Starting from the observation that Deuteronomy commands a tradition of performing the Song of Moses (Deuteronomy 32.1-43), in this dissertation I explore ways in which the performance of the Song contributes to Deuteronomy's educational program through an effect on those who perform the Song. In order to do so, I employ a performance-based approach that stresses the dynamic of re-enactment that operates in traditions of performance; I argue that performers of the Song are to be transformed as they re-enact not only the characters within the Song but also those who came before them in the history of the Song's performance, particularly YHWH and Moses, whom Deuteronomy depicts as that tradition's founders. In support of this thesis, I provide a close reading of the text of the Song (as preserved in Deuteronomy and as informed by Deuteronomy's account of its origins and subsequent history) that examines how the persona of the performer interacts with these re-enacted personas in the moment of performance. I also argue that the various composers of Deuteronomy themselves participated in the tradition of performing the Song, adducing examples from throughout the book in which certain elements originally found in the Song have been adopted, elaborated, acted out, or simply mimicked while being put to another use. / Near Eastern Languages and Civilizations

<p>This study identifies and elaborates on a theme in the Hebrew Bible (HB) that has largely gone unnoticed by scholars: the transition of a male adolescent from boyhood to manhood. Beyond identifying the coming-of-age theme in different HB texts, the project also describes how the theme is employed by biblical narrators and redactors to highlight broader messages and transitions in the historical narratives of the HB. It also considers how these stories provide insight into the varying representations of biblical masculinity.</p><p> The project begins by showing how the recent discussions on masculinity in the HB and biblical rites of passage are incomplete without an analysis of how a boy becomes a man in the biblical text. It then establishes important principles for recognizing the maturation theme in a given narrative. More foundational work is done in chapter 2, which describes the characteristic features of manhood and boyhood as depicted in the HB to facilitate the identification of narratives where a transition is made from boyhood to manhood. </p><p> The next two chapters identify five case studies of coming-of-age: David in 1 Sam 17; Solomon in 1 Kgs 1-2; an alternative tale of Solomon's maturation in 1 Kgs 3; Moses in Exod 2; and Samuel in 1 Sam 3. Chapter 5 discusses the converse of the coming-of-age theme by presenting stories of boys who fail to mature: Jether in Judg 8, and Samson in Judg 13-16. In each case study, the narrator's techniques for highlighting the maturation theme are identified. The ways that the narrator employs the theme to point to other significant plot points or narrative transitions are also identified. Most notably, the failure-to-mature theme in the Samson narratives typifies Israel's political immaturity in Judges, and the two alternative tales of Solomon's maturation highlight an important transition in the Deuteronomistic History from the uncertain and often bloody years of the monarchy's establishment to the peaceful, prosperous reign of Solomon. </p><p> The seven case studies are also examined for the image of masculinity that they present, and that presentation is compared to the general view of manhood in the HB. Five of the seven offer quite similar images of masculinity; and these also cohere to the general picture of biblical manhood. However, two narratives (Samuel's maturation in 1 Sam 3 and Solomon's in 1 Kgs 3) depart from this conception of masculinity, each in the same way: both depict a masculinity free of violence and the need for the constant, forceful defense of manhood and honor. Since these two texts have often been ascribed to the same author, the Deuteronomistic Historian, the study suggests that he may be offering a new view of masculinity more suited to his historical context. </p><p> The project ultimately proves that the theme of male coming-of-age, heretofore virtually unrecognized, is found in several biblical texts. Moreover, this theme is often used to indicate other important messages and transitions in Israel's historical narrative and can provide unique insight into biblical constructions of masculinity.</p> / Dissertation

Through a contextual reading of the exodus narrative, this study explores various struggles that Moses faced as he led the Hebrew slaves out of Egypt. During the journey the people complained, not only because of the hardship in the wilderness, but, at a time, they rebelled against Moses' leadership and challenged the institutions he put in place. Moses responded to these rebellions, either by earnest intercession in favor of the community or by letting God's wrath suppress violently the contention. The narrative raises a number of issues related to the exercise of leadership, especially leadership contest that many leaders today still wrestle with. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.

No description available.

Thesis (MA (Theol.)-University of Pretoria, 2008. / Includes bibliographical references.

Thesis--ha-Universiṭah ha-ʻivrit bi-Yerushalayim. / Added t.p.: The thought of R. Zerahiah b. Isaac b. Shealtiel Hen & the Maimonidean-Tibbonian philosophy of the 13th century. Includes English summary. Bibliography: leaves 293-301.

