Global ETD Search

1	Matrilineal performance-to-camera : exploring maternal aesthetics and the frame Ryan, Myfanwyn E. January 2018 (has links) This practice-based PhD is located in the field of live art practice and looks at the relationship between the camera and artworks that are critical of phallocentrism. It proposes a radical address to maternal methodology, using a series of performance-to-camera works where the focus is on the matrilineal and mother-daughter relationships. It focuses on maternal theorising, which is prevalent in contemporary feminist theory, and the renascent maternal aesthetic that forms the subject matter of the performance and art-making reviewed here. I include collaborative practice with photographer, Alan Duncan, and my eldest daughter, Matilda. I argue that power imbalances and representational autonomy cannot be challenged effectively by performance-to-camera per se, however, when aligned with maternal aesthetics, in this instance, mother-daughter and matrilineal performance, the critique is re-invigorated because aesthetic distance and the latent influence of binary thought are not pre-supposed or engaged with uncritically. The first chapter locates the practice-based research within a context of feminist theory; artists Ana Mendieta and Jemima Stehli, and the philosophy of Luce Irigaray, underpin my subsequent performance interventions as inherently resistant to phallocentric objectification. The second chapter discusses how critiques are re-ignited, via Alison Stone, when mother-daughter relationships are explored in women s performance and how combining this with Derrida's Parergon acts on the distancing effect of the frame. The establishment of a maternal aesthetic is supported by primary interviews, presented as oral histories in the form of recordings, with artists Shirley Cameron, Evelyn Silver, Tracey Kershaw and Sam Rose. Finally, the third chapter considers maternal aesthetics, both as an art practice and a practice of care, to establish it as a radical approach that differs widely from traditional Western aesthetics. I draw on Jessica Benjamin's intersubjective theory to demonstrate a relational approach to the maternal, and I emphasise the role of play as having nurturing qualities and, simultaneously, as material within my practice. This research has been crucial to the burgeoning area of maternal aesthetics because it makes work visible that has previously been absent in mainstream art criticism and canonisation. Original artworks have been produced, that interrogate the relationship between Derrida, Irigaray, the frame and the maternal.
2	Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry Hiebert, Luann E. 11 April 2016 (has links) Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potential site for representing maternal subjectivities, poetry continues to reside on the margins of motherhood studies and literary criticism. In the following chapters, I examine the writing strategies of selected poets and their representations of mothers specific to three transformative occasions: mourning mother-loss, becoming a mother, and reclaiming a maternal lineage. Several daughter-poets adapt the elegy to remember their deceased mothers and to maintain a connection with them. In accord with Tanis MacDonald and Priscila Uppal, these poets resist closure and interrogate the past. Moreover, they counter maternal absence and preserve her subjectivity in their texts. Similarly, a number of mother-poets begin constructing their mother-child (self-other) relationship prior to childbirth. Drawing on Lisa Guenther’s notions of “birth as a gift of the feminine other” and welcoming the stranger (49), as well as Emily Jeremiah’s link between “‘maternal’ mutuality” and writing and reading practices (“Trouble” 13), I investigate poetic strategies for negotiating and engaging with the “other,” the unborn/newborn and the reader. Other poets explore and interweave bits of stories, memories, dreams and inklings into their own motherlines, an identification with their matrilineage. Poetic discourse(s) reveal the limits of language, but also attest to the benefits of extra-linguistic qualities that poetry provides. The poets I study here make room for the interplay of language and what lies beyond language, engaging the reader and augmenting perceptions of the maternal subject. They offer new ways of signifying maternal subjectivities and relationships, and therefore contribute to the ongoing research into the ever-changing relations among maternal and cultural ideologies, mothering and feminisms, and regional women’s literatures. / May 2016 Elegiac poetry Motherhood Maternity poetry Canadian poetry Women authors Poetics Maternal subjectivity Maternal theory Feminist poetry Prairie poetry Pregnancy Childbirth Mourning mother loss Mourning child loss Maternal lineage Mother poets Prairie women's poetry 21st century poetry Ariel Gordon Barbara Langhorst Canadian literature (English) Charlene Diehl-Jones Claire Harris Cultural transmission Cultural violence Culture and motherhood Domestic violence Elegy Hospitality and responsibility Jennifer Still Lisa Martin-DeMoor Literary criticism Louise Bernice Halfe Maternal discourse Maternal aesthetics Maternal inheritance Maternal silence Maternal writing Méira Cook Erín Moure Melanie Dennis Unrau Mother myths Postcolonial writing Motherhood studies Motherhood and feminism Prairie women poets Regional literature Rita Bouvier Sally Ito Sarah Klassen Su Croll Subjectivity Writing and motherhood Writing the other

Search results

Matrilineal performance-to-camera : exploring maternal aesthetics and the frame

Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry