No description available.

The changing demographics of the United States directly impacts the populations that music therapists serve. The American Music Therapy Association (AMTA) provides a list of competencies regarding race, culture, and diversity, but how these are addressed in the classroom is not standardized. The purpose of this study was to examine music therapists’ perceptions of their training in multicultural competence. The researcher emailed 7,539 board-certified music therapists, 631 of whom completed the survey. Results indicated that 55.6% of music therapists think that multicultural competence is important, and the majority said that they felt prepared to demonstrate multicultural competence after completion of an undergraduate/equivalency music therapy program. Chi square analyses showed no significant associations between ratings of importance and gender or race/ethnicity. Results also indicated that classroom instruction was the most common way the competencies were addressed in undergraduate/equivalency programs. Qualitative analysis of how participants thought they could be better prepared revealed four themes: music skills, curricular integration, experience, and classroom activities.

My dissertation titled Two Models of Consensus is based on five arguments. 1. Consensus is asymmetrical. 2. Consensus is partial or limited unanimity. 3. Consensus and democracy do have a concomitant relation. 4. Consensus is not organic to political systems. 5. Consensus depends upon civil society, subsidiarity, and the dominant cultural paradigm of society. In the first chapter titled "Historical Specificity of the Western Conception of Civil Society" I argue that concept of civil society evolved under certain conditions in a liberal democratic tradition such as shared social imaginaries. As an example of how diversity could lead to hypostatization of cultural differences, I exposit the concept of Indian caste system. In the second chapter, "Intersubjectivity and the Problem of Cultural Identities", I compare the ideas of Hans Georg Gadamer and George Herbert Mead about self- interested action and mutual cooperative action. Gadamer and Mead emphasize intersubjective communication, I Thou relationships. I explain the importance of the I Thou relationship for a consensual activity. The third chapter, "Consensus in the Realm of Science", discusses the impact of science as the context of justification in advanced liberal democracies and its effect on consensus. Charles Sanders Peirces attempt to apply his scientific method to arrive at a consensus in the social sphere is also discussed in this chapter. In the fourth chapter, "Kwasi Wiredu The Akan Conception of Communitarian Consensus", I discuss Kwasi Wiredus emphasis on achieving a consensus on the basis of what is and not what ought to be, in the social realm. Wiredu differentiates between a government by consent and a government by consensus. I elaborate Wiredu's abakysis of the process of consensus that was in vogue in the Akan community of Ghana. In the final chapter, "Political Consensus - Intra-cultural and Extra-cultural," I argue that consensus is asymmetrical. It is imperative to compromise in social, political, economic, and religious beliefs on the basis of weak deontological and weak consequential approaches. Consensus necessitates a synthesis of different kinds of social actions such as purposive-instrumental, traditional, value-laden, and communicative action into what I call the Cooperative Action. Only such an action can speak across cultures and facilitate genuine cross-cultural interaction.

Raising ghosts examines the political and cultural climate in Australia in the mid-20th century, and proposes that e?migre? and migrant artists to a significant extent were the catalysts of change and progenitors of new forms of painting in the post-war years. It uncovers a largely hidden but fertile terrain in Australian modernism. / thesis (PhDVisualArts)--University of South Australia, 2000.

The focus of this thesis is to emphasise the lived experience of being a migrant, and of living in a multicultural society, and to acknowledge the multi-dimensionality of these experiences. The author conducted interviews with people from ethno-specific community groups in the Sydney suburb of Auburn. These interviews explored the physical, emotional and spiritual aspect of coming to terms with a changing sense of what is home and what is foreign. The tenor of the thesis is strongly optimistic and explores the social ecology of multiculturalism in Australia in the late 1990's, using Auburn, with its strong immigrant population and large Turkish community, as a case study. The contributions by the people of Auburn are woven through the thesis as voices in their own right, rather than as quotations for a line of argument. Social ecology, as a project, works to open up dimensions of awareness and to acknowledge complexity by addressing the physical and sensory levels of individual experience as well as the broader political and social contexts which frame people's lives. The thesis acknowledges that the success of contemporary Australian multiculturalism has something to do with the broad based policies that implement this social phenomenon. More importantly, multiculturalism succeeds because it has become the culture scape in which the soul of the community wanders. This thesis acknowledges that there is something intellectually difficult about the word soul, but there is an ecological value in James Hillman's idea of the soul as not an elevated idea but rather one 'down in the earth'; soul in this sense is about place, finding and taking root in a new place. / Doctor of Philosophy(PhD)

