My research in this thesis delves into the corruption of American culture and my personal experience with the academic institution of art school. I delineate my symbolic representation of a social agenda through images and objects that reference the absurdity of institutionalized art and the decay of socialist idealism in the realm of crafts and contemporary culture at large.

The Back to Nature project was developed as a collaborative doctoral award between the British Museum and the School of Geography and the Environment, University of Oxford. The British Museum has a large collection of limestone artefacts, some of which have deteriorated to an extent that a consolidation treatment, to improve internal cohesion, has been deemed necessary to ensure the value of the artefacts is maintained. Previous consolidation practices within the museum had centred on the use of organic consolidants. In the past, inorganic consolidants had been considered ineffective chiefly due to poor penetration depth and inconsistent deposition within the stone. Recent scientific developments within conservation, particularly the development of nano-limes, coupled with a trend towards treatments offering physical and chemical compatibility, led to the British Museum reconsidering the use of inorganic consolidants. Three inorganic consolidants: ammonium oxalate treatment, Calcite In-situ Precipitation System (CIPS), and CaLoSil have been investigated by the Back to Nature project to assess their potential for use on the British Museum’s deteriorated limestone artefacts. The investigation involved a developmental sequence of four experimental phases to assess the effectiveness of each consolidant upon freshly cut, artificially pre-weathered, and naturally weathered stone samples. In all experiments an organic silane Wacker SILRES BS OH 100 was used as a comparison. A variety of analytical methods were used including: Equotip, GrindoSonic, Scanning Electron Microscopy, Karsten Tubes, Drilling Resistance Measurement System, spectrophotometry, X-ray Diffraction and Ion Chromatography. Experiments show that the CIPS treatment could hold promise for use as a consolidant. Ammonium oxalate only appears to provide consolidation at the surface level, and CaLoSil would need modifying and more investigation before using in the museum environment. The differences noted between experiments on artificially weathered and naturally weathered stone indicate that a two-step process, involving testing on both types of samples, would give the best indication of consolidant effectiveness. High variability between samples shows a large number are needed to give an accurate interpretation of change due to consolidation.

Iran, a country rich in mineral resources, has a long history of metal working. Copper objects first appeared in the 7th millennium BC and in the following millennia, copper became the material of choice for the production of many objects. Artefacts of iron began to appear in the mid 2nd millennium BC and by the mid 1st, iron had replaced bronze for most uses, but the reasons for this change remain unclear. This thesis seeks to examine the transition from bronze to iron metallurgy from a new angle. By looking at changes in copper-based metallurgy between the Bronze Age and the Iron Age, it attempts to better understand the context in which iron metallurgy developed. To that end, the results of previously published chemical analyses of over 5000 copper-based objects from Iran and neighbouring regions and the lead isotope analyses of about 380 objects were assembled in a database. The tin, arsenic, nickel, antimony and silver concentrations in particular are studied. The data is divided into 16 metal groups based on the absence or presence of the latter four elements. The study of the main groups allows us to describe interesting new patterns of metal movement and recycling. It appears that before the end of the Bronze Age, a number of copper sources and/or trade routes from both east and west declined, leading to a reliance on more local sources for copper and tin in the Iron Age. The practice of recycling from the 3rd millennium BC onward is also evidenced. Overall, it seems that iron appeared within a thriving bronze industry, with a good access to metal resources and a developed understanding of the possibilities offered by copper (alloying, recycling, mixing…). Was it then the more ‘permanent’ nature of iron that attracted the ancient metal-workers and led to its advent?

This thesis is an exercise in the archaeology of memory. It investigates the reuse and ‘reinvention’ of late antique sarcophagi during the Middle Ages in the southern part of Gaul, with a particular emphasis on their reinvention for saints. The region of Provence has a large number of sarcophagi reused for the burial of saints (at least 20), including many of its most important holy figures such as Mary Magdalene, Cassian and Honorat. I shall analyse three groups of sites: the Alyscamps in Arles, Saint-Maximin and Tarascon (the sites connected with Mary Magdalene and her companions) and the monastery of Saint Victor in Marseille. In each case, the sarcophagi became part of an invented narrative created around the imagined antiquity of the site. These narratives varied significantly: some were monastic, others episcopal or biblical, still others heroic: but all were created around antique sarcophagi. Antiquities thus became monumental realms of memory for individuals and events that were thought to have been of significant historical importance in Provence. They formed part of the popular history and collective identity of the region. I will show that their association with saints changed the very function of these objects, as many were no longer seen simply as tombs but also as relics in their own right. I use a variety of sources to help reconstruct this imagined history, particularly saints’ vitae that often provide information about cults, particularly regarding the location of sarcophagi and sometimes even details of miracles that they produced, but also medieval chartae, sermons, and pilgrims’ descriptions of sites and rituals. The results of this study show that sarcophagi were of major importance in the religious history of Provence during the Middle Ages, as they became "proof" of the antiquity of local cults and of the histories based on these legends that the region created for itself. My work contributes to our knowledge of medieval Provence and the history of its collections of sarcophagi.

