Thesis--Catholic University of America. / Bibliography: ll. 140-144.

I detta konstnärliga självständiga arbete undersöks olika verktyg och metoder som hjälp i ett interpretationsarbete. Arbetet inkluderar en musikalisk analys av Benedetto Marcellos Cellosonat i F-dur samt ett jämförande av olika instrumentalisters inspelningar av detta stycke. Syftet med detta arbete är att som trombonist analysera och interpretera Benedetto Marcellos Cellosonat i F-dur. I bakgrundsdelen presenteras fakta om Marcello. En kortfattad historik om hur han levde och livnärde sig i 1600-talets Venedig. Det presenteras även en kort bakgrund om begreppet interpretation, vad det betyder och hur det används inom musiken. Resultatet visar att en musikalisk analys är till god hjälp för en musikers interpretation. Det ger en djupare förståelse om vad tonerna står för. Även att lyssna på olika interpreters tolkningar visade sig vara nyttig för att få inspiration samt en bredare referensram. Resultatet innebär att jag vet hur jag kan gå tillväga vid framtida interpretationsarbeten. / <p>Repertoar:Henri Tomasi - TrombonkonsertAstor Piazolla - Svit ur Maria de Buenos Aires (arr av Steven Verhelst)Benedetto Marcello - Cellosonat i F-dur (arr av Sven och Johanna Fridolfsson)Medverkande:Elias Fridolfsson, TrombonKatarina Ström-Harg, PianoJonathan Jennesjö, TrumpetAnna Lindberg, TrumpetEelis Malmivirta, HornHilda Melin, HornHjalmar Ljungberg, TrombonKristian Prestbø, TubaDaniel Caesar, SlagverkEskil Hamrin, SlagverkCornelia Vogel, ViolinEmma Alriksson, ViolinChristine Söderlund, ViolinLouise Rosenholm, ViolaIsela Halonen, ViolaJohanna Fridolfsson, ViolaLavinia Scarpelli, CelloAgnes Wall Ströberg, CelloJakob Ulmestrand, Kontrabas</p>

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-11-08T19:34:16Z No. of bitstreams: 1 2017 - Pamela Peres Cabreira.pdf: 1707729 bytes, checksum: adac0864479df99c388062b3bbeab3dc (MD5) / Made available in DSpace on 2017-11-08T19:34:16Z (GMT). No. of bitstreams: 1 2017 - Pamela Peres Cabreira.pdf: 1707729 bytes, checksum: adac0864479df99c388062b3bbeab3dc (MD5) Previous issue date: 2017-02-22 / CAPES / The 25th of April 1974 is a watershed in contemporary Portuguese society: after more than forty years of na intense authoritarian period, the country would be characterized in all social fissures by a process of rupture and the constant search for democratization. The years before the Carnation Revolution, under the governance of Marcello Caetano, contemplate the period of study of this research, in the process of analyzing the intense social movement that erupts in the country, seeking to break in some ways the constitution of Salazarist authoritarianism. The institutional crisis of the regime coupled with intense social discontent conveyed through intense social mobilizations will be fundamental in understanding the pre-revolutionary period and in the outbreak of the military coup in 1974. The collapse of the state regime reflected in social movements in the same proportion as the own Manifestations of the different social niches influenced a growing crisis of the system. Therefore, the objective of this research is to analyze the Marcellist period in the search for the understanding of the factors conditioning the outbreak of the Portuguese Revolution, based on the defense that the country was not ?asleep? in the face of the misconduct of the Estado Novo. / O dia 25 de Abril de 1974 ? um marco divisor na sociedade contempor?nea portuguesa: ap?s mais de quarenta anos de um intenso per?odo autorit?rio, o pa?s se caracterizaria em todas as fissuras sociais por um processo de ruptura e a busca constante pela democratiza??o. Os anos que antecedem a Revolu??o dos Cravos, sob a governan?a de Marcello Caetano contemplam o per?odo de estudos desta pesquisa, em vias de analisar o intenso movimento social que desabrocha no pa?s, buscando quebrar em alguns sentidos a constitui??o do autoritarismo salazarista. A crise institucional do regime somada a um intenso descontentamento social transmitido atrav?s de intensas mobili za??es ser?o fundamentais na compreens?o do per?odo pr?-revolucion?rio e na eclos?o do golpe militar em 1974. O colapso do regime estadonovista refletiu nos movimentos sociais na mesma propor??o que as pr?prias manifesta??es dos diferentes nichos desta sociedade influenciaram uma crescente crise do sistema. Portanto, o objetivo desta pesquisa ? esquadrinhar o per?odo marcelista na busca pela compreens?o dos fatores condicionantes ? aurora da Revolu??o Portuguesa, pautado na defesa de que o pa?s n?o se encontrava ? adormecido? frente aos descaminhos do Estado Novo.

Orientador: Jorge Sidney Coli Junior / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-18T20:33:55Z (GMT). No. of bitstreams: 1 Tognon_Marcos_M.pdf: 11942360 bytes, checksum: 242c1a560a9f07666c269ae9cdc94c25 (MD5) Previous issue date: 1993 / Resumo: Esta pesquisa tem como objetivo o estudo e a catalogação das obras brasileiras do arquiteto Marcello Piacentini. Analisa a cultura artística do período entre Guerras na Itália, assim como as teorias sobre a arquitetura de Placentini. Apresenta a iconografia e a documentação, fortuna crítica, cronologia e a atribuição destas obras brasileiras ao arquiteto italiano. / Abstract: This research aims at studying and classifying the work of the architect Marcello Placentini developed In Brazil. It analyses the artistic culture of the period In between the two Wor1d Wars In Italy, as well as the theories on Placentini's architecture. It presents Iconography and documentation, how his works have been discussed by different authors, cronology, and the attribution of the Brazilian Works to the Italian architect. / Mestrado / Mestre em História

