The aim of the work is to describe procedural texturing and usage of a noise for creating textures of real materials. The reader will learn the fundamentals of the noise, its properties and a way of using it. Random numbers and interpolation methods are important parts of the noise evaluations, therefore there are chapters about random numbers generating and interpolation methods. Obviously, there is not missing the chapter, which is depicting properties and principles of several methods of creating noise. The main part of this work is effective implementation of library with a chosen noise methods, so next chapters are about choosing methods and design of the interface, implementation and many kinds of tests and optimalizations. Achieved results and final conclusions are at the end of this work.

Seit der zweiten Hälfte des 20. Jahrhunderts wächst das Interesse in der Klassischen Archäologie an einer wissenschaftsgeschichtlichen Beschäftigung mit dem eigenen Fach. Standen zunächst die Arbeiten und Biographien einzelner herausragender Forscherpersönlichkeiten im Fokus, so trat bald die Frage nach der Genese archäologischer Techniken oder Begrifflichkeiten neben diese. In der Klassischen Archäologie, wie auch in den Nachbardisziplinen Althistorie und Altphilologie, entstanden in der Folge einige Arbeiten zu diesen Fragestellungen. Zumeist wurde die Wissenschaftsgeschichte der Archäologie im Allgemeinen oder der Klassischen Archäologie im Besonderen behandelt, einzelne Abhandlungen befassen sich auch mit den Epochenbegriffen Klassik oder Hellenismus. Nur verhältnismäßig wenige Arbeiten thematisieren wissenschaftsgeschichtlich die Begriffe „archaisch“ / „Archaik“ und in diesen wird überwiegend auf allgemeinere kulturhistorische Aspekte abgehoben. Eine gründliche Untersuchung der Entwicklung des vielschichtigen Begriffs Archaik in der Klassischen Archäologie stellt bislang ein Desiderat der Forschung dar. Die allmähliche Einengung des Begriffs „archaisch“ auf einen Stilbegriff für die frühgriechischen Kunstwerke der Zeit von ca. 700 bis 480 v. Chr. im Wissenschaftsdiskurs der Zeit sowie die Rezeption der archaischen Denkmäler durch die jeweiligen Forscher wird daher eingehend betrachtet. Die Untersuchung erfolgt vor der Folie der fortlaufenden Entdeckung und Erforschung der archaisch-griechischen Kunst von den Anfängen bis in das letzte Drittel des 19. Jahrhunderts. Dabei wird das zeitliche Verhältnis der Herausbildung des Stilbegriffs „archaisch“ im Sinne von „alt“, „ursprünglich“, frei von einer pejorativen Konnotation und schließlich des Epochenbegriffs dargelegt, wobei „Epoche“ hier nicht nur eine Zeitperiode, sondern eine zeitlich umrissene Kulturstufe bedeutet. / Since the second half of the 20th century the interest grows in the classical archaeology in a science-historical employment of own field. If the works and biographies of single important researcher’s personalities stood first in the focus, the question soon stepped after the genesis of archaeological technologies or concepts beside this. In the classical archeology, as well as in the neighbouring disciplines old history and classics, some works originated subsequently to these questions. Mostly the science history of the archeology was treated generally or the classical archeology in particular, single treatises also deal with the epoch concepts Classical period or Hellenism. Only relatively few works pick out as a central theme science-historically the concepts “archaically” / “Archaic” and in this it is removed predominantly on more general cultural-historical aspects. A thorough investigation of the development of the multilayered concept Archaic in the classical archeology shows up to now a desiderat of the research. Hence, the gradual constriction of the concept “archaically” on a style concept for the early-greek pieces of art of the time of approx. 700 to 480 B. C. in the science discourse of the time as well as the adoption of the archaic monuments by the respective researchers is looked thoroughly. The investigation occurs against the backdrop of the sequential discovery and investigation of the archaic-greek art from the beginnings till the last third of the 19th century. Besides, the temporal relation of the formation of the style concept is demonstrated “archaically” in terms of “old”, “originally”, freely by a pejorative connotation and, finally, of the epoch concept and “epoch” means here not only a time period, but a chronologically outlined cultural step.

