Thesis (M.Journ.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 28-30). Also available in print.

Thesis (Ph.D.)--Hong Kong University of Science and Technology, 2006. / Includes bibliographical references (leaves 325-331). Also available in electronic version.

Thesis (M. Phil.)--Hong Kong Baptist University, 1996. / Thesis submitted to the Dept. of Chinese Language and Literature. Includes bibliographical references (leaves 250-256).

Xingshi Yinyuan Zhuan 醒世姻緣傳 is a vernacular Chinese novel which was composed in late Ming or early Qing dynasty by an anonymous author in what is now modern Shandong province. Like most of the counterparts to this novel during the same era, Xingshi was composed not as an “art for art’s sake”, but as a vehicle for moral edification and education; it discusses many pressing social issues existing at a time of social turmoil, such as government corruption, moral depravity, migration of peasants due to natural disaster and agricultural involution, roving bandits, the subversion of the gender roles, etc. The novel discussed the social issues through the lives and activities of the residents of an ordinary Shandong town named Mingshui, a microminiature of Qing dynasty China, and presents the golden era of Mingshui which is a microminiature of an idealized Chinese society. This dissertation is a study on the Utopian chapters of this novel with the texts translated into English language with annotations; these chapters are both a continuation of Chinese Utopian literature tradition, as well as the embodiment of the author’s unique understanding of various philosophical and religious schools.<div>Up until now, due to limited resources and texts, little is known about the life and thoughts of the author of Xinshi and the study on the Utopian chapters will shed light on further explorations of the identity and political philosophy of this author.</div>

Thesis (M. Phil.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 285-301).

Thesis (M.A.)--University of Hong Kong, 1981. / Also available in print.

Thesis (M.A.)--University of Hong Kong, 1997. / Includes bibliographical references (leaf 61-66). Also available in print.

Thesis (M.A.) -- Guo li Taiwan shi fan da xue. / Reproduction of ms. Bibliography: p. 1277-1304.

Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02

Ming Dynasty women¡¦s literature vigorous growth , emerges many famous family talented women , their poetic composition mostly reflects inner chamber female¡¦s life spirit in the feudal society , the work style many to chant the bosom to mourn perhaps to describe the scenery chants the thing , lacks the profound social surface . Until the end of the Ming and beginning of the Qing dynasty , in national hurriedly turmoil time , after the inner chamber poet degenerates into loses the people , woman¡¦s transfers the reflection chaos caused by war¡¦s reality and nationality¡¦s contradiction in literary production style , in the work presents the strong wandering feeling , sorrow of the exileing home and goes to pain of the country . In the Chinese history . During the end of the Ming and beginning of the Qing dynasty , the female poets have not been neglected in the historical mighty current , they and the masculine writer are the same , they experience are destitute and homeless because of war , and comes the testimony time by feminine sound and the angle of view . They expresses feeling , sadness family country the life experience by writing . This study is the discussion female poets of Ming adherents during the end of the Ming and beginning of the Qing dynasty . They narrate personal experience of politics turmoil by own sound and the angle of view . They are not only event¡¦s relators, is also the party concerned . Facing being destitute and homeless because of war, they reveal individual will, the sentiment and the choice in the poetic composition . Female poets¡¦ narration is always neglected outside the literature of Ming adherents writing . Is ¡§ the small narration ¡¨ not under a historical ¡§ big narration ¡¨ link ? Whether it can be regarded as supplement of history , waits for continuing to explore deeply. This study collects poets from the Ming and Qing Dynasties poetry anthology and selects achiever of female poets to discuss about their biography , their poetic composition and their spirit of Ming adherents . The research of literature of Ming adherents writing always focuses in the male poets , female poets actually little to obtain scholar's favor . Therefore this study attempts to seeks female poets¡¦ position and value in the literature of Ming adherents writing .