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1	Památník mistra Jana Husa - příprava nové expozice / The Memorial of Master John Hus - Preparation of a New Expozition VESELÁ, Michaela January 2008 (has links) The work is devoted to The Memorial of Master John Hus as his presupposed birthplace. The first part deals with the history of this monument, it brings the summary of proprietary relations and maps the care about this historical object and the looks of Hus{\crq}s house. It also deals with the honour to the personality of Master John Hus and its forms through the historical periods. There are the oldest mentions about this respect, some legends, celebrations and other forms of respect in various periods. The second part deals with contemporary effort of professional public which is aimed to preparation of a new expozition in the Memorial of Master john Hus in Husinec. This preparation started in 2004 - 2005 by means of professional lectures. Finally the work introduces the project The Restoration of the Birthplace of Master John Hus which reakts on professional discussions from previous years and which is the alternative solution of current renewal of actual expozition installed in 1975. There is also pictured enclosure prezenting previous and current looks of Hus{\crq}s birthplace.
2	Allt är inte guld som glimmar : Materialitet som kommunikationsmedel i Tudorperiodens porträttmåleri / All that glisters is not gold : Materiality as a means of communication in portrait painting during the Tudor period Sagnér, Maria January 2021 (has links) Portraits from the Tudor period are filled with symbols of status, wealth and power. This paper explores what role materiality plays in this communication. By exploring the role of materiality primarily linked to trade and relations between artists, patrons and the art market, two portraits depicting Mary I are analyzed. The role of materiality in the portraits is discussed based on, among other things, Bia Mankell's theories of materiality. The analysis shows that materiality is used in two different ways in the two works, but what they have in common is that the presence of materiality in both works seems to be important in the expression of wealth and thus power. The portraits' communication of status is reinforced by the material qualities of the works by using either precious materials or skilled artists. Something that depended on both access to financial means and geographical location. art history portraits material materiality England sixteenth century Master John Hans Eworth Mary I Tudor manifestation of power konsthistoria porträtt material materialitet England femtonhundratal Mäster John Hans Eworth Maria I Tudor maktmanifestation Art History Konstvetenskap

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Památník mistra Jana Husa - příprava nové expozice / The Memorial of Master John Hus - Preparation of a New Expozition

Allt är inte guld som glimmar : Materialitet som kommunikationsmedel i Tudorperiodens porträttmåleri / All that glisters is not gold : Materiality as a means of communication in portrait painting during the Tudor period