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O crescimento populacional acelerado é o grande motivador para o desenvolvimento do setor da construção civil e o aumento na demanda por água potável, tendo como consequência, um aumento gradativo na geração de resíduos sólidos. Dessa forma, este trabalho foi realizado com o intuito de reciclar resíduos industriais e municipais incorporando-os em materiais para a construção civil. O compósito produzido a partir de lodo de estação de tratamento de água e lama de polimento de mármore, aplicando resíduo de produção de cal como ligante, foi avaliado quanto ao seu desempenho mecânico e sua estrutura morfológica. As matérias-primas foram caracterizadas quanto sua composição química, mineralógica,morfológica, granulométrica e, também, o teor de umidade. Com os materiais caracterizados, foram desenvolvidas nove composições variando-se o teor de lodo de estação de tratamento de água entre 25 e 50%, o teor de lama de polimento de mármore entre 35 e 50% e o resíduo de produção de cal entre 10 e 30%. Os compósitos foram submetidos a ensaios de resistência mecânica, absorção de água, análise química, mineralógica e morfológica. Os materiais desenvolvidos apresentaram, no 3° dia de cura, valor de resistência mecânica máxima de 4,65 MPa, no 7° dia 6,36 MPa, no 14° dia 6,74 MPa, no 28° dia 5,98 MPa, no 60° dia 8,52 MPa, no 90° dia 11,75 MPa e no 180° dia 12,06 MPa. Os valores de absorção de água aos 28 dias de cura variaram de 16,27 a 26,32% e aos 90 dias, de 13,57 a 23,56%. / The rapid population growth is the great motivator for the development of the construction industry and the increased demand for drinking water, resulting in a gradual increase in the generation of solid waste. Thus, this work was carried out in order to recycle industrial and municipal wastes incorporating them into materials for civil construction. The composite produced from water treatment sludge and marble polishing mud, applying lime production waste as a binder, was evaluated for its mechanical performance and its morphological structure. The raw materials were characterized for their chemical composition, mineralogy, morphology, particle size and also the moisture content. With the featured materials nine compositions have been developed varying the content of the water treatment sludge between 25 to 50%, marble polishing mud between 35 to 50% and the lime production waste between 10 to 30%. The composites were subjected to mechanical strength tests, water absorption, chemical and mineralogical composition and morphology. The developed materials presented, on the 3rd day of hydration, maximum strength value of 4.65 MPa, the 7th day 6.36 MPa, on the 14th day 6.74 MPa, the 28th day 5.98 MPa, on the 60th day 8.52 MPa at 90th day 11.75 MPa and 180th day 12.06 MPa. The water absorption values after 28 days of hydration ranged from 16.27% to 26.32% and after 90 days, from 13.57% to 23.56%.

O crescimento populacional acelerado é o grande motivador para o desenvolvimento do setor da construção civil e o aumento na demanda por água potável, tendo como consequência, um aumento gradativo na geração de resíduos sólidos. Dessa forma, este trabalho foi realizado com o intuito de reciclar resíduos industriais e municipais incorporando-os em materiais para a construção civil. O compósito produzido a partir de lodo de estação de tratamento de água e lama de polimento de mármore, aplicando resíduo de produção de cal como ligante, foi avaliado quanto ao seu desempenho mecânico e sua estrutura morfológica. As matérias-primas foram caracterizadas quanto sua composição química, mineralógica,morfológica, granulométrica e, também, o teor de umidade. Com os materiais caracterizados, foram desenvolvidas nove composições variando-se o teor de lodo de estação de tratamento de água entre 25 e 50%, o teor de lama de polimento de mármore entre 35 e 50% e o resíduo de produção de cal entre 10 e 30%. Os compósitos foram submetidos a ensaios de resistência mecânica, absorção de água, análise química, mineralógica e morfológica. Os materiais desenvolvidos apresentaram, no 3° dia de cura, valor de resistência mecânica máxima de 4,65 MPa, no 7° dia 6,36 MPa, no 14° dia 6,74 MPa, no 28° dia 5,98 MPa, no 60° dia 8,52 MPa, no 90° dia 11,75 MPa e no 180° dia 12,06 MPa. Os valores de absorção de água aos 28 dias de cura variaram de 16,27 a 26,32% e aos 90 dias, de 13,57 a 23,56%. / The rapid population growth is the great motivator for the development of the construction industry and the increased demand for drinking water, resulting in a gradual increase in the generation of solid waste. Thus, this work was carried out in order to recycle industrial and municipal wastes incorporating them into materials for civil construction. The composite produced from water treatment sludge and marble polishing mud, applying lime production waste as a binder, was evaluated for its mechanical performance and its morphological structure. The raw materials were characterized for their chemical composition, mineralogy, morphology, particle size and also the moisture content. With the featured materials nine compositions have been developed varying the content of the water treatment sludge between 25 to 50%, marble polishing mud between 35 to 50% and the lime production waste between 10 to 30%. The composites were subjected to mechanical strength tests, water absorption, chemical and mineralogical composition and morphology. The developed materials presented, on the 3rd day of hydration, maximum strength value of 4.65 MPa, the 7th day 6.36 MPa, on the 14th day 6.74 MPa, the 28th day 5.98 MPa, on the 60th day 8.52 MPa at 90th day 11.75 MPa and 180th day 12.06 MPa. The water absorption values after 28 days of hydration ranged from 16.27% to 26.32% and after 90 days, from 13.57% to 23.56%.

