結 --- p.177 / 參考書目 --- p.182 / Chapter 甲、 --- 主要參考專書 --- p.182 / Chapter 乙、 --- 主要參考論文 --- p.193 / 附錄 --- p.219 / 附錄一：上博楚竹書〈性情論〉釋文修訂稿 --- p.219 / 附錄二：上博楚竹書〈性情論〉釋文修訂說明 --- p.225 / 附錄三：本文統計數據引錄資料一覽表 --- p.235 / 附錄四：郭店楚簡〈性自命出〉、上博楚竹書〈性情論〉有 關硏究論著目錄綜覽 --- p.238 / 附錄五：上博楚竹書〈性情論〉、郭店楚簡〈性自命出〉全 文對照表 --- p.250 / 附錄六：郭店楚簡、馬王堆漢墓帛書、今本（老子》全文對 照表 --- p.263 / 附錄七：馬王堆漢墓帛書《老子》甲、乙本全文對照表 --- p.285 / 附錄八：郭店楚簡、上博楚竹書及今本〈緇衣〉全文對照表 --- p.301

My doctorate is a study of the manuscript transmission of Cicero’s Epistulae ad Atticum: a twenty-book corpus comprising one book Ad M. Brutum, three books Ad Quintum fratrem, sixteen books Ad Atticum and a pseudo-Ciceronian Epistula ad Octauianum. I have made a complete reinspection and partial recollation of the eighty-odd fully extant manuscripts, and reconstructed a new stemma codicum that may be used for both historical and editorial purposes. My thesis consists of four chapters, following the transmission of the corpus of Ad Atticum from the Middle Ages down to the Renaissance and the beginning of printing. In Chapter 1 I discuss the top of the stemma: Petrarch’s (1304–74) rediscovery of these letters in the Chapter Library of Verona in 1345, and the beginning of their dissemination in fifteenth-century Italy, thanks to the Florentine Chancellor Coluccio Salutati (1331–1406) and two humanists of his circle: Niccolò Niccoli (1364–1437) and Leonardo Bruni (c. 1370–1444). Editors of Cicero’s letters believe that the top of the stemma is bipartite, and that bipartition reflects separate strands of mediaeval transmission: I argue against their reconstruction and put forward a new pluripartite stemma. In Chapter 1 I also consider manuscripts independent of the Verona archetype: these witnesses survive only in tiny fragments and scattered readings cited by sixteenth-century critics. In Chapter 2 I study the northern Italian progeny of the Veronese archetype: here too I have significantly improved on the editors’ work, thanks to collation of a larger number of independent manuscripts and a more articulated understanding of the intricate dynamics of contamination affecting this branch. In Chapters 3 and 4 I investigate the Florentine transmission of the corpus of Ad Atticum. In Chapter 3 I study the closer descendants of the copy of the Verona archetype that in 1393 came from Milan to Florence at Salutati’s instigation. In Chapter 4 I focus on the thirty-odd descendants of the manuscript that in 1408 the humanist and Papal secretary Poggio Bracciolini (1380–1459) copied for Cosimo de’ Medici (1389–1464). The comprehensive stemmata that I put forward in Chapters 3 and 4 are completely new, since hitherto there has been no systematic attempt to map the genealogy of Salutati’s manuscript.

吳啓超. / "2003年5月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻 (leaves 107-108). / 附中英文摘要. / "2003 nian 5 yue". / Wu Qichao. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 107-108). / Fu Zhong Ying wen zhai yao. / 引言 --- p.1 / Chapter 第一章： --- 在哲學史背景下確立本文的中心課題 --- p.3 / Chapter 1. --- 探究之方法 --- p.3 / Chapter 2. --- 孔子的「禮」、「義」、「仁」 --- p.6 / Chapter 3. --- 孔子對隱逸之態度 --- p.20 / Chapter 4. --- 郭店儒簡的立論要旨 --- p.26 / Chapter 5. --- 孟子的德性義之「禮」 --- p.30 / Chapter 6. --- 中心課題之確立 --- p.38 / Chapter 第二章： --- 儒簡理論分析 --- p.40 / Chapter 1. --- 《性自命出》的「禮作於情」 --- p.41 / Chapter 2. --- 《性自命出》的「性」、「情」、「心」 --- p.48 / Chapter 3. --- 眾篇對踐禮之重要性的論述，及兩條基本原 則 --- p.69 / Chapter 4. --- 《五行》´ؤ´ؤ儒簡與孟子之間的過渡 --- p.79 / Chapter 附錄： --- 儒簡各篇之內容簡述 --- p.93 / 參考書目 --- p.107

Research Doctorate - Doctor of Philosophy (PhD) / How may ancient Hebrew texts be presented to a contemporary audience, remaining faithful to the original and at the same time relevant yet timeless? I am painting four series of watercolours, each focussing on a particular Australian habitat. These artworks form decorative borders to the four biblical texts of Lamentations, Ruth, Ecclesiastes and Esther, four of the Jewish Scrolls, and act as visual metaphors of underlying themes and indicators of structure and literary devices. My research is into the texts themselves, reading and responding to them; into natural subjects that express my response; and into the art-making process from which the final artworks are created. The end product of my research is an exhibition of these watercolour works and an A4-sized book combining the complete printed text of the Scrolls in the English Standard Version (ESV) as I have formatted it, with my illustrations as border designs. My aim is that through the manuscripts’ overall design, I honour the authors’ literary artistry, including symmetry, acrostic and reversal. Through my choice of subjects for each illustration, I aim to suggest themes in the adjoining text.

Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI/Dissertation Abstracts International.

Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI Company.

Thesis (Ph. D.)--Bryn Mawr college, 1917. / Life. Appears also as no. "158 of the publications of the Early English text society." Includes bibliographical references and index.

Inaug.-diss.--Kiel. / Vita. "Die arbeit erscheint, vermehrt durch einen Index verborum, gleichneitig als heft 135 der Kleinen texte für vorlesungen und übungen (herausgegeben von Hans Lietzmann)."

Thesis--Copenhagen. / At head of title: Ada Adler. The most valuable part of the Moldenhawer collection of manuscripts and books became a part of the Royal Library of Copenhagen.