This thesis is concerned with the construction and uses of miniature buildings in the Liao (907-1125) and the Northern Song (960-1127) periods in China. These miniature buildings exploited the components of Chinese traditional architecture on a small or greatly reduced scale. To date no work has taken the position of this thesis to examine this corpus of miniature buildings that were used widely in tombs and temples as containers to provide coverings for coffins, and to hold images of deities, Buddhist relics and sutras, as seen in both archaeological discoveries and textual resources. The purpose of the thesis is to define this corpus and to consider its significance in the light of the functions that these tiny buildings fulfilled. This thesis proposes that these miniature buildings contributed a unique and indispensable part in presenting the positions of their owners in society. Made as containers, miniature buildings particularly emphasize decoration, which enabled viewers to make a connection with life-size buildings, in the ways of which they were fitted into an existing architectural hierarchied system in the deeply rooted tradition of the Liao and the Northern Song. The thesis makes considerable use of the concepts of reception, for the reaction of viewers to these miniature buildings defined also their reactions to the contents. Several types of analogies were achieved between full-scale buildings and miniature representations, as well as between their contents, which allowed specific types of interpretation of the miniature buildings as taking the roles of actual buildings and fictional structures. The thesis considers the use of miniature buildings as one of the ways in which complex ideas can be reinforced by material forms. A wider discussion on miniature models presents that the significance of miniaturization lies in the power of control that can be achieved by creating and using the miniature.

This thesis analyses a range of lead objects discovered in Thonis-Heracleion, an Egyptian port city, and offers a new perspective on the use of metals in antiquity. It advances two central arguments: firstly, that the large quantity of lead artefacts in Thonis-Heracleion is not exceptional but rather a more accurate reflection of the metallisation of ancient societies and secondly, that the corpus of lead objects sheds light on aspects of ancient communities that normally remain invisible due to the ease of recycling and low cost of lead. The first chapter reviews the presence of lead in the archaeological record in Egypt, the factors affecting its deposition and preservation, and the corpus as a whole from Thonis-Heracleion. A comparison between the two puts the lead from the site in a new Egyptian perspective. The second, third, and fourth chapters offer substantial analyses of lead ingots, weights, and containers found at Thonis-Heracleion with parallels from around the Mediterranean. The chapters show the potential of this corpus to shed light on activities in the Egyptian town despite the notable lack of direct parallels. It becomes clear for example that large lead objects appear earlier in the archaeological record and that the range of objects is wider than previously suspected. The analysis in these chapters offers a robust dating framework for lead objects previously unavailable. Together the lead artefacts illustrate local mercantile activities, the economic role of the port city, and, through the identification of the first Athenian weights found in Egypt, trade connections between Egypt, Athens, and the rest of the Eastern Mediterranean. The result is an overview of lead in Egypt and its place in Thonis- Heracleion, demonstrating the significance of metals for understanding ancient societies.

This study catalogues and analyses 329 statuettes and amulets from Thonis-Heracleion, a sunken city off the coast of Egypt that flourished between the 7th and 2nd centuries BC. This is the first study of votive statuettes and amulets from the Late and Ptolemaic Periods that presents a comprehensive corpus from a single site, complete with detailed catalogue entries and photographs. Although some of the most exceptional pieces were previously published in an exhibition catalogue, the majority are unpublished and it is the first time they have been studied and viewed as a whole. The material includes not only Egyptian-style bronzes, which are typical dedications of this period, but also a range of other materials including lead, terracotta, faience, and limestone. Some figures are represented in foreign style and attest to a small hellenized community at the site. By viewing multiple categories of votive material laterally and in context, important conclusions about cultural interactions and cult practice at Thonis-Heracleion come to light. Chapter One details the find context of the statuettes and amulets, followed by a discussion of their types and the cults to which they attest in Chapter 2. Chapter 3 outlines the objects’ primary functions and demonstrates the ways that lead and bronze were utilised differently. Chapter 4 focuses on bronze and lead production methods, particularly methods of replicable production that are indicative of technological exchange with other Mediterranean cultures. Finally, in Chapter 5, I look at how the votives reflect the cultural community at Thonis-Heracleion, and how they compare to others at sites throughout Egypt. Each chapter highlights how the archaeological context informs us about cultural interactions between Egyptians and Greeks and about the dynamics of cult practice at a Delta site in the Late and Ptolemaic Periods.