The topic of this diploma thesis is design processing of a new sacral building in Brno-Líšeň district. It is a plot in the middle of a panel building between the health centre building and the building of the Salesian Youth Center, so-called Salesko. The Salesian community, which will use the building the most, has been waiting for the realization of this building for many years. The key theme is the creation of spaces enabling people to meet for worship, celebrations and social events. The design is processed by two interconnected operations - the building of the Church of the Descent of the Holy Spirit and the building of clergy house. The basic composition consists of three cubic masses - the entrance, the main liturgical space and the clergy house. The bell tower is the height dominant feature which indicates the sacral function of the building. The project consists a set of buildings with two above-ground floors and a basement in the entrance part of the church. This project also mentions the solution of open spaces around the plot and their conversion into quality public areas, marginally. The sacral space is to become a place that welcomes and takes in its visitors and gives them the feeling of safety. Inside this building, people will find peace, support and undestarstanding, so they may leave with the feeling of being a better person.

Although the main topic of my diploma thesis is Kabát, I describe in the introductory chapters of my previous work, because their creation and gradual emergence have been directed towards the final project - Kabát. As part of my sculpture, I concentrate mainly on the possibilities of transforming the human figure, using various classical and non-traditional sculptural materials. The fabric of a selected piece of clothing (in the case of a coat) is reinforced at a certain point in time, which I transposed into the feathered cavity - the coat that you put before you. His work with the "outer envelope of man" in the final passage of the text corresponds to the work of Czech and foreign artists.

The focus of this thesis is on the most commonly used types of stone, the methods of quarrying stone, stone working, the tools developed and used for that purpose, and the ways in which stone was transported and hoisted into place. This is starting from the earliest times in which large temples or buildings were constructed, namely the Neolithic, up till the time of the Roman Empire. Besides being a kind of compendium of most aspects of stone working, which could be found, also attention is given to the ideal conditions under which the construction of a large temple or monument could take place. The framework, which is developed from the description of the construction of Solomon’s Temple in Jerusalem in I Kings 5 and I Chronicles 28, is used to analyse the construction of a number of other temples in different times, places and settings, and with the use of different materials, to test if the framework is applicable in all these situations. Moreover, also other aspects of stone working, such as mosaics and the manufacturing of stone vessels in Jerusalem are described and analysed as to their origins and uses. The intention is to give an overview of the many ways in which stone has been used, so that the reader can get an idea of how large temples and monuments were built and to gain an understanding of what kind of technical know-how and ingenuity existed in antiquity. / Religious Studies and Arabic / D. Phil. (Religious Studies (Biblical Archaeology))

The thesis deals with European sacral architecture of the twentieth and the twenty-first century. Particularly, it refers to Judaic, Roman-Catholic and Islamic buildings. The second part puts into historical context the sacral constructions of individual religions including their function, characters and typology. In the third part of this thesis the representative sample of significant modern sacral constructions is selected, always under circumstances regarding their creation, the urban description and the setting in a specific location as well as the architectural layout, the interior arrangment and a possible use of special technological procedures at their construction. The mutual comparison and the evaluation of the modern European sacral architecture development are carried out in the fourth part. This section notices the function and the usage of light and presents some extraordinary buildings from this point of view. The final fifth part tries to answer the question, how a modern temple should look like.

"The sick body needs a doctor friend sick souls." (Menandros)