This thesis seeks to investigate the role that blogs play in contemporary South African journalism through examining six blogs in the South African blogosphere and their content choices. This thesis draws on four key theoretical frameworks around which the research questions have been formulated: New Media and Journalism, Journalistic Blogging, Audiences and the Public Sphere. There are three key research questions: 1. What is the role played by blogging in contemporary South African journalism? 2. To what extent has the blogosphere become a Public Sphere? 3. How have blogs influenced/changed/impacted on the style and content of South African journalism? The qualitative data collected through blog observation, interviews with blog owner/ editors and concluded focus group discussions with blog readers, is designed to help reveal the role blogs and bloggers play in contemporary South African journalism, and through discussions with the audience and monitoring conversations online, help explore the possibilities of a public sphere. The conclusion of this thesis is that blogs do play a role in contemporary South African journalism and can serve as an effective public sphere. Defining what it means to be a journalist and recognising the differences between blogger and journalist is an issue that needs to be effectively understood before a conclusive agreement is to be reached in the blogger/journalist debate. However, for now the relationship between South African news agents and South African bloggers is promising. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.

The Internet has been lauded as an open and free platform from which one is able to engage with, and share large amounts of information (Stallman, 1997). As one witnesses the shift from analogue media to digitalism, so too is it possible to note a change in cultural practices of media consumers. Users of the media can now be viewed as “prosumers”, producing as well as consuming media products (Marshall, 2004). Digital media users have been given the ability to engineer their own unique media experiences, especially within the realms of the Internet. However, this process has seemingly led to mass copyright infringement as Internet users appropriate various movies, music, television programmes, photographs and animations in order to create such an experience. The art of digital mashing in particular, has been deemed an explicit exploitation of intellectual property rights as it re-cuts, re-mixes and re-broadcasts popular media in a number of alternative ways. YouTube especially has been at the forefront of the copyright furore surrounding digital mash-ups because it allows online users the facility to post and share these video clips freely with other online users. While YouTube claims that they do not promote the illegal use of copyrighted material, they simultaneously acknowledge that they do not actively patrol that which is posted on their website. As such, copyright infringement appears seemingly rife as users share their own versions of popular media through the art of digital mashing. This dissertation however, explores the concept that the creation of mash-ups is not undermining intellectual property rights, but instead produces a new avenue from which culture can emerge. It highlights how Internet users are utilising the culture which surrounds them in an attempt to navigate the new social structures of the online, subsequently arguing that mash-ups are an important element of defining a new postmodern culture, and that the traditional copyright laws of analogue need to be modified in order to secure the development of new and emerging societal structures. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2010.

This dissertation seeks to investigate the role of the tabloid newspaper, Daily Sun, in contemporary South Africa by exploring the meanings that readers of the newspaper appropriate through their engagement with it and the uses to which they put these meanings. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2008.

This dissertation explores Mobile Media Technologies (MMT’s) namely, cellphones, laptops and MP3 players, and their prevalence in public space as well as how they are being used within the space. Much of my research analyses the impact of MMT’s on social behaviour and the extent to which they can be seen as the harbingers of a new “postmodern” form of social organisation. My research is predominantly an observational study which is conducted within the postmodern space of the shopping mall. Through my research I discuss the multiple spaces within the shopping mall environment and I explore how humans behave, interact and construct their identities within this space; these ideas are evaluated in terms of the “modern” and the “postmodern” paradigms. “Postmodernity” and “modernity” are not mutually exclusive and as a result there are ambivalences in terms of how individuals relate to how MMT’s are being used in public space. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2008.

This thesis explores the question, “What literary strategies can be employed to allow as many people as possible to identify themselves positively with South Africa as a nation and a country?”. I focus in particular on the possibilities for identification open to white South African women, engaging with Antjie Krog's English texts, A Change of Tongue, Down to My Last Skin and Body Bereft. I seek to identify the textual strategies, such as a fluid structure, shifts between genre and a multiplicity of points of view, which Krog employs to examine this topic, and to highlight the ways in which the literary text is able to facilitate a fuller engagement with issues of difference and belonging in society than other discursive forms. I also consider several theoretical concepts, namely supplementarity, displacement and diaspora, that I believe offer useful ways of understanding the transformation of individual subjectivity within a transitional society. I then explore the ways in which women identify with, and thereby create their own space within, the nation. I investigate the ways in which Krog represents women in A Change of Tongue, and discuss how Krog uses „the body‟ as a theoretical site and a performative medium through which to explore the possibilities, and the limitations, for identification with the nation facing white South African women. I also propose that by writing „the body‟, Krog foregrounds her own act of writing thereby highlighting the construction and representation of her „self‟ through the text. I proceed to consider Krog's use of poetry as a textual strategy that enables her to explore the nuances of these themes in ways which prose does not allow. I propose that lyric poetry, as a mode of expression which emphasises the allusive, the imaginative or the affective, has a capacity to render in language those experiences, emotions and sensations that are often considered intangible or elusive. Through a selection of poems from Down to My Last Skin and Body Bereft, I examine the way in which Krog constantly re-writes the themes of belonging and identity, as well as interrogate Krog's use of poetry as a strategy that permits both the writer and the reader access to new ways of understanding experiences, in particular the way apparently ephemeral experiences can be rooted in the body. I also briefly consider the significance of the act of translation in relation to the reading of Krog's poems. I conclude by suggesting that in A Change of Tongue, Down to My Last Skin and Body Bereft Krog engages with the project of “[writing] the white female experience back into the body of South African literature” (Jacobson “No Woman” 18), and in so doing offers possible ways in which white South African women can claim a sense of belonging within society as well as ways in which they can challenge, resist, re-construct and create their identities both as women, and as South Africans. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.

Ireland experienced an unprecedented arrival of immigrants during the years of economic prosperity. The new diversity was met with divided public opinion towards non-Irish and an increasingly selective immigration policy. The media, as a main contributor to public discourse, play an important role in the construction of migrant images and therefore have a profound impact on such developments. Employing a combination of quantitative and qualitative content analysis, this study examines whether different immigrant groups have the same chance of favourable or unfavourable portrayal in daily newspapers. Based on the most frequent roles and topics associated with Poles, Nigerians and Chinese, a selection of newspaper articles is subjected to in-depth analysis. The overarching result that there is not one image of the Irish media illustrates how difficult, if not impossible, it is to arrive at findings that can be generalised. Individual newspapers are found to pursuit varying and sometimes covert strategies in the representation of immigrants. It is further shown that immigrants who are perceived as culturally closer to Irishness have a higher chance of favourable portrayal than those who are perceived as culturally more distant. Some commonly accepted perceptions of immigrants are unmasked as myths.

No description available.