Spelling suggestions: "subject:"music - 20th century"" "subject:"nusic - 20th century""
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Tradicionalno i novo u srpskoj muzici posle Drugog svetskog rata 1945-1965 [The Traditional and the New in Serbian Music after the Second World War 1945-1965], Belgrad 1998, pp. 261 [Zusammenfassung]Milin, Melita 19 May 2017 (has links)
The aUthor of the book investigates the innovative processes in the Serbian music between 1945 and 1965, taking into due consideration the factor of tradition and the wider European context of musical development.
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New Resources in Twentieth-Century Piano Music and Richard Wilson's Eclogue (1974)Lan, Ping-Ting 08 1900 (has links)
This dissertation draws some of the innovative composers from the early 1900's to the 1960's into the spotlight to highlight their new musical and pianistic ideas. These composers, including Debussy, Schoenberg, Webern, Bartók, Cowell and others, brought new creative forces into piano music, generating many distinctive features of modern music. The discussion of new resources in harmonic language, timbre, texture, form and concept of time has a direct bearing on aspects of Richard Wilson's Eclogue itself as well as aspects of performance problems. American Composer, Richard Wilson, has written three substantial piano solo works, Eclogue, Fixations, and Intercalations. Eclogue, from 1974, is a one-movement work. The detailed analysis of Eclogue covers aspects of form, harmonic language, timbre and texture, and rhythm and time. In addition, essential issues of performance problems such as notation, rhythmic control, extended techniques, hands distribution, and pedaling are also discussed.
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Fogazzaro e la musica.Myerson, Joyce January 1971 (has links)
No description available.
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The Trumpet in Chamber Music During the 20th CenturyBauschka, Conrad Romuald 08 1900 (has links)
The purpose of this thesis is to trace the history of the trumpet in chamber music through the first half of the 20th century. It aims to discuss the technical advances in the instrument and demonstrate the importance of the trumpet in this medium. Chamber music is defined, in this thesis, as all serious instrumental music for two or more instruments played with one instrument to a part. The selections have been chosen on the basis of recognized merit of the composer, the variety of instrumentation, and the availability of music.
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Contemporary Music Studies for the Concert BandAnderson, William R. (William Ralph) 08 1900 (has links)
The purpose of this thesis is to isolate the techniques presently being used by composers and to define and explain these techniques. The thesis concludes with a series of studies based on these twentieth-century compositional techniques for high school students in the form of warm-up and technique materials. The purpose of this study was to devise a sequence of studies designed to acquaint band members with twentieth-century composition techniques found in contemporary band literature.
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Kaikhosru Shapurji Sorabji's Toccata SecondaChaulk, Jeremy January 2015 (has links)
Note:
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Almeida Prado and his extramusical inspirations : a study focused on selected piano worksThys, Marcelo January 2015 (has links)
No description available.
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Contemporary Rock Formations: Rock Elements in Classical MusicKrowicki, Marek January 2015 (has links)
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Musical Borrowing: Referential Treatment in American Popular MusicDiGiallonardo, Richard L. (Richard Lee) 12 1900 (has links)
This thesis examines the relationships between popular contemporary musical styles and classic-era art music. Analysis of pop-rock songs, and their referential treatment in art rock, classical music, and society will be examined. Pop-rock musicians borrow from the masters of the past and from each other. Rock guitarists such as Eddie Van Halen employ a virtuosic technique suggestive of Liszt and Paganini. The group Rush borrowed freely from opera seria. Frank Zappa referenced contemporary musicians as well as classical techniques. Referential treatment in popular music and the recent advancements in technology, have challenged copyright law. How these treatments and technologies affect copyright legislators and musicians will be discussed.
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Exercises for Preparing Singers to Perform Contemporary Choral MusicIvey, Milvern K. 08 1900 (has links)
This treatise has been prepared largely because of an increasing interest in contemporary music and an awareness on the part of many music educators of its merits in the curriculum of public schools and colleges. Since contemporary music is a controversial subject among directors, it has become necessary to search for specific, positive approaches to the teaching of contemporary music in high school.
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