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1	Návrat baroka v hispanoamerickém románu 20. století - Asturias, Carpentier, Roa Bastos / The Return of the Baroque in Hispano-American Novel of the 20th Century - Asturias, Carpentier, Roa Bastos Doležalová, Barbora January 2015 (has links) The diploma thesis "The Return of the Baroque in Hispano-American Novel of the 20th Century - Asturias, Carpentier, Roa Bastos" examines Baroque motifs and principles in the modern 20th century Hispanic-American novel. It explains how these traits alter in contrast to the historical Baroque, how they are modified or what other functions they acquire. An attempt was made to critically rethink and re-evaluate the literary theories dealing with the reappearance of the Baroque in Hispanic America, as we consider their approach to be generalising and reductive. The interpretative method is based on Josef Vojvodík's Povrch, skrytost a ambivalence and namely how it addresses the manner in which the Baroque, Mannerism and avant-garde relate to one another. A characterisation of the American Baroque as such has been drafted and an attempt to capture the differences between the European Baroque has been made. The essayistic work of Alejo Carpentier is treated with an emphasis on the relationship of the (Neo)Baroque and magic realism. Carpentier wrongly attributes to the continent what he installs through his own optics without realising that such an approach might be itself described as being Baroque. The interpretative part provides a linguistic, thematic and motivic analysis of Baroque traits in a choice...
2	The nature of the marvelous in René Depestre’s Hadriana dans tous mes rêves Belleroche, Jean Élie, 1968- 26 July 2011 (has links) My goal is to study the nature of the Marvelous in René Depestre's Hadriana dans tous mes rêves. I want to demonstrate that René Depestre, in his novel, combines a number of surrealist or neo-surrealist premises that have influenced him as a Haitian writer. This goes beyond differences that can be discerned between the "Surrealist marvelous" endorsed by André Breton and the surrealists, and Alejo Capentier's "marvelous real"later proposed by Jacques Stephen Alexis as "marvelous realism" Depestre adapts Haitian natives' perceptions deep-rooted in their historical and social, cultural and religious past and ever-existing political and economical struggle. Taking into account both the surrealist perspective and the Haitian context, I shall address the complexity of the concept of the Marvelous and discuss Depestre's use of "zombification"as a form of metamorphosis, which preserves the mystical nature of Vodou as a religion that syncretizes the Roman Catholic ritual of exorcism of the Christian West and the animist and magical practices inherited from Africa. Scholars have explored the Marvelous and marvelous realism in Depestre's works as a whole, but not in Hadriana dans tous mes rêves specifically. The exclusive nature of this study will show that Depestre draws from Haiti's complex cultural ethos as well as from surrealism'es key principles, to create a hybrid Marvelous typical of Haiti and Depestre'es aesthetic as a writer. / text René Depestre Hadriana dans tous mes rêves Hadriana in all my dreams Marvelous in literature Jacques Stephen Alexis Marvelous realism Alejo Capentier Marvelous real Surrealism Haiti Zombification Pensée primitive Haitian Vodou Pierre Mabille Jacques Roumain Haitian literature 20th century Francophone literature André Breton

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Návrat baroka v hispanoamerickém románu 20. století - Asturias, Carpentier, Roa Bastos / The Return of the Baroque in Hispano-American Novel of the 20th Century - Asturias, Carpentier, Roa Bastos

The nature of the marvelous in René Depestre’s Hadriana dans tous mes rêves