My thesis examines the “New Sincerity,” a recent movement in contemporary fiction, which relies upon and reclaims the ethical concept of sincerity. Rather than accept sincerity at face value, however, I outline a historical trajectory of the concept in order to understand the reasons for its decline and the current attempts to resituate it. Contrasting sincerity with its ancient Grecian root of parrhēsia, I argue that sincerity has been historically mobilized as a mechanism of oppression. Since the traditional conception of sincerity was founded upon the depth model of subjectivity, certain individuals were denied the possibility of professing sincerity; rather, their outward appearances marked them a priori as being deceitful, hypocritical and insincere. Despite the recent theoretical decline of the depth model of subjectivity, I claim that the model has persisted in an afterlife that continues to govern who is given the license and freedom to speak. As such, sincerity has had a significant role in how marginalized subjects, who are often denigrated for being overly emotional, have been categorized as insincere and sentimental. For this reason, my thesis rejects the alleged return of sincerity in favor of a reconceptualization of it. Drawing from the “performative turn,” I claim that sincerity must be continually at risk for it to draw its affective potential. If sincerity with intention is insincere, sincerity is an impossible event that cannot be claimed in advance. Rather, we must bind ourselves to the truth similar to the parrhēsiates of Ancient Greek and take care to question the other. In doing so, sincerity becomes a truth-telling based on actions instead of judgments. / Thesis / Master of Arts (MA)

The purpose of this thesis is to take a closer look at Jane Austen’s work and understand the importance of it in both the academic and cultural sphere. With a specific focus on Pride and Prejudice, this research starts with a focus on feminist readings of the novel. Primarily, this research looks at the novel with a feminist lens in order to better understand the female characters and their involvement in the marriage plot. Secondarily, the research goes on to look at the cultural impact of Pride and Prejudice and attempts to understand the ways in which this novel re-appears in different adaptations. Finally, the research suggests that there should be a new way of reading Austen that better fits contemporary society. Despite how far removed Jane Austen’s world may seem, her work remains important and worth studying. This thesis argues in favor of the appreciation of Jane Austen’s work both academically and culturally.

Victorian scholars of fiction have hitherto largely overlooked that fiction was an important site for Victorian authors and readers to engage in open discussion of religious issues in the Victorian period, often known, even to itself, as the "Age of 'Faith and Doubt.'" Along with sermons and religious tracts, which often directly addressed popular audiences, fiction became one of the most popular arenas for debating theology and religious practices. My project aims to revive interest in the religious novel genre by defining the genre, positioning it within its cultural context, and looking at how it engages in active and reciprocal conversations with other genres, fictional and nonfictional. This new approach reveals how the religious novel, long derided or ignored by critics, often leads the way with narrative innovations. Most interestingly, the religious novel, whose alternative name is tellingly the "theological romance," embraces and adopts one of the most popular plot lines of the Victorian novel tradition, namely the marriage/courtship plot, and develops it into the post-marriage plot, a plot that focuses on and examines marital life. The marriage plot serves, for many of these novels, in place of detailed theological arguments as a way of producing and embodying conversion. The religious novel actually anticipates changes in the nineteenth- century novel by expanding the plot beyond courtship and marriage.

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