<p>Although interest in the work of untrained artists has surged recently, appearing everywhere from the Venice Biennale to The New Yorker, the art world’s fascination with American autodidacts began nearly a century ago. My dissertation examines how and why American artists without formal training first crashed the gates of major museums and galleries between 1927 and 1940 through case studies on the most celebrated figures of the period: John Kane (1860–1934), Horace Pippin (1888–1946), and Anna Mary Robertson "Grandma" Moses (1860–1961). All three painters were exhibited as “modern primitives,” a category that emerged in the wake of the French naïve Henri Rousseau (1844–1910) but which took on a distinct character in the United States where it became a space for negotiating renewed debates about authenticity in American art as well as pervasive social anxieties over how immigration, race, and industrialization were changing the country. In addition to establishing how the “modern primitive" fit into the pluralistic landscape of American modernism, my dissertation reaches into the present, exploring how the interwar breakthroughs of Kane, Pippin, and Moses prefigured the ubiquity of self-taught artists—often referred to as “outsider” artists—in American museums today.</p> / Dissertation

This paper focuses on some areas related to the topic of the Ten Commandments. Main part is a translation of chosen chapters of the work Tiferet Yisrael. Namely Chapters 33-36, which describes the opinion of the author (Rabbi Loew) on this topic. The translation is accompanied by commentary, which make it more comprehensive, and it is compared with texts that are in the environment of traditional Judaism deemed as essential. Powered by TCPDF (www.tcpdf.org)

Significant differences as well as similarities between Islam and Christianity in the areas of the transcendence of God is the main discussion of the thesis. The investigation of the transcendence of God in the Bible and the Qur’an is within the limits of corresponding relationship accounts of God with Adam, Abraham, and Moses. Selected passages are used as examples to fulfil the aim of the study. Through this study an attempt is also made to determine what constitutes different aspects of theologies and practices of Christianity and Islam. The preliminary preparation of the study and the orientation of the readers into the transcendence of God are dealt with in the first three chapters: Chapter 1 presents an overview of the research as well as the various aspects of research methodology, chapter 2 describes the similarities and differences of the Qur’an and the Bible in order to present an appropriate approach to the exegesis of the selected passages, and chapter 3 establishes the theological issues of the transcendence of God from the views of both Christian and Muslim scholars. The main discussion of the transcendence of God unfolds in chapters 4 and 5. Chapter 4 investigates how God reveals his will in respect to the Qur’an and the Bible, particularly the Old Testament, and describes and analyses the transcendence of God revealed in the Old Testament and the Qur’an within the limits of the parallel passages dealing with Adam, Abraham, and Moses. Chapter 5 carries over the results of chapter 4 to find the cause of the differences between the corresponding episodes of the Old Testament and the Qur’an with regard to the transcendence of God, and analyses the implications of the transcendence of God with regard to the differences in Christianity and Islam theology. Finally, chapter 6 concludes the study as well as presents implications and solutions for the Christian-Muslim conflicts and the necessity for further studies. In conclusion, the exegesis of identical passages concerning God’s relationship with man found in both the Qur’an and the Bible establishes that the Qur’an presupposes that God, maintaining absolute transcendence from creation, will not allow his immanent state with man. Thus, Muslims can only have a transcendent relationship with God, which diminishes their ability to know God, and closes the door to personal relationships between God and man. The lack of God’s personal relationship with man has been a key factor in shaping the theology of Islam. In the Bible, on the other hand, God’s relationship with man is expressed in both his transcendence and immanence. God first wanted his immanent state with man, but due to man’s sinful state the ontological transcendent relationship has been established. God, in turn, uses his transcendence as a method of immanence with man. This transcendence-immanence of God is evident through Christian theology which can be expressed as God’s horizontal-vertical relationship compared to the vertical relationship of God in Islam. / Thesis (PhD)--University of Pretoria, 2009. / Biblical and Religious Studies / unrestricted

This Master thesis deals with machine translation from Czech to Slovak. The first chapter motivates the work, the second discusses various approaches to machine translation and the third details evaluation of the methods. Chapter 4 introduces the design and implementation of my system, paying a special attention to a new parallel corpus that has been created. Chapter 5 summarizes testing and evaluation of the developed system.