Global diasporas caused by wars carry many streams of people - in the 1970s one of these streams contained orphans from Vietnam delivered to white parents in the West. On arrival, the social expectation was that these children would blend seamlessly into the culture of their adoptive parents. Now some adoptees, as adults, reflect on their lives as 'Asian' or racially 'Other' children in white societies, charting the critical points in their maturation. This thesis interrogates their life histories to explore the role of birth-culture in the self-definition of people removed from that culture at birth or in childhood. Thirteen adult adopted Vietnamese participants were interviewed. These interviews provided qualitative data on issues of racial and cultural identity. These data were developed and analysed, using a framework drawn from symbolic interactionism and cultural studies, in order to reveal the interpersonal dynamics in which people were involved, and the broader cultural relations that sustained them. The findings reveal that in early childhood the adopted Vietnamese identity process was shaped by a series of identifications with, and affirmations of, sharing their adoptive parents racial and cultural identity. Such identifications were then challenged once the adoptees entered society and were seen by others as different. The participants' attempts to locate a secure sense of self and identity within the world they are placed in are disturbed by numerous uncertainties surrounding racial and cultural difference. One of the most crucial uncertainties is the adopted Vietnamese knowledge about their cultural background. While most felt they lacked positive knowledge about Vietnam and racial diversity, their sense of identity was unsettled by experiences with racism and negative cultural stereotypes throughout their late childhood to adolescence. As their recognition and acceptance of their difference develops in adulthood, they experience a degree of empowerment due to their being able to access more knowledge about their cultural background and a greater appreciation of racial diversity. Many participants have formed closer ties with other people born in Vietnam, most notably other adoptees; most returned to visit Vietnam. The thesis concludes that those adoptees who were able to develop an understanding of the Vietnamese and other backgrounds to their complex identities, tended to be more integrated as adults than those who either rejected or were unable to come to terms with their Vietnamese ancestry.

This thesis explores the desirability of Australia???s State museums to be inclusive of diverse cultures. In keeping with a cultural studies approach, and a commitment to social action, emphasis is placed upon enhancing the ability of State museums to fulfil obligations and expectations imposed upon them as modern collecting institutions in a culturally diverse nation. By relating the desirability and ability of State museums to attaining social justice in a multicultural Australia through broadening the concept of Australia???s heritage, the thesis is firmly situated within post-colonial discourse. The thesis analyses State multicultural, heritage, and museum legislation, in New South Wales, Victoria, and Queensland, with regard to State museums as agents of cultural policy. Results from a survey, Greeks and Museums, conducted amongst Australia???s Greeks in Sydney, Melbourne and Brisbane, reveal an anomaly between their museum-going habits and the perception of those habits as expressed by government policies promoting the inclusion of Australians of a non-English speaking background in the nation???s cultural programmes. In exploring the issue of inclusiveness, the thesis highlights the need for cultural institutions to shift the emphasis away from audience development, towards greater audience participation. The thesis outlines an initiative-derived Queensland Model for establishing an inclusive relationship between museums and communities, resulting in permanent, affordable, and authoritative collections, while simultaneously improving the museums??? international reputation and networking capabilities. By using the example of one of the nation???s non-indigenous communities, and drawing upon material obtained through the survey, and a catalogue containing photographs and lists of Greek textile collections found in the Powerhouse Museum (MAAS), Sydney, the National Gallery of Victoria and the Immigration Museum, Melbourne, the Queensland Art Gallery and the Queensland Museum, Brisbane, as well as collections owned by private individuals, the thesis focuses on the role played by museums in constructing social cohesion and inclusiveness.

