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Vietnamští imigranti v České republice a jejich verbální obraz v českých tištěných médiích / Vietnamese Immigrants in the Czech Republic and Their ImageZÁMEČNÍKOVÁ, Jitka January 2013 (has links)
The dissertation ?Vietnamese Immigrants in the Czech Republic and their medial image? deals with present intercultural current issues. Journalistic texts in tabloids and also in quality press give media depiction to Czech citizens about the effect of Vietnamese community living in the Czech Republic. The dissertation contains eight chapters. The first chapter deals with the history and the formation of Vietnamese community in the Czech Republic from the beginning till the present. The second chapter gives information about the independent mentality and culture of Vietnamese ethnic group including information about Vietnamese language. The third chapter deals with the world of the mass media primarily the printed media. It gives information about their functions and their influence on the recipients. The next chapter characterizes particular periodicals which are bases of this dissertation. The fifth chapter includes basic information about persuasion in journalism. Journalistic functional style would be nonsensical without it. It contains verbal and also non-verbal devices. The sixth chapter deals with analysis of thematic?contextual components of journalistic texts about Vietnamese in the Czech Republic. The seventh chapter focuses on analysis of titles of journalistic texts of Vietnamese immigrants in the Czech Republic. The final chapter of this dissertation addresses the most frequent persvazive verbal devices which are used when journalistic texts about the Vietnamese community in the Czech Republic are being made. The aim of that analysis is to raise awareness about the complex verbal scene regarding the Vietnamese community which is presented in printed mass medias in the Czech Republic.
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Teatro do oprimido: incorporações mediáticas de uma poética popularRodrigues, Anderson Zotesso 10 May 2010 (has links)
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Previous issue date: 2010-05-10 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The present study brings to light the ramifications, incorporations and
dialogues between radio and television elements in plays and/or sketches
based upon the poetics of the Theater of the Oppressed as systematized by
the dramatist Augusto Boal, paradigmatically, against the attempts of mediatic
manipulations of individual behaviors and cultural practices. The purpose,
specifically, is to demonstrate how, predominantly in popular theater stagings,
ways to interpret, to narrate, certain gestures, themes and songs that are part
of these two mediums of mass communication embedded in the urban home
tend to appear as a part of the plays. The theoretical basis of this research
lays in the elaborations by Jesus Martin-Barbero of the dialogues between
mass media and culture, and in the relations between media, culture and
economy as proposed by Néstor García Canclini. The bibliography by
Augusto Boal as well as articles about his propositions also constitute an
important part of the present study, since they serve as material for the
poetical elaboration of the plays staged by the researched groups. To
accomplish our field research, certain plays were elected as objects of study,
such as Que onda con Borges? , staged by the Infierno de los vivos, a group
from Buenos Aires, Argentina, and the play Um dia a casa cai , staged by
GATO (Teenage group of theater of the oppressed), from São Paulo, Brazil.
Interviews with members and analysis of the plays were conducted between
July, 2008 and January, 2010. The present study also contains a critical
analysis of the institutional, political and economical relations developed by
organizations and theatrical groups of São Paulo and Londrina, in order to
detail and interrelate the political and aesthetic options of such groups / A presente dissertação busca apontar e descrever desdobramentos,
incorporações e diálogos entre elementos do rádio e da televisão em peças
e/ou esquetes da Poética Teatral do Oprimido, sistematizada pelo teatrólogo
Augusto Boal e, paradigmaticamente, contrárias às tentativas de manipulação
mediática dos comportamentos individuais e práticas da cultura. O objetivo,
especificamente, é demonstrar como emergem, em encenações de teatro
predominantemente populares, modos de interpretação, narrativas, gestos,
temáticas e canções componentes de programas desses dois meios de
comunicação incrustados nos lares das grandes cidades. O referencial
teórico da pesquisa assenta-se nas concepções do diálogo cultura - medias
de massa propostas por Jesús Martín-Barbero e das relações entre media -
cultura - economia apontadas por Néstor García Canclini. Também serve de
base a bibliografia de Augusto Boal por constituir-se como fundamento para o
desenvolvimento poético dos grupos pesquisados, além de textos
acadêmicos diretamente ligados ao tema. Para produzir o trabalho de campo
foram prioritariamente eleitas as montagens Que onda con Borges? do Grupo
Infierno de los Vivos, de Buenos Aires Argentina e Um dia a Casa Cai, do
GATO (Grupo Adolescente de Teatro do Oprimido), de São Paulo,
praticantes com os quais foram realizadas entrevistas e estudos de suas
montagens entre os meses de Julho de 2008 e Janeiro de 2010. Há também
análises críticas acerca das relações institucionais, políticas e econômicas
desenvolvidas por organizações e outros coletivos teatrais de São Paulo e
Londrina, em prol do detalhamento das suas opções políticas, estéticas e
plásticas
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