Global ETD Search

1	The Insane Narrator in Contemporary American Fiction Coelen, George Ronald 08 1900 (has links) This study is an inquiry into the relationship between the contemporary American writer's understanding of American reality and his attempt to convey this reality by the use of an insane first-person point of view character. The purpose of this paper is to demonstrate that the insane narrator's point of view not only recreates the feeling of absurdity through the disjointed point of view of the madman, but also points to the absurdity in contemporary American life. The first part of this study analyzes the narrators in Henderson the Rain King, The Bell Jar, and Lancelot. The second part uses A Fan's Notes, One Flew Over the Cuckoo's Nest, and Breakfast of Champions to discuss the problems that arise from the use of an insane narrator. insane narrator American reality American fiction Mentally ill in literature.
2	The representation of madness in Margaret Atwood's Alias Grace Kreuiter, Allyson 01 1900 (has links) The central tenet of the study is that language and madness are bound together, language both including madness and perpetuating the exclusion of madness as 'other'. The first chapter considers the representation of madness in Atwood's novels The Edible Woman, Surfacing and Alias Grace from the perspective ofFoucauldian and Kristevan theories oflanguage and madness. Alias Grace becomes the focus in the second chapter. Here the syntax of madness is traced during Grace's stay in the mental asylum. Language, madness and sexuality are revealed as a palimpsest written on Grace's body. The final chapter looks at Grace's incarceration in the penitentiary and her dealings with the psychologist Dr. Simon Jordan where Grace's narrative tightly threads language and madness together. Underlying each chapter is a concern with how language and madness are in permanent interaction and opposition writing themselves onto society and onto Grace. / English Studies / M.A. (English) Madness Representation Atwood Alias Grace Dionysian Appollonian Kristeva Foucault Language Nietzsche 813.54 Evil in literature Mental illness in literature Mentally ill in literature Psychoanalysis and literature Sex role in literature
3	The representation of madness in Margaret Atwood's Alias Grace Kreuiter, Allyson 01 1900 (has links) The central tenet of the study is that language and madness are bound together, language both including madness and perpetuating the exclusion of madness as 'other'. The first chapter considers the representation of madness in Atwood's novels The Edible Woman, Surfacing and Alias Grace from the perspective ofFoucauldian and Kristevan theories oflanguage and madness. Alias Grace becomes the focus in the second chapter. Here the syntax of madness is traced during Grace's stay in the mental asylum. Language, madness and sexuality are revealed as a palimpsest written on Grace's body. The final chapter looks at Grace's incarceration in the penitentiary and her dealings with the psychologist Dr. Simon Jordan where Grace's narrative tightly threads language and madness together. Underlying each chapter is a concern with how language and madness are in permanent interaction and opposition writing themselves onto society and onto Grace. / English Studies / M.A. (English) Madness Representation Atwood Alias Grace Dionysian Appollonian Kristeva Foucault Language Nietzsche 813.54 Evil in literature Mental illness in literature Mentally ill in literature Psychoanalysis and literature Sex role in literature

1

Page generated in 0.1344 seconds