n/a

This is a study of the discourse contest concerning the officialisation of English in the United States. It consists of an analysis of the language of that discourse shaped by a belief that discourse is a rather neglected but potentially illuminating area of examination of language and literacy policy. The study seeks to understand the processes and content of language policy as it is being made, or performed, and is influenced by a critique of the theory and practice of language policy which tends to adopt technicist paradigms of examination that insufficiently elucidate the politics of the field. ¶ Accordingly a systematic gathering of the texts of language disputation in the US was collected. These texts were organised in response to the methods of elicitation. Semi-elicited texts, elicited texts and unelicited texts were gathered and tested to be sure that they constituted a fair representation of the concourse (what had been said and was being said about the issue) over a 15 year period. Those statements, or texts, that had particular currency during the 104th Congress were selected for further use. An empirical examination of the subjective dispositions of those activists involved in the making of official English, or of resisting the making of official English, was conducted. ¶ This examination utilised the Q methodology (inverted factor analysis) invented by William Stephensen. The data from this study provided a rich field of knowledge about the discursive parameters of the making of policy in synchronic and diachronic form. Direct interviews were also conducted with participants, and discourse analysis of ‘naturally occurring’ (unelicited texts) speeches and radio debates and other material of persuasion and disagreement was conducted. ¶ These data frame and produce a representation of the orders of discourse and their dynamic and shaping power. Against an analysis of language policy making and a document analysis of the politics of language in the United States the discourses are utilised to contribute to a richer understanding of the field and the broad conclusion that as far as language policy is concerned it is hardly possible to make a distinction with political action. ¶ The theoretical implications for a reinvigorated language policy theory constitute the latter part of the thesis. In the multi-epistemological context that postmodernity demands, with its skepticism about the possibility of ‘disinterest’, the thesis offers its own kinds of data triangulation, and the making central of subjective dispositions and political purposes and engagements of the principal anatagonists.

This thesis examines the representation of racial violence in black British literature. Long part of the black British experience, from racial murder to premeditated campaigns of harassment targeting individuals and families, and to police brutality, racial violence has curiously attracted next to no critical attention. This is particularly true of fictive representations, where black writers have sought to capture and convey the embodiment of racism and particularly the nature of what bell hooks has described as “white terror”. This thesis argues that this lacuna is a consequence of the concern to establish admixture, as expressed by terms such as hybridity, syncretism, and creolisation, as the central point of reference in discussions about black British identities. Triumphal accounts of British multiculturalism have followed the success of this paradigm, although some seek to partially solemnise the celebrations with merely passing references to the victims of real life racial murders. Abstract notions of “becoming” deflect attention from uninterrupted processes of forcible essentialisation from without, where the “other” serves as handmaiden to the formation of white subjectivities. This is the case with violent racism, where subjective violence, or physical violence, operates in tandem with symbolic violence, or racialised stereotypes, to essentialise the “victim”. In so doing the perpetrator rapidly arrives at a form of white racialised subjectivity which however must be continually refreshed through further symbolic or physical violence. As Pnina Werbner has argued, these experiences have ontological significance for the victim also and the communities for which the victim was taken be a representative. However this significance has been largely ignored, or at least bracketed, in accounts bent on celebrating “new ethnicities” and postcolonial London, an emerging disciplinary field which, in John McLeod’s words, examines the ways that the capital’s “transcultural facticity has made possible new communities and forms of culture” and which have the added effect of disrupting the “pastoral articulation of English national culture”. This thesis seeks to qualify the revelry that animates these accounts by foregrounding literary representations of racial violence and harassment. Each representation, drawn by writers who have been heralded as multiculturalism’s new baristas, serves as a reminder that multiculturalism is not without fierce contestation and that black lives, if not marked by violence, are still very much at risk of being targeted in this way. The novels examined include: Diran Adebayo’s Some Kind of Black; David Dabydeen’s The Intended; Hanif Kureishi’s The Black Album ; Caryl Phillips’s A Distant Shore ; and Courttia Newland’s The Scholar. Writing myself into the thesis as a socially situated reader, each novel will be examined with a concern to highlight the representation of racial violence; the spatial significance of representations; responses to racial victimisation; and the “whiteness” at work in racist violence. Using interdisciplinary resources the thesis will attempt to build a theory of white subjectivity and racial violence and throughout there will be an overarching concern to determine whether these works articulate an anti-racist position and, if so, what this may be taken to say about black tenure in multicultural Britain.