abstract: The bass clarinet, developed almost a century after the soprano clarinet, isrelatively young compared to many modern instruments and consequently possesses a comparatively small repertoire. Until the mid-20th century, composers did not view the bass clarinet as a solo instrument and instead perceived it as cumbersome due to its low pitch and predominant use as an accompaniment instrument, resulting in a dearth of solo repertory for the bass clarinet before this time. Bass clarinetists desiring to perform repertoire from the Baroque, Classical, and Romantic periods must then appropriate music from other instruments. Through this study, I identify and detail a process for creating informed transcriptions of music for the bass clarinet to increase its body of solo and chamber literature. I examine the original scores and existing transcriptions of Concerto in C minor by Henri Casadesus (attributed to Johann Christian Bach) for cello, Bassoon Concerto Op. 75 by Carl Maria von Weber, Trios, Hob. IV:1-4 “London Trios” by Joseph Haydn, Kol Nidrei, Op. 47 by Max Bruch, and Clarinet Concerto in A Major, K. 622 by Wolfgang Amadeus Mozart to identify methods for the transcription process. I compare this to the transcription process for other instruments through examination of the Clarinet Sonatas, Op. 120, Nos. 1 and 2 by Johannes Brahms, which were transcribed from clarinet to viola by the composer himself. In this document, I discuss the historical background of the selected pieces, the selection process, editing considerations, performance practice, and the usage of transcriptions as a pedagogical tool. Although transcriptions for the bass clarinet already exist, appropriation of music from other instruments will continue to supplement and diversify its repertoire. These pieces serve to develop important technical and musical skills and allow the bass clarinetist to play music across various style periods. In this project, I select and transcribe three pieces for the bass clarinet: Sonata for Cello No. 1 in F Major by Benedetto Marcello, Grand Concerto for Bassoon and Orchestra by Johann Nepomuk Hummel, and Serenade in F minor, Op. 73, by Robert Kahn. The transcribed scores are included in the appendices of this document. / Dissertation/Thesis / Doctoral Dissertation Music 2020

This study retraces the principal moments of the Latin reception of John Chrysostom between c.1440 and 1600 and how they reflect on the study of ancient Christianity in early modern Europe. After a short Introduction to Chrysostom’s reception in medieval Europe and existing historiography on early modern patristics, the first section of this study focusses on the reception of Chrysostom in the fifteenth century. Chapter 1 examines the collaboration between cardinal Jean Jouffroy and the humanist translator Francesco Griffolini in Renaissance Rome. Chapter 2 explores the career and editorial work of the scholastic writer Johannes Heynlin and his impact on Basel’s rise as a centre of patristic studies. The second part of this study investigates the translations and interpretations of Chrysostom by the renowned Dutch humanist, Desiderius Erasmus. Chapter 3 argues that Erasmus advanced Chrysostom as a Pauline theologian in a way deliberately opposed to contemporary Latin traditions of exegesis. Chapter 4 interprets Erasmus’ editions and translations of Chrysostom against the breakdown of his friendship with the Protestant theologian Johannes Oecolampadius. Chapter 5 asks whether Erasmus’ biography of Chrysostom and criticism of spurious texts of the Greek church fathers confirms or contrasts recent investigations of Erasmus’ scholarship on their Latin counterparts. The third part of this study follows the reception of Chrysostom’s life and works in the Catholic world during and after the Council of Trent. Chapter 6 studies the use of Chrysostom’s works at this Council by cardinal Marcello Cervini and his client Gentian Hervet. Chapter 7 uses Chrysostom’s changing place in the Roman breviary to explore Catholic attitudes to historical scholarship and the Greek church in the sixteenth-century. A short conclusion suggests avenues for future research into the reception of Chrysostom in early modern Europe.

The use of mercury in artisanal mines is posing serious environmental and human health risks. Marcello Veiga is aiming to introduce global standards to regulate its use.

Thesis (D.M.A.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 7, 2005, Mar. 20, 2006, June 5, 2006, and Nov. 5, 2007. Includes bibliographical references (p. 80-83).

Made available in DSpace on 2016-04-28T14:16:28Z (GMT). No. of bitstreams: 1 Valdir Carlos da Silva.pdf: 507177 bytes, checksum: 41e0a1e637947bfd72138f04fbd73753 (MD5) Previous issue date: 2006-10-27 / We present on the work, a soon Physics's history during the century XIX and the three first decade of century XX. We relate the principal Physics's Happenings on this time and her influence in the arising of first Brazilian Physicols and the first Phisycs reserches between 1920 and 1950 at the Brazilian Universities. We treat with reverence here the Phisicol Teacher Marcello Damy de Souza Santos, for his contribution to Phisics Science at Brazil, essentialy on Second World War with the construction of the Sonar for the Brazilian Naval Force. The internatinal recognition that he provided to the Brazil and the Brazilian Universities, investments in equipments and researchs / Apresentamos neste trabalho, uma breve história da Física durante o século XIX e as três primeiras décadas do século XX. Relacionamos os principais acontecimentos da Física neste período e suas influências no surgimento dos primeiros Físicos brasileiros e as primeiras pesquisas Físicas entre 1920 e 1950 nas Universidades brasileiras. Reverenciamos aqui o Físico Prof. Marcello Damy de Souza Santos, suas contribuições para a Ciência Física no Brasil, principalmente na Segunda Guerra Mundial com a construção do sonar para a Marinha brasileira. O reconhecimento internacional que propiciou ao Brasil e às Universidades brasileiras investimentos em equipamentos e pesquisas

Thesis (doctoral)--Universität Heidelberg, Heidelberg, 1992. / Includes bibliographical references (p. 163-170).