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Motherhood and Teaching in Jamaica: A Modified Life History Approach2015 August 1900 (has links)
This study uses a modified life history approach to gain deeper insights into the lived experiences of three teachers who became mothers while serving in Jamaica. This study was conceptualized as a result of my experiences as a teacher who became a mother. I was desirous of investigating if other teachers who became mothers in Jamaica experienced similar personal and professional transformation as a result of motherhood. The use of a life history approach necessitates an exploration of the wider historical, familial, socio-political, cultural, and economic factors influencing the lived experiences of participants and the meanings they give to their experiences.
Dominant themes highlighted in the data include: the ideology that the overarching goal of education in Jamaica is for social mobility and an escape mechanism from poverty. Becoming a mother has resulted in participants taking greater levels of interest in the holistic development of students, rather than only emphasizing their academic development as they did prior to becoming mothers. Participants also developed more empathy for parents and closer collegial relationships when they became mothers. Participants’ relationships with administration were two-fold; on one hand they lobbied for improvements to their working conditions which may have a positive impact on their family life; while on the other hand, they also cared more about self-preservation in order to adequately meet the needs of their families. Motherhood also provided opportunities for participants to become more involved in various social groups in their communities. Various socio-political and economic challenges in Jamaica resulted in participants migrating to a Prairie city with their families. However, living in a multi-cultural society where they are racial minorities has presented its own challenges. Participants are negotiating the notion of home and being outsiders.
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The (Pro)Creators of Culture: Women Artists as Daughters and Mothers in Brazilian and Canadian FictionCunha, Lidiane Luiza Unknown Date
No description available.
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Žena Bible ve spektru civilizací : Role ženy pohledem českých křesťanek / Woman of the Bible in the Spectrum of Civilizations - How Czech Christian Women View WomanhoodWINSTED, Margareta January 2012 (has links)
This thesis concerns scientific, philosophical and religious views of womanhood. Its main focus is the nature of biblical womanhood, based on the papal apostolic letter Mulieris dignitatem and contemporary studies of American biblists, concerning biblical manhood and womanhood. The practical section consists of qualitative research among Czech Christian women. It examines how Christian women view their role and practically implement principles of biblical womanhood in their family, society and church. The aim of this thesis is not to evaluate controversial issues, such as women?s ordination, homosexuality, or other questions regarding womanhood. Nevertheless, it seeks to explore biblical womanhood in practice, as well as the concerns and struggles of real Christian women. Of no less importance, this research tries to identify how Christian women, who are a minority in the Czech Republic, develop their views on biblical womanhood, the sources from which they draw, as well as the models, which influence them.
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Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetryHiebert, Luann E. 11 April 2016 (has links)
Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potential site for representing maternal subjectivities, poetry continues to reside on the margins of motherhood studies and literary criticism.
In the following chapters, I examine the writing strategies of selected poets and their representations of mothers specific to three transformative occasions: mourning mother-loss, becoming a mother, and reclaiming a maternal lineage. Several daughter-poets adapt the elegy to remember their deceased mothers and to maintain a connection with them. In accord with Tanis MacDonald and Priscila Uppal, these poets resist closure and interrogate the past. Moreover, they counter maternal absence and preserve her subjectivity in their texts. Similarly, a number of mother-poets begin constructing their mother-child (self-other) relationship prior to childbirth. Drawing on Lisa Guenther’s notions of “birth as a gift of the feminine other” and welcoming the stranger (49), as well as Emily Jeremiah’s link between “‘maternal’ mutuality” and writing and reading practices (“Trouble” 13), I investigate poetic strategies for negotiating and engaging with the “other,” the unborn/newborn and the reader. Other poets explore and interweave bits of stories, memories, dreams and inklings into their own motherlines, an identification with their matrilineage. Poetic discourse(s) reveal the limits of language, but also attest to the benefits of extra-linguistic qualities that poetry provides. The poets I study here make room for the interplay of language and what lies beyond language, engaging the reader and augmenting perceptions of the maternal subject. They offer new ways of signifying maternal subjectivities and relationships, and therefore contribute to the ongoing research into the ever-changing relations among maternal and cultural ideologies, mothering and feminisms, and regional women’s literatures. / May 2016
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