This thesis investigates the nature of the relationship between cities and king in the late Classical and Hellenistic Macedonian kingdom. It will consider the cities from two main perspectives: the city as a community, and the city as a settlement. Section 1 re-examines the evidence most commonly used to argue for the Macedonian cities gaining substantial autonomy in this period. It will be argued that this evidence has less to tell us about the political autonomy of the Macedonian cities than their 'social relations' with other Greek communities: Macedonian cities engaged in international exchanges which did not represent any challenge to the authority of the monarch, but which could also be used to represent the relationship between king and city as cooperative. Such latitude was balanced, however, by forceful expressions of royal dominance in other arenas. Section 2 considers the position of the cities within the royal economy, and examines how, as a result of the king's monopolisation of Macedonia's resources, and the fact that the Macedonian elite was more interested in advancing their position at court than acting as civic benefactors, the cities were left economically subordinated to the king. Section 3 uses the increasingly abundant archaeological evidence to consider how royal building programmes served to project royal ideology into the localities. Royal palaces, large-scale urban development, and fortifications created an experience of urban space in Macedonia which emphasised the roles of the monarch as guardian, benefactor, and unifying figure. The picture that emerges is of a kingdom of civic communities which were engaged in meaningful exchanges with their peers outside Macedonia, but which were living in large and impressive urban settlements which stood as monuments to the extent and ubiquity of royal authority. Late-Classical and Hellenistic Macedonia was a kingdom of poleis, but that kingdom was first and foremost a royal space.

This thesis addresses the lacuna in the study of Greek terracotta figures and figurines corresponding to the transitional period between the Late Bronze and Early Iron Ages (1200-700BC). It provides a comprehensive synthesis of all available data, with particular reference to material from recently excavated sites in mainland Greece and its islands (Euboea, the Northern Aegean islands, the Dodecanese and the Cyclades). The study is framed according to the relationship between terracotta <b>figures</b> (those made on the potter's wheel) and <b>figurines</b> (those made by hand). The observation that the technological distinction between these two types is reflected in their different and separate functions has been sustained in scholarship for the past three decades, but only for the Mycenaean period. Handmade figurines and wheelmade figures occurred in different and restricted contexts in the Mycenaean world: the former in settlements, cemeteries and religious locations, and the latter exclusively in religious contexts. It is therefore inferred that they had different socially embedded values or 'meanings'. However, the extent to which such a distinction applies to figures and figurines in the Early Iron Age has hitherto not been explored. Initial evidence indicates that by the 8th century, handmade figurines and wheelmade figures were deposited together at selected sites, suggesting that their inherent socially embedded meanings were the same, and that they represented "different levels of [financial] investment in what is essentially the same category of votive". This thesis therefore determines the levels of co-occurrence of wheelmade figures and figurines, thus identifying how distribution relates to usage. Changes are observed over time and space and between different types of functional contexts, and the meanings of these patterns are investigated. The results of this study provide a chronological and geographical overview of the distribution of figures and figurines, and also indicate that figures and figurines had consistently multivariate relevance in multiple types of contexts. The functional dichotomy of figures and figurines observed for the Mycenaean period cannot be sustained beyond 1200 BC. Moreover, study of the contexts from which the material originates indicates that the significance of secondary deposits of religious nature has been consistently overlooked, and that figures and figurines were used in an active and meaningful sense even during the act of their discard. This type of activity is a distinctive one that can be characterised and defined functionally, geographically, temporally and quantitatively. The socially embedded meaning of figures and figurines was fluid and related to an action being performed; their meaning was not linked exclusively to an aspect of the object itself, and was therefore not static.

The aim of this thesis is to examine changes in the status of traditional Egyptian religious culture during the Ptolemaic and Roman periods, from 331 BCE to 313 CE. Four distinct categories of material culture are examined: monumental construction of temples and civic buildings, traditional hard-stone sculpture, Alexandrian tombs, and Roman coins. These bodies of evidence were chosen because each offers a unique perspective, reflecting respectively the personal inclinations and official attitudes of both the culturally Hellenic and indigenous elites, which have not previously been studied in this context. Examined together for the first time, these categories reveal commonalities that show clearly the progression of the status of indigenous religious culture. From this, it is argued that, despite being economically disadvantaged by the Roman administration, the high status of this culture persisted in Egyptian society under both the Ptolemies and the Romans. Patterns of Egyptian temple and classical civic building show that Egypt's indigenous elite controlled the resources allocated for temple construction under the Ptolemies, but that the Romans gradually transferred this land into the management of the culturally Hellenic elite. This resulted in a decrease in Egyptian temple building after the first century CE and a corresponding increase in classical construction from then on. The production of hard-stone statues is shown for the first time to reveal that the indigenous elite had the resources and cultural confidence to continue and develop their traditions under the Ptolemies, while the sharp decrease at the start of the Roman period reflects their diminution in autonomy and prosperity under Roman rule. New analysis of traditional elements and motifs in the tombs of Alexandrian elites shows that this group respected and adopted indigenous religious customs and beliefs, with a higher incidence of indigenous imagery in the Roman period compared with the Ptolemaic period. In a similar way, well-informed Egyptian religious iconography rendered in a classical style on Alexandrian coins demonstrates the respect of the Roman authorities for Egyptian religious cults and institutions at an official level. In sum, it is argued that indigenous religious culture largely maintained its privileged economic and social status throughout the Ptolemaic period, despite political upheavals. Under Roman rule, the individuals and institutions representing Egyptian religious culture were disadvantaged economically; however, its social importance and standing were preserved and it continued to